February 3, 2014 Our Daily Correspondent, The Poem Stuck in My Head Candlemas Day By Sadie Stein From Poetry of the year. Passages from the poets descriptive of the seasons. With twenty-two colored illustrations from drawings by eminent artists, ed. Joseph Cundall, 1853. Yesterday, the Seahawks romped to a 43-8 blowout over Denver. The general consensus is that Super Bowl XLVIII was disappointing: tension-free, uncomfortably lopsided, vaguely embarrassing for Manning. The commercials were meh. Bruno Mars kind of brought it, but no one really tuned in to watch Bruno Mars. The much-ballyhooed winter weather was anticlimactically mild, too, although one assumes the Red Hot Chili Peppers were chilly. After the drama of the polar vortices and the endless gray of this winter, it was almost a letdown when the day dawned mild. And, of course, on Saturday, Philip Seymour Hoffman had been found dead in his New York apartment. The Internet erupted with grief and tributes. Everyone wanted to watch Capote and Pirate Radio and The Talented Mr. Ripley (a few bold people even queued Along Came Polly). We completely forgot about Groundhog Day; I did, at any rate. But it was Groundhog Day, and, weather notwithstanding, both Punxsutawney Phil and the poor man’s groundhog, Staten Island Chuck, saw their shadows. The mayor dropped Staten Island Chuck. The origins of the groundhog custom are murky, although it arrived in America via the Pennsylvania German community and is likely rooted in European animal lore, dating back to pagan times. But it also coincides with the ancient feast of Candlemas Day, which was, according to Christian tradition, the date of the presentation of Jesus at the temple and the fourth Joyful Mystery of the Rosary. Like so many things, it may well be some sort of compromise between pagan and Christian calendars. For many centuries, it was on Candlemas that English farmers removed cattle from the hay meadows and any fields that needed plowing or sowing. To this day, it is a Quarter Day in Scotland, on which debts are traditionally paid and law courts are in session. The following is one of several traditional rhymes associated with the second of February: If Candlemas be fair and bright,Winter has another flight.If Candlemas brings clouds and rain,Winter will not come again. And, of course, yesterday was relatively fair, at least in Pennsylvania (and, I guess, Staten Island). But it doesn’t seem to matter, does it? The groundhog always seems to predict more winter—Wikipedia notes that he calls it for spring only 13.7 percent of the time—which is probably safer. On the other hand, there was Shubenacadie Sam, the Nova Scotia groundhog. Because of his advantageous time zone, he is the first groundhog of the year to make a prediction for North America. And despite everything, he foresaw an