August 29, 2024 Dispatch Le Bloc: An Account of a Squat in Paris By Jacqueline Feldman The squat. Photograph courtesy of Benoit Méry. People stood out front as if waiting: smoking, talking. Of consecutive sets of doors, the first one bore a monogram in stenciled capitals: B-L-O-C. A grille resisted lifting, sticking. Just inside was a foyer, at the back of which stretched a crescent-shaped desk referred to by squatters as the Accueil, “reception.” Watch was kept. Behind that desk a crank could operate the grille. “This is a building of the people,” the squatter Dominique, who had worked construction, told me, referring to its history as a public health agency and its suitability for heavy use. Hard floors swept clean. Banks of cabinets, their material a blond composite, lined the halls, which at rhythms of their own let onto rooms that had been government workers’ offices. These doors, green frosted glass, shut with a clang. They kept in the warmth of space heaters. Open, they let smoke and music circulate; they aired disputes. A squatter who was a woman—women were a minority at Le Bloc—drew my attention to gaps in the fabric or paper stuck up to cover certain doors. People liked to see feet coming in the hallway, company, warning. Each door wore a padlock. Living quarters in this way took up the aboveground stories, thirty to thirty-five offices a floor. Into bathrooms, which variously came with pairs or rows of sinks, sitting or squat toilets, and mirrors, squatters had built showers. At least one room per floor served as a kitchen, but all did not have kitchen fixtures. The kitchen on the second floor, though it was much used, lacked a sink. A squatter who lived on the third floor told me they’d had, on that floor, to padlock the kitchen. Reputedly clean, it attracted the messier residents of other floors. After they finished making messes on their floors, they came and made a mess on the third floor. Though he characterized the padlock as a necessity, it embarrassed him, as the proper role for a squat, by which he seemed to mean its default action, the direction of motion within, was to open, he said, not close. Read More
August 28, 2024 Diaries A Rose Diary By Walt John Pearce The rose bush farthest to the right. Photographs courtesy of the author. April 12, 2024 I live on a mountain and am surrounded by mountains and last year I planted five rosebushes. Last year I dug five holes and it took a few days because the ground is hard where I live and it is full of bluestone and other rocks. In the old days they made use of the rocks that they found when they were digging into the ground. They built walls of bluestone to keep the cattle from going past the property line and you can still see many of these walls today and there are even some of these walls on my own property. These days the rocks are not useful to me at all and they were a big nuisance to my digging. Once the bushes were in the ground, four out of the five bushes from last year bloomed once or twice, and they had some nice flowers but it was nothing too spectacular. The blooms were small and the flowers were plagued by bugs and beetles and slugs. The beetles were the worst of the pests in the way that they crawled and in the way that they chewed on the petals. The blooms barely smelled like anything at all. The bush all the way to the right never bloomed and its leaves stayed small like fingernails. The lack of frequent blooms made every bloom feel like a gift. Now these bushes are more established and it is their second year. With another year come more established roots and with more established roots come more frequent and beautiful blooms. All of the rose experts and all of the expert rose gardeners agree on this. I prune the five bushes from last year down to the minimum. I take my clippers and trimmed off any long leftover shoots or old growth that shows signs of disease. This will help the bushes conserve energy and produce healthy and strong shoots. The five bushes from last year look like five bunches of sticks in the ground. This season is sure to produce beautiful blooms. April 13, 2024 Last year I planted three English shrub rosebushes and two hybrid tea rosebushes. This year I would never plant a hybrid tea rose. I know now that hybrid tea roses are tacky with their supermarket physique and their lack of a formal aroma. The hybrid tea rose is a Valentine’s Day card from the Dollar General and the hybrid tea rose disgusts me. Instead I will plant four new English shrub rosebushes. The English shrub rose is closer to an old garden rose or even a wild rose than a hybrid tea rose or God forbid a floribunda. By the mid-to-late nineteenth century nobody in England was that interested in old garden roses and roses that looked wild or rough. Most of these old plants would bloom only once a year, which was not enough for the greedy Victorians, who wanted fat roses to put on their tables and on their dressers. The hybrid tea rose was created and when most people see a rose in a romantic comedy they are probably looking at some version of a hybrid tea rose. Hybrid tea roses bloom many times throughout the season and they can be bred in a large variety of colors, which was very impressive to the gluttonous Victorians and their French counterparts. What the hybrid tea rose gained in abundance it lost in charm and in romance and in fragrance. Most hybrid tea roses don’t smell like anything at all. The old style of roses fell out of fashion and gardens were filled with hybrid tea roses and their demented and mutated siblings. Roses started to look less like something Rilke would cry over and more like something Oscar Wilde would use as a pattern on his silk smoking jacket. Luckily, sometime around 1950, another British guy said enough was enough, and David C. H. Austin started to work to cultivate roses that bloomed more than once a season yet had a strong and decadent fragrance and looked and felt more like an old English garden rose. Thanks to Mr. Austin these roses are now widely available and beautiful gardens around the world can be filled with roses that look like real roses and the smell of roses can be inhaled all over the world including on my own property. I preordered all of my roses online in January from David Austin Roses and there is a wonderful variety of amazing and beautiful roses available as well as many helpful guides for planting and care. It can be overwhelming to browse the David Austin Roses website due to the number of choices. I try to stay focused when I am choosing my roses and I try to not think too hard. I try to just trust my gut. In mid-April, the roses that I preordered are delivered bare-root and when you open up the box it looks like you were mailed a box of wet sticks. Read More
