Dear Reader,

Do you know what a snow dome is? I believe you do not so I will tell you. It is this: a snow dome is an object, dome-like in shape, resting on a flat piece of material that is fitted to it and sealed perfectly to its base. The entire structure is made of a material that is easily shattered. Inside, the dome is filled about three quarters of the way up with water. Scenes of one kind or another are created and fixed to the bottom of the dome. Flakes of something white made to resemble snow are settled at the bottom of the dome, and when the dome is shaken, as it often is by a playful hand passing by, the flakes rush up in a flurry around the scene that has been fixed to the bottom of the dome. All the figures and objects are lost in a blur of the pretend snow, they are consumed by it, and for a moment, it seems as if this will be the new forever: they will never be seen clearly again. Then the false snow slowly settles back to the bottom of the dome and everything returns to the way it was. The scene remains just as it was before, fixed, fixed, and fixed! The snow dome is usually found at the destinations of grim family vacations: Disneyland, the Bronx Zoo, the Empire State Building, the Statue of Liberty, the area of airports near the gates of departure, places you very well might never visit again because you never wish to visit these places again. Such is the existence of the snow dome.

For the past four years, starting sometime in early November 2016, I have been living in a snow dome that resembles the United States of America. I have been a figure in this snow dome. The color of the water in it was sometimes orange, sometimes a rage red, and the color of the snow was never white. It has been a shameful experience. I have been trapped here. The United States of America is to me the most wonderful country in the world, and it really is, but only if while you live there you attach yourself to the best people in it and the best people in it are Black people, African American people. If, when you go to the United States, you attach yourself to the group of people who call themselves “White” you will consign yourself to misery and minor and major transgressions against your fellow human beings and also greediness and everyday murder. And more. Here’s how you live in America: your children must go to the best schools and the best schools are always for white children and you’ll completely forget the best schools have never helped anybody be a good person (see George W. Bush, just for a passing reference). With the exception of most likely John Adams (second president of the United States for one term) and most certainly Barack Hussein Obama, all the presidents of the United States of America were racists and their racism was especially and particularly directed at Black people of African descent. The great Abraham Lincoln, a president I am so deeply attached to I grow roses named in his honor in my garden, was a racist but he abhorred slavery and that’s good enough for me, being that I am most blessedly descended from the enslaved (I say blessedly but I really mean accidentally because blessings are so random, they are in fact accidents). The United States of America, before it even became such a thing as the United States of America, was a roiling unsettling snow dome of transgression, and from the beginning that transgression was caused by people immigrating from Europe.

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Ann Quin. Photo: Oswald Jones. From the Larry Goodell Collection. Courtesy of And Other Stories.

Three is the second of the four brilliant and enigma-ridden novels that Ann Quin published before drowning off the coast of Brighton in 1973 at the age of thirty-seven. The mysterious character S—the absent protagonist or antiheroine hypotenuse of this love-triangle tale—dies in similar fashion … or perhaps she’s stabbed to death by a gang of nameless, faceless men before her body washes up onshore … or perhaps the stabbed dead body that washes up onshore is someone else… It’s difficult to tell. And the telling is difficult, too. And I would submit that it’s precisely these difficulties that make this gory story normal.

A British married couple, a dyad of faux-boho normies, provide the other two points of Three’s ménage. Their names are Ruth (sometimes Ruthey, sometimes just R) and Leonard (sometimes Leon, sometimes just L). They take up with this young woman referred to only as S, who comes to share their summer-vacation cottage and their lives, her family role ever-shifting from boarder-daughter to sister to lover.

The novel opens with the couple talking over the news of her recent death, in a conversation that flows unimpeded into the one-sided conversation of surveillance. S’s most salient remains are her journals and sundry recordings, both audio and film, which document her relationships with and impressions of R and L, who greedily read and listen to and binge-watch these artifacts in the dark and dreary mourning season that follows. In addition to these artifacts, whose contents seem constantly to rise toward narrative or plot, and then, like the tide, recede, R and L pore over their own diaries and compare their scribbled confessions with S’s: S had an abortion; R and L are trying, or claim they’re trying, to get pregnant. S had, or might have had, a drug habit; R and L prefer to lose themselves in drink, and so on. As this posthumous surveillance of S continues, R and L are themselves surveilled by stranger-neighbors, who are constantly poking their blossomed noses up against the glass. Read More