June 11, 2012 Books Monday: Me By Witold Gombrowicz Gombrowicz in Rosario, Argentina, ca. 1954. Among literature’s famous first lines, we must include this one: “Monday. Me. Tuesday. Me. Wednesday. Me. Thursday. Me.” It comes from Witold Gombrowicz’s Diary, widely considered the Polish author’s masterpiece. Yet Gombrowicz didn’t make his first entry until 1953, when he was forty-nine and an expatriate in Argentina, and the last entry was made in 1969 from France, shortly before his death. Still, the Diary lacks for nothing: history, politics, philosophy, literature, art, music, love, death, humor, communism, Poland, Europe, writing—everything is there. Long out of print, the Diary will be republished next week by Yale University Press as part of their Margellos World Republic of Letters series. But we have unofficially dubbed this one Gombrowicz Week and will be sharing entries from 1954 and 1955 here daily. Yesterday (Thursday) a cretin began to bother and worry me all day. Perhaps it would be better not to write about this … but I do not want to be a hypocrite in this diary. It began when I first went to Acasusso to Mr. Alberto H.’s (an industrialist and engineer) for breakfast. At first glance, his villa seemed too Renaissance, but not betraying this impression, I sat down at the table (also Renaissance) and began to eat dishes whose Renaissance in the course of eating became more and more obvious at which time the conversation, too, settled on the Renaissance until finally and completely openly and even passionately one began to adore Greece, Rome, naked beauty, the call of the flesh, evoe, Pathos and Ethos (?) and even some column or other on Crete. When it got to Crete, the cretin crawled out, crawled out (?) and crept up but not in Renaissance manner (?!) but quite neoclassically cretinously (?) (I know that I should not write about this, this sounds rather odd). Read More
June 11, 2012 On the Shelf Epic Battles, Boring Idiots, Paper Clips: Happy Monday! By The Paris Review The classics, condensed for babies. Archaeologists from the Museum of London are excavating the Curtain Theatre, which predates the Globe, and may have served as an interim home for Shakespeare’s troupe. In praise of the paper clip. Buzz Bissinger versus Dallas. Amazilla versus Barnes Kong: watch the epic trailer for Rebel Bookseller. Slavoj Žižek: “For me, the idea of hell is the American type of parties. Or, when they ask me to give a talk, and they say something like, ‘After the talk there will just be a small reception’—I know this is hell. This means all the frustrated idiots, who are not able to ask you a question at the end of the talk, come to you and, usually, they start: ‘Professor Žižek, I know you must be tired, but …’ Well, fuck you. If you know that I am tired, why are you asking me? I’m really more and more becoming Stalinist. Liberals always say about totalitarians that they like humanity, as such, but they have no empathy for concrete people, no? OK, that fits me perfectly. Humanity? Yes, it’s OK—some great talks, some great arts. Concrete people? No, ninety-nine percent are boring idiots.”
June 8, 2012 Bulletin See You There: Paris Review at the Strand By Sadie Stein Mark your calendars! This coming Wednesday, June 13, join The Paris Review and the Strand for the first of a series of literary salons. For our kickoff event, actress Martha Plimpton will read from Dorothy Parker’s 1957 Art of Fiction interview, and Wallace Shawn will read Denis Johnson’s “Car-Crash While Hitchhiking.” In addition, we’ll unveil the winner of our tote-bag contest. Wednesday, June 13, 7 P.M.–8:30 P.M. The Strand Bookstore, Third-floor Rare Book Room 828 Broadway at 12th Street Admission: Buy a copy of the current Paris Review or a $15 Strand gift card. Please note that online orders require payment at the time of checkout to guarantee admission.
