May 15, 2018 Redux Redux: Reading About Mom By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Happy Mother’s Day! This week, read Nadine Gordimer’s Art of Fiction interview to learn why her mother would say, “Now, take it slowly, remember your heart”; Lorrie Moore’s story “Terrific Mother,” about a woman who is too often told she would be one; and Paul Carroll’s poem “Mother.” Read More
May 8, 2018 Redux Redux: Emily’s Other Daffodil By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. This week, we help you usher in the month of May with a bouquet of archival reads. Learn about John Fowles’s wild-orchid hobby in his Art of Fiction interview; follow the hunt for a flatware pattern in Belle Boggs’s story “Imperial Chrysanthemum”; and read May Swenson’s Emily Dickinson–inspired poem “Daffodildo.” Read More
May 1, 2018 Redux Redux: The Story of the Story By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. This week, we bring you Lorrie Moore’s Art of Fiction interview, Rachel Kushner’s story “Blanks,” and Kevin Young’s poem “Homage to Phillis Wheatley.” Lorrie Moore, The Art of Fiction No. 167 Issue no. 158 (Spring–Summer 2001) If one loves stories, then one would naturally love the story of the story. Or the story behind the story, pick your preposition. It does seem to me to be a kind of animal impulse almost, a mammalian curiosity. For a reader to wonder about the autobiography in a fiction may be completely unavoidable and in fact may speak to the success of a particular narrative, though it may also speak to its failure. Certainly literature has been written about and taught in this manner for a long time; it’s not new. It is sometimes, however, like so many things that are natural, unfortunate. Read More
April 24, 2018 Redux Redux: Excessive Doom Scenarios By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Sunday was Earth Day, but before you head outside to explore the wonders of nature, linger a moment with The Paris Review. This week, we bring you Gary Snyder’s Art of Poetry interview, in which he urges us to love the world; Roger Salloch’s story “Romantic Landscape”; and Mark Strand’s poem “After Our Planet.” Gary Snyder, The Art of Poetry No. 74 Issue no. 141 (Winter 1996) I feel that the condition of our social and ecological life is so serious that we’d better have a sense of humor. That it’s too serious just to be angry and despairing. Also, frankly, the environmental movement in the last twenty years has never done well when it threw out excessive doom scenarios. Doom scenarios, even though they might be true, are not politically or psychologically effective. The first step, I think, and that’s why it’s in my poetry, is to make us love the world rather than to make us fear for the end of the world. Make us love the world, which means the nonhuman as well as the human, and then begin to take better care of it. Read More
April 17, 2018 Redux Redux: The Taxman Cometh By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Today is tax day, but right now it’s time to put aside your W-2s, forget about your adjusted gross income, and take a break with The Paris Review. This week, we bring you Derek Walcott’s Art of Poetry interview, in which he argues for state support of artists; Richard Stern’s “Audit,” a revenge tale featuring a lisping IRS agent; and Frederick Seidel’s aptly named poem “Widening Income Inequality.” Derek Walcott, The Art of Poetry No. 37 Issue no. 101 (Winter 1986) I’m fifty-five now and all my life I’ve tried to fight and write and jeer and encourage the idea that the state owes its artists a lot. When I was young it looked like a romance; now that I’m older and I pay taxes, it is a fact. But not only do I want roads, I want pleasure, I want art. Read More
April 10, 2018 Redux Redux: A Poem Is a Suitcase By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. It’s National Poetry Month, so this week, we bring you … poetry: our 2008 Art of Poetry interview with Kay Ryan; Simon Worrall’s feature on literary forgery, “Emily Dickinson Goes to Las Vegas”; and Caroline Knox’s poem “Sleepers Wake.” Read More