September 4, 2018 Redux Redux: If You Can Hoe Corn for Fifty Cents an Hour … By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Yesterday was Labor Day, so this week, we bring you Jim Harrison’s Art of Fiction interview, Richard Yates’s short story “A Wrestler with Sharks,” and Henri Coulette’s “The Blue-Eyed Precinct Worker.” Jim Harrison, The Art of Fiction No. 104 Issue no. 107 (Summer 1988) If you can hoe corn for fifty cents an hour, day after day, you can learn how to write a novel. You have absorbed the spirit of repetition. When you look at my wife’s garden you understand that; the beauty of the garden—the flowers and the vegetables—that’s how an artist is in his work. And I think the background that at first nonplussed me—that rural, almost white-trash element—stood me in good stead as an artist, in the great variety of life it forced me into, the hunger to do things. Read More
August 21, 2018 Redux Redux: V. S. Naipaul By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. In remembrance of V. S. Naipaul, who died August 11 at age eighty-five, we bring you his 1998 Art of Fiction interview, his short story “My Aunt Gold Teeth,” and Derek Walcott’s poem “The Sea Is History.” V. S. Naipaul, The Art of Fiction No. 154 Issue no. 148 (Fall 1998) People can live very simple lives, can’t they? Tucked away, without thinking. I think the world is what you enter when you think—when you become educated, when you question—because you can be in the big world and be utterly provincial. Read More
August 14, 2018 Redux Redux: Help Me Find My Spaceman Lover By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Blast into The Paris Review’s archive with Allen Ginsberg’s 1966 Art of Poetry interview, where he recounts his spacey hallucinations; Robert Olen Butler’s story “ ‘Help Me Find My Spaceman Lover’ ”; and Cynthia Zarin’s poem “Saturn.” Read More
August 7, 2018 Redux Redux: Doing Battle with Your Successors By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. This week, we bring you August Wilson’s 1999 Art of Theater interview, Ben Okri’s short story “The Dream-Vendor’s August,” and Joyce Carol Oates’s poem “Wild Bamboo, Late August.” Read More
July 31, 2018 Redux Redux: On Trial By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. This week, we bring you Janet Malcolm’s 2011 Writers at Work interview, Dante Troisi’s short story “Diary of a Judge,” and Devin Johnston’s poem “Means of Escape.” Read More
July 24, 2018 Redux Redux: Writers at Play By The Paris Review Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. This week, we bring you J. D. McClatchy’s 2002 Writers at Work interview, Nancy Lemann’s short story “Sportsman’s Paradise,” and Mark Halliday’s poem “Ballplayer at Midnight.” Read More