June 8, 2012 Ask The Paris Review Dear Paris Review, What Books Impress a Girl? By Sadie Stein Dear Paris Review, Someone sent me this text message yesterday: “What’s a book I should read to make girls think I’m smart in a hot way? I want to seem like a douchey intellectual instead of my deadbeat self.” What should I tell him? Sincerely,A Dear A, The correct answer is probably that your friend should be secure in his tastes, find someone who loves him for who he is, and not worry about impressing anyone. Many movies have demonstrated the pitfalls of posturing and the inevitable public unmasking that follows. That said, our job here is to try to answer questions, and as such, I took the unusual step of soliciting a range of answers from both men and women. (My own immediate response was to offer the following formula: worst book of great author, a gambit that men of this type also apply to albums, i.e. Metal Machine Music, which they will claim is underrated.) Then too, there is the dual nature of the question: Does the author wish to come across as a poseur for some reason, or attract a woman of substance? If his goal is (inexplicably) the former, the female contingent offered the following names: Madness and Civilization; The Power Broker; Žižek (any), The Brothers Karamazov. (All worthy reads, needless to say, but often used for ostentatious or intimidating purposes.) And, added one, “I like DFW, but he’s the novelist equivalent of a neg.” As to books the women whom I spoke to found appealing (and please note that this implies actual reading, not use as props): At Swim Two Birds, The Beauty Myth, “any book read twice.” Elaborated one: “Extra points for Martin Amis memoir, minus points for other Martin Amis nonfiction. Someone who actually appears to be reading William Gaddis for real and not just carrying it around will always rate a second glance. And a straight man reading Mary Gaitskill would be nearly irresistible to me.” When faced with the same question, male correspondents provided the following terse responses: “Cantos, Pound.” “Kathy Acker.” “Sontag.” “Portnoy’s Complaint,” said one, “may as well be Yiddish for douche.” Others were more expansive. “How about Laszlo Kraszahorkai’s Satantango? It’s ostentatious, hip, handsomely designed (looks great on a bedside table), and comes with seals of approval from Sontag, Sebald, and James Wood. It is also, for the most part, unreadable.” “Gravity’s Rainbow, all the completed Caro LBJ books, Brothers Karamazov. But if you really want ‘I am a brooding intellectual with an effortless knowledge of contemporary culture,’ I think Matterhorn is tough to top.” “There’s a difference,” remarked one colleague, “between getting a girl to think you’re smart, and getting a girl to WANT to talk to you. The following are books that will make girls want to talk to you. —Greatest pick-up book of all time is Just Kids by Patti Smith, because every girl has read it and they ALL want to talk about it.—Any book ever written by Haruki Murakami—The Collected Stories of Lydia Davis—White Album by Joan Didion—What We Talk About, When We Talk About Love by Raymond Carver—The Phantom Tollbooth by Norton Juster. (Don’t question it. Just trust.)” And in corroboration, one fellow says: “If it means anything, the only time a girl ever sat down and started talking to me out of nowhere was when I was reading Slouching Towards Bethlehem in college. Didion has an effect on people.” Take this for what it’s worth, and we hope you actually find a book you love in the process. Have a question for the editors of The Paris Review? E-mail us.
June 8, 2012 In Memoriam Watch: Ray Bradbury, 1963 By Sadie Stein I remember watching Ray Bradbury: Story of a Writer, a 1963 TV documentary, in seventh-grade English class. And for good reason: there’s more good advice for writing and life packed into these thirty minutes than in many a longer (and less entertaining) tutorial.
June 8, 2012 This Week’s Reading What We’re Loving: All Kinds of Poetry By Sadie Stein Iris DeMent When Anthony Heilbut isn’t producing beautiful gospel, he tends to be writing—slowly—either about German modernism or else about the music and musicians he loves. The Fan Who Knew Too Much is the book Heilbut’s gospel fans have been waiting for since The Gospel Sound (1972). In this connection, I can’t resist quoting our Southern editor right off the back cover: “Nothing new in the last year gave me as much pure reading pleasure as pages of this book. Heilbut ranges over the culture like a madman, but with a fierce sanity in his eye, debunking myths and erecting new ones. I finished The Fan Who Knew Too Much wondering how, without it, I’d ever thought I understood a thing about America in the twentieth century. Let me ask: Are you familiar with the history of gays in gospel? Or with the early, radio roots of soap operas? Then you too are similarly benighted. Get with this.” Amen. —Lorin Stein Read More