August 27, 2024 Letters Letters from Shirley Hazzard and Donald Keene By Shirley Hazzard and Donald Keene Izu Peninsula from Mount Echizen. Alpsdake, via Wikimedia Commons. Licensed under CC BY-SA 3.0. Usami, Izu Peninsula November 26, 1980 Dear Shirley and Francis, My thoughts have been very much with you as more and more reports come in about the earthquake in southern Italy. Of course, I know that you are not there, and that is a relief, but I’m sure you must have friends in the vicinity, and (though the reports in the Japanese press have not mentioned Capri) your house may also have been damaged. I hope that the tragedy, unspeakable as it is, has at least not directly affected you. I am writing from my room in a building overlooking the sea. It is dusk and the mountains are dark against the bluish-gray sky. It is one of the loveliest places in Japan I know and I have bought a tiny apartment on the ninth floor of a building recently erected on one of the hills overlooking the bay. Today has been clearer than I have ever seen it here. The islands that are normally concealed by mist, sea-spray or whatever it may be, are clearly visible even now. But there is a terrible irony in all this: Japanese seismologists have predicted that the next major earthquake in Japan will be here. Read More
August 23, 2024 The Review’s Review Another Life: On Yoko Ono By Cynthia Zarin Yoko Ono, Half-A-Room, from Half-A-Wind Show, Lisson Gallery, London, 1967. Photograph by Clay Perry, courtesy of Tate Modern and Yoko Ono. Recently, I found myself at the Tate Modern in London, accompanied by my youngest daughter, to see Music of the Mind, a retrospective of the work of Yoko Ono: her drawings, postcards, films, and musical scores. Accompanied is perhaps too easy a word. When told my daughter I wanted to go, she said, “Really?” “Yes,” I said. “Really.” Read More
August 22, 2024 Dispatch Death Is Very Close: A Champagne Reception for Philippe Petit By Patrick McGraw Photograph by Sean Zanni/PMC. There was an air of subdued anticipation at the Cathedral of Saint John the Divine as we waited for Philippe Petit to take the stage. A clarinetist roved through the church improvising variations on Gershwin in spurts, making it hard to tell if the event, which was being held to commemorate the fiftieth anniversary of Petit’s walk between the Twin Towers, had begun. Eventually, the lights dimmed and we were told to turn off our phones, as even a single lit screen in the audience might cause Petit to fall from his tightrope. Music started, but so quietly that it seemed like it was being played from a phone, while a candlelit procession made its way down the nave. Large boards were set up, on which footage of the Twin Towers being constructed was projected. A group of child dancers imitated Petit’s walk along the ground, and were followed by a professional whistler. After we were shuffled through this sequence that felt like a performed version of ADHD, Petit finally appeared and began walking, first meekly, then quickly, to Satie’s “Gymnopédie No. 1,” wearing a white jacket laced with gold. The original Twin Towers walk took place on the morning of August 7, 1974, after Petit and a group of conspirators broke into the World Trade Center while it was still partially under construction, and used a bow and arrow to span a tightrope between the towers. Petit walked, ran, lay down, and knelt on the wire, a quarter of a mile in the air, as the city looked on from below. It had taken more than eight months of meticulous planning to carry out the performance, including creating a mock-up of the distance between the Towers on a field in France, studying their engineering, and using various disguises and fake IDs to gain access to them. These heist-like aspects (it is referred to as “the coup”) have made it ripe material for movies including Man on Wire and The Walk, starring Joseph Gordon-Levitt as Petit and featuring CGI Twin Towers. Read More
August 21, 2024 Letters Hearing from Helen Vendler By Christopher Bollas Helen Vendler in her home in Cambridge. Photograph by Stephanie Mitchell. Earlier this year, the visionary poetry critic Helen Vendler died at the age of ninety. After her death, the writer and psychoanalyst Christopher Bollas—author of The Shadow of the Object, Cracking Up, and Meaning and Melancholia, among many others—collected a correspondence between himself and Vendler that unfolded over email during the last two years of her life, which began as Vendler was clearing out her office at Harvard in 2022. These emails, which have been selected and edited by the Review (with spelling and punctuation left unchanged), touch on the relationship between psychoanalysis and poetry; the experience of aging in all its forms; and the growth of a friendship, and understanding, between Bollas and Vendler. January 22, 2022 Dear Christopher Bollas, A friend of a friend quoted, in an email, your generous notion that what I do as a critic of poetry has a resemblance to the work of analysis. I take that as an amazing compliment. I don’t know where you said that, but I did see that one of the steps in your career was a PhD in English at an exciting time at the U. of Buffalo, and that you’ve written a series of books with intriguing titles, which (“now that I am old and ill”—Yeats) I may not get to immediately, but hope to see a couple of them once I finish the interminable task of clearing my office (now that we once again have access after the Covid ban). Yours truly, Helen Vendler Read More