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For our series Making of a Poem, Natalie Shapero talks about her issue no. 257 poem, “The Top of Hell.”
“I said that whatever happened in the chaos back then was just chaos, which meant there was no way to imagine if things had gone differently.”
“His poems were always ultracontemporary, unless they were of the future.”
“if she’s playing she’s playing // living or some- / thing in between.”
“I’d almost forgotten why we were heading to Himeji Castle in the first place.”
“The kids saw the scars on his fingers, that big slice on his pinkie, proof of his diligent practice morning, midday, afternoon, and night.”