August 16, 2013 Quote Unquote Happy Birthday, Julia By Sadie Stein “The only time to eat diet food is while you’re waiting for the steak to cook.” —Julia Child
August 16, 2013 This Week’s Reading What We’re Loving: Roman Britain, Soccer, Karaoke By The Paris Review Thanks to the success of The Hare with Amber Eyes, Edmund de Waal is now a familiar name to readers. Less well-known is that of his grandmother, Elisabeth, a central character in that book and an author in her own right. Never published in her lifetime, Elisabeth de Waal’s The Exiles Return was recently rereleased by Persephone and, in this country, by Picador. The novel centers around exiles, like de Waal herself, returning to a vastly changed, postwar Vienna. It’s not always assured, but invariably interesting, often painful, highly absorbing, and a vivid picture of that moment in history—as well as the experience of displacement itself. —Sadie O. Stein Charlotte Higgins covers the arts beat for the Guardian, and is just the sort of reporter who makes Americans love that paper, with a love that is close to envy. She is witty, rangy, unapologetically goofy and erudite at once. All of these qualities inform her first book, Under Another Sky: Journeys in Roman Britain, a sort of travelogue and essay on Roman ruins in the British imagination. Whether Higgins is walking Hadrian’s Wall or handling the “curse tablets”—fourth-century voodoo spells—recovered from the mineral springs at Bath, she is the best possible company. I have been reading her only very late at night, just to make the journey last. —Lorin Stein Read More
August 16, 2013 On the Shelf Jumping for Joyce, and Other News By Sadie Stein Gerald Mynott, “Towards the New World, Dublin Harbour” via Francis Kyle Gallery Sci-fi or fantasy fan? Hie on over to Tor.com, where the site is celebrating its fifth birthday by giving away a free anthology. A class at the University of Utah will examine the Book of Mormon as literature. The actual book, not the musical. The Francis Kyle Gallery is mounting a show titled “Jumping for Joyce: Contemporary Painters Revel in the World of James Joyce.” We would have gone with “Joyce Division,” but carry on. A new study says journalism students are consuming virtually no print journalism. Meanwhile, Penn Jillette is characteristically defiant about his abandonment of print: “I always read electronic. I won’t touch paper any more even if water damage costs me a few devices.”
August 15, 2013 At Work “One Murder Is Statistically Utterly Unimportant”: A Conversation with Warren Ellis By Molly Crabapple Somewhere, on an NSA server in Utah, there sits an email from Warren Ellis threatening to strangle me to death with my own intestines. Our all-caching surveillance state is something that might have been thought up by Ellis himself. A writer of novels, comics, essays, and movies starring a machine-gun-toting Helen Mirren, Ellis looks more deeply than most into our potential futures. Born in working-class Southend-on-Sea, he is best known as the writer of the canonical graphic novel series Transmetropolitan. A decade before the Internet-enabled explosion of independent journalism, Transmet corrupted a generation of young reporters, giving them the notion that journalism was the bullet that could “blow a kneecap off the world.” In January, he published bestselling Gun Machine, which exploits genre conventions to explore the ghost cities that exist in both high finance and the minds of the insane. Most recently, Ellis released Dead Pig Collector, a novella about love and body disposal, as a Kindle Single with FSG. He is currently at work on his first book of nonfiction. We’ve been friends and sometime collaborators for a decade. When I told him I’d like to interview him for The Paris Review, he demanded proof that the editor hadn’t confused him with the violinist Warren Ellis of The Bad Seeds. When Sadie emailed to confirm that she realized he was, in fact, the bestselling author, he wrote me back: “I DIDN’T SAY ‘BEST SELLING’ YOU HORRIBLE INFANT!” Ellis wears a field hat, drinks very old whisky, and chain-smokes Silk Cut cigarettes. He is forty-five years old. You’re semi-crack-addicted to information. Whenever we talk, you have a podcast, the Economist, some ambient drone music, and a reader full of links open. Dead Pig Collector was inspired by an article you read on Chinese garbage disposal. Tell me about your information consumption. This is going to be just another way for you to insist I listen to the sounds of insects having sex and calling it music while you pollute your apartment with the strains of some idiot with a ukulele wailing about consumption and sodomy. We call that culture. As an Englishman, you wouldn’t understand. What would you know about culture? You come from the town that gave the world the cronut. Read More
August 15, 2013 Look 20/20 By Sadie Stein This Chart of Famous Eyewear is amazing—I think even those of you with perfect eyesight will agree—and the literary world is well-represented by the frames of, respectively, Hunter S. Thompson, Harry Potter, and Dolores Haze. But whither the greatest literary glasses of all time, the all-seeing specs of Dr. T. J. Eckleburg??? Zoom in fullscreen
August 15, 2013 Arts & Culture Mudbone, Sinbad, and the Typhoon Kid: A Pirate’s Life for Me By Ted Scheinman “The Capture of Blackbeard” by Jean Leon Gerome Ferris “Here was an end of that courageous brute, who might have passed in the world or a hero had he been employed in a good cause.” —Charles Johnson on Blackbeard, A General History of the Robberies and Murders of the most notorious Pyrates, 1724 BEAUFORT, NC—Mudbone’s wife encounters the same dilemma each August when she visits Beaufort. “Back in Greensboro, at least I can pick him out of a crowd,” she says. “But this weekend? Forget about it.” “Well, I don’t always wear it,” Mudbone adds quietly. “Not when I’m working on windows, for example. But otherwise, yes. All the time.” Mudbone, for the permanent record, should be easy to pick out of any crowd. His default wardrobe is a many-layered 1740s pirate outfit, much of his own making or else his wife’s. His commitment to detail and historical fidelity is remarkable. One of his pistols, each of which he carved and welded himself, has a retractable mini-bayonet that looks like a grilling skewer. He has blades of varying sizes, a musket slung over his back, and a leather tricorn hat plumed with a three-foot feather. He has hewn several of his blade-handles out of elk antler. He is, to understate the case, a spectacle. One weekend each August, however, Mudbone blends as though camouflaged into the hundred-plus temporally displaced privateers and scallywags who invade the two main strips in downtown Beaufort for the town’s annual Pirate Invasion. Two things strike you immediately as you enter Beaufort. The first is that anyone under twelve or over forty is dressed, quite convincingly, as a pirate. The other is that all the women insist that you call them “wenches,” an epithet they bestow with lip-smacking pleasure on one another, as often and publicly as possible. Mudbone does not refer to his wife as a “wench.” In fact, he speaks very little, allowing his weathered face (as though baked by the sun and salt water!) to answer whatever questions his voluble wife does not. “We got started at a Ron Paul convention, actually,” Mrs. Mudbone tells me. “Mudbone used to dress like Davey Crockett, head-to-toe, as a sort of statement, you know? And then I bought him that gorgeous leather tricorn—which isn’t a sailor’s hat really, or wasn’t at the time, in that century—and people would approach him on the street and ask, ‘Are you a pirate?’” Mudbone laughs. “Eventually, it started to sound like a great idea.” “He’s incredibly shy when he isn’t in costume,” his wife confides. “Good luck getting two words out of him. But in the costume, he just transforms. He becomes just a total ham.” Read More