The Paris Review

The Beasties at Grand Royal’s G-Son Studios in Atwater Village, California, ca. 1995. Photograph by Brian Cross.

I’m not sure who had the ball when George Clinton passed by in a golf cart. It could’ve been Mike D. It could’ve been Yauch. I just remember standing there astonished, watching George quietly scoot by in his Mothership mini, while my defensive assignment broke to the basket and scored. The Beastie Boys were playing some intrasquad hoops in a parking lot behind the Atlanta Amphitheater, a Lollapalooza stop during the summer of 1994. A portable basketball goal had been traveling with them, providing a transitional arc and some adrenaline for the stage. I don’t even remember who was on my team. I just know that I was playing with a bunch of guys once falsely accused of throwing pies at kids in wheelchairs.

Yauch evidently hadn’t given up his outside shot for Buddhism. Adam Horovitz dribbled with an Archibaldian low center of gravity, while Mike D crashed about with his Kurt Rambis hustle. Keyboard player/carpenter Money Mark spent much of the game in midair. I spent much of the game looking for my fadeaway. In my defense, I was firing into the sun on a freshly reconstructed knee, ligament grafted, no brace. If I had reinjured it that day, I would’ve told anyone with a working set of ears that I’d blown out my knee playing basketball with the Beastie Boys—that I was treeing out of my mind until George Clinton put a golf cart on me.

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“When your life is half over, I think you have to see the face of death in order to start writing seriously. There are people who see the end quickly, like Rimbaud. When you start seeing it, you feel you have to rescue these things. Death is the great Maecenas, Death is the great angel of writing. You must write because you are not going to live any more.”

—Carlos Fuentes, The Art of Fiction No. 68

Dear Betty Draper Francis,

As I write this I’m live-streaming President Barack Obama’s Barnard College commencement speech on my laptop.

What’s a laptop? Imagine a typewriter that’s also a Sears catalogue that’s also a post office that’s also a high school yearbook. Oh, and in the dark before dawn, when the wind howls like a pack of rabid Dire Wolves and thunder claps like a thousand canon balls colliding in the ether, you can log on and look at pictures of cats wearing Halloween costumes.

As for Obama, it’s true: he’s of African descent. More importantly, he’s brilliant and beautiful and a supporter of gay marriage. I wish you were with me, Betty, watching the president tell the women of tomorrow that, yes, you can close the gap between life as it is and life as you want it to be. Read More »