2015
“The good effect of translating is this cross-pollination of languages.”
2014
“My nights are a nightmare, quite often, but the nightmares are rich. I nourish myself by those nights.”
2011
"There are all kinds of books I’d like to write that seem to be out of my grasp."
2011
"Writing a story is like crossing a stream, now I’m on this rock, now I’m on this rock."
2016
“There is no one truth, but there are an awful lot of objective facts. The more facts you get, the more facts you collect, the closer you come to whatever truth there is.”
2013
“Like everyone, I know some big words, but I try my damndest not to use them.”
2014
“In truth, I’m still slightly embarrassed to say, I am a poet. I’d rather say, I make poems.”
2011
"I think pornography is a very rich medium, and I’ve studied it closely and learned quite a lot as a writer from it."
2010
"It knocked you off your horse, taking LSD. I remember going to work that Monday, after taking LSD on Saturday, and it just seemed like a cardboard reality."
2015
“When I’m trying a new form— trying to do something I’m not used to doing, which was true of the novel.”
2011
"I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn’t black."
2012
On American Psycho’s Patrick Bateman: “The more he acquires, the emptier he feels. On a certain level, I was that man, too.”
2010
"It’s because you’re always fighting sentiment. You’re fighting sentimentality all of the time because being a mother alerts you in such a primal way."
2012
“What happened to poetry in the twentieth century was that it began to be written for the page.”
2015
“As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me.”
2010
"When I was younger, the main struggle was to be a 'good writer.' Now I more or less take my writing abilities for granted, although this doesn’t mean I always write well."
2014
“That’s the hardest thing to do—to stay with a sentence until it has said what it should say, and then to know when that has been accomplished.”
2011
“I was rather a goody-goody as a child… It was only later on I discovered that you could be naughty and get away with it.”
2013
“I think that when one is dead one should be a little bit bolder, so that the rest of us may have some record of how things actually were.”
2010
"I want to be loved despite my faults. It isn’t exactly true that I’m a provocateur. A real provocateur is someone who says things he doesn’t think, just to shock. I try to say what I think."
2012
“I often think of the space of a page as a stage, with words, letters, syllable characters moving across.”
2013
“Until I can read a story physically, with the eyes, it doesn’t seem to exist for me.”
2014
“I think I’ve just substituted literature and art for religion.”
2013
“I tried to depict the human face of this history, I wanted to write a book that people would actually want to read.”
2013
“One of the things [fiction] does is lead you to recognize what you did not know before.”
2013
“Some cynical biographer said to me, Make sure it’s a good death. Make sure you’re not picking someone who just declined.”
2013
“The book attained a mind of its own, a subjectivity or an autocatalytic machinelike quality.”
2015
“I only became a novelist because I thought I had missed my chance to become a historian.”
2016
It was a great time to be young and restless in New York. I wasn’t getting much writing done, but I like to think I witnessed a great moment and I internalized it.
2010
"With nonfiction, you’ve got your material, and what you’re trying to do is tell it as a story in a way that doesn’t violate fact, but at the same time is structured and presented in a way that makes it interesting to read."
2010
"Is there such a thing as overreading? Just because it wasn’t part of my grand design doesn’t mean it isn’t there. Things do happen in books that the writer is too submersed in bringing the narrative to life to notice."
2014
“Language is so different from life. How am I supposed to fit the one into the other? How can I bring them together?”
2015
“People loved to talk about how Frank O’Hara didn’t really care about getting published. That doesn’t jibe with my experience.”
2014
“I just want to see whether it’s possible to entertain Freud’s fantasy of a realistic biography. It may not be a possible thing to do.”
2010
“I must love big novels, because that’s what I’ve written. It takes a while before you begin to breathe the air the characters breathe.”
2016
“Those who have earned respect should be given respect, regardless of their human faults.”
2012
“I love going to plays. There’s a subconscious side to it, obviously–some people like to be spanked for XYZ psychological reasons, and I like to go to plays, and I can’t entirely explain why.”
2015
“There weren’t too many books by women that were taught in school, so I read those on my own, and the books I read were as accessible as the ones we were reading in school.”
2016
Before you have the assumptions implicit in the first sentence, anything could happen. But once you have that sentence, you’ve narrowed your options down to a point where there really isn’t that much left to write.
2012
“I don’t know why, but I always feel a kind of necessity to write things that are beyond acceptance, that are too offensive or something. For people to read them and say, Ha-ha-ha, very funny. No, we can’t print that.”
2016
2014
“I think cartooning gets at, and re-creates on the page, some sixth sense ... in a way no other medium can.”
2014
“I think the writer has to be responsible to signs and dreams. If you don’t do anything with it, you lose it.”