The Paris Review Daily

On the Shelf

Books on the Floor, and Other News

June 13, 2013 | by

Bibliophilism (2006), by Pamela Paulsrud.

Pamela Paulsrud, Bibliophilism, 2006.

  • Flooring. Made of books.
  • “New Canadian research finds reading a literary short story increases one’s comfort with ambiguity.” ’Nuff said, really. 
  • Finland’s passport doubles as an excellent moose-themed flipbook, as it should.
  • Notes on “politeness formulae.” Or, why we inexplicably sign e-mails with unwarranted thanks.
  • Speaking of linguistics: the derivation of the term paperback.
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    Arts & Culture

    Aesthetically Speaking

    June 12, 2013 | by

    I learned not only how to read from comic books, but also how to see. I learned about line, shape, color, value, space, texture, color, balance, harmony, unity, contrast, variety, rhythm, repetition, emphasis, continuity, spatial systems, structures and grids, proportion and scale, and composition by studying and copying the drawings from the comic books of my Italian childhood. The word disegno literally meant drawing, but also design. Thus, the two were forever fused in my mind, each inseparable from the other: drawing is design, and design is, essentially, drawing.

    Il Gatto con gli Stivali (i.e., Puss ’n Boots).

    Il Gatto con gli Stivali (Puss ’n’ Boots).

    This drawing is but one example of childhood drawings (many, alas, have been lost or destroyed). They were done between the ages of four and six, circa 1971–73. I consider this by far my best period as an artist. The drawings are careful, sincere, and free of pretension. If my house were to catch fire, the small box of my remaining childhood drawings is the only artwork of mine I would try to save. Read More »

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    Look

    Picture Books

    June 12, 2013 | by

    panikanova-1

    Artist Ekaterina Panikanova paints on old books. As you can see, the results are extraordinary.

     

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    Bull City Summer

    Herald the Crack of Bats

    June 12, 2013 | by

    Photo: Frank Hunter

    Photo: Frank Hunter

    I am a pitching chauvinist. The mechanics of it are so complex, so cerebral, so deliberate—so difficult—that in the past, I’ve compared pitchers to authors and hitters to readers. Hitting a baseball is essentially reactive and instinctive; it seems like the sort of thing almost any big lug could do with enough practice, as long as he has wrists strong and quick enough to swing a bat, and decent hand-eye coordination.

    This year, the Durham Bulls have a prized young slugger, twenty-two-year-old Wil Myers. Myers hit thirty-seven home runs in the minor leagues in 2012. He was so good that the Bulls’ parent club, the Tampa Bay Rays, traded one of their best major-league pitchers for him. Myers was assigned to Triple-A Durham for a final polish, but for the first third of the season he appeared to need much more than that: on May 23, he was batting just .244, had hit only four home runs, and had struck out in 28 percent of his at-bats—among the league’s highest rates.

    Then Myers went on a tear, hitting five home runs in just six days, including one of the longest Durham Bulls Athletic Park has ever seen: a moonshot off the highest balcony of an office building that towers over left field. Read More »

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    On the Shelf

    The Knight’s Tale, and Other News

    June 12, 2013 | by

    knightpostbox

     

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    Listen

    Lydia Davis’s “Local Obits”

    June 11, 2013 | by

    In seventh grade, I was teased mercilessly about my funny speaking voice, and I’ve been self-conscious about it ever since. It took some persuading to get me to make this recording, and it’s a testament to the story that I was game: while I love many things in issue 205, “Local Obits” was what I wanted to share. Anyone familiar with Lydia Davis’s work knows that she can do a lot with a little, and this piece—composed of elliptical snatches of lives, or, rather, someone else’s distillation thereof—turns the quotidian incantatory, funny, bittersweet, strange. A master class in the minimal (if not in performance).

     

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