November 28, 2012 Bulletin Poe House Vandalized By Sadie Stein It seems like every week there’s a new indignity, whether it’s the destruction of the church where the Brontës worshipped, the theft of George Eliot’s desk, or, now, the vandalism of the house where Edgar Allan Poe lived and worked in the 1830s. For the second year in a row, the City of Baltimore has chosen not to grant the Poe House its $85,000 subsidy; as a result, despite efforts of supporters and friends, it may have to close permanently. In any event, the museum has been shuttered since September, and as such left more open to destruction; the front stairs have been stolen and graffiti painted on the door. Nothing that can’t be fixed, but we expected more respect from the officials of the only American city to name its football team after a literary allusion.
November 28, 2012 At Work Voices Carry: An Interview with Elena Passarello By Michele Filgate Elena Passarello is a writer with a confident voice. Her first book is centered around that voice: in Let Me Clear My Throat, Passarello draws from her writing and acting background, and the result is a quirky blend of reportage and some personal narrative. In a recent e-mail interview, we discussed everything from the recent presidential campaign to a Stella screaming contest. How did you choose your theme for your first book? Did you set out from the beginning to write an entire essay collection devoted to the human voice? I had a few essays on voices before I began working on the essays that appear in this collection. I didn’t know that they were on voices at the time, however—I was just writing profiles, critical pieces, lyric stuff that all ended up using voice either as an entrance point or as an organizing principle. The first essay that I wrote for the collection was the one on the Wilhelm Scream. I first drafted it not as an essay on the voice, but as a simple unpacking of this very juicy and mysterious piece of pop culture. A few drafts in, however, I saw that I was, once again, threading ideas about the voice throughout it. The essay became about the fact that a human body had made this sound, and in doing so, that body embossed itself into every movie which used the clip. The essay became an exploration of the purposes a human scream serves—both in pre-civilized human life and contemporary culture. Around the time I finished the essay, I started thinking I could do a whole book about the sounds of the human throat. Speaking of your essay on the Wilhelm Scream—a sound effect used in hundreds of movies—how did you first hear about it? I was just Googling around for the correct spelling of Ennio Morricone’s name for a now-defunct project. I landed on an IMDb page for a movie Morricone had scored, and in the roll of facts on the film was “Wilhelm Scream at 88:02!” Read More
November 28, 2012 On the Shelf To Be or Not to Be? And Other News By Sadie Stein Hamlet, as a choose-your-own adventure. Writer Andrei Codrescu will be doing a Reddit “Ask Me Anything” live Q&A on December 6. Small Business Saturday proved a boon for independent bookstores. Literary drinks to get you through NaNoWriMo. C. S. Lewis is getting his own plaque in Westminster Abbey’s famed Poet’s Corner.
November 27, 2012 Video & Multimedia Early Adaptors By Sadie Stein Sherlock Holmes Baffled, which Arthur Marvin made in 1900 (and released three years later), is acknowledged to be the sleuth’s first onscreen appearance. However, it would seem that the thirty-second film may also be the very first cinematic literary adaptation. (Although in fairness, it would be hard to say which case the film portrays. One in which Holmes is baffled, presumably.)
November 27, 2012 Books Falling Hard By Anna Wiener You see things differently when you’re in love. Two outpatients from a methadone clinic slap each other on the corner. A goiter rides the crosstown bus. We attend a dinner party; none of the dogs have tails. Men in the map room of the New York Public Library surveil passing breasts. Nights slip by. I sit on the curb outside a magazine launch and watch a famous author pour cold water down a woman’s arm. “Don’t be jealous,” my companion says impatiently, cupping his own elbows. “He’s only applying a temporary tattoo.” I was in love and then I wasn’t, and sometime during the drifting gray interim I was told by a bookseller friend to read Renata Adler’s 1976 debut, Speedboat, a novel that had long been out of print but was absolutely, he insisted, worth the trouble of the search. I did not know whether this recommendation was meant to be sympathetic or encouraging, but I found it on eBay in two minutes, for three dollars. My friend was correct, as booksellers usually are; it was as though the novel had outstretched arms and I fell in. Read More
November 27, 2012 Bulletin Your Holiday Gift Dilemma: Solved! By The Paris Review Just in time for the holidays! Give the gift of The Paris Review to yourself and a loved one! For a limited time, when you buy a one-year subscription with automatic renewal, you can give a one-year gift subscription for only $25. Here’s how it works: Include the addresses for the gift subscriptions in the “notes” field when checking out. Each subscription will start with the Winter issue and, of course, includes access to The Paris Review digital edition. Need more than two gift subscriptions? Just call 866 354 0212 to cover everyone on your list. Offer available for U.S. addresses only. Gift subscriptions will not be automatically renewed.