The cover of the Amache Camp brochure, made by the silkscreen shop. Photo: Amache Preservation Society, via Atlas Obscura

• Colorado’s Camp Amache was one of many hastily constructed internment camps that opened in the early forties, built by American armed forces to house thousands of Japanese Americans. Its detainees were dragooned into all kinds of labor—including, in an unlikely turn, printmaking and silk-screening. As Cara Giaimo writes, those at the camp became de facto artists, producing posters and pamphlets for the U.S. military—the same military that had sent them to the camps in the first place, and that kept snipers posted at all hours of the day: “In the spring of 1943, Maida Campbell, a Red Cross nurse with an artistic background, was sent to Camp Amache to see whether it would be feasible to open a printing operation there. Campbell set up the shop in a recreation hall and began advertising in the Pioneer for employees. A month into their work, the Pioneer reported that the shop’s 25 artists had printed ‘some 185 large posters, 250 stickers, and 100 cards’ … Over the course of 1943, the shop printed at least 120,000 posters in dozens of designs, depicting everything from signal flags to principles of seamanship. Employees took on the entire process, from design and stenciling through color selection and printing … The pay topped out at 19 dollars per month, about half of what one could expect to receive for similar work outside. Despite Campbell’s evident respect for her employees, she, like other administrators, wrote frequently about how the shop provided ‘vocational training’ for them—never mind the fact that their detainment at the camp was preventing them from pursuing their actual vocations, hobbies, and lives.”

• Fashion, part 1: a few words on hair and baseball. Clint Frazier, a prospective outfielder for the Yankees, has a set of luscious, curly red locks vivid enough to catch eyes in the nosebleedingest reaches of the ballpark. But will the Yankees and their crypto-fascist grooming standards let this man shine? Beneath this cosmetic dispute, writes Billy Witz, lies a matter of philosophy: “In short, the Yankees do not do big hair (or beards), under a policy set years ago by George Steinbrenner and vigorously policed by his daughter Jennifer. Now there is a guessing game over whether the team will send Frazier to the barber before sending him to the plate. ‘I think people are making my hair bigger than my game,’ Frazier said. ‘I’m here to play baseball.’ He said he was getting so irritated by persistent questions about his locks that he might just get them sheared off … ‘It’s a balancing act,’ said Allen Adamson, the founder of Brand Simple consulting. ‘The Yankees have to balance their respect and embrace of tradition with accepting what’s new. What’s new is, the individuality of players is important in making a sports event engaging and interesting.’ ”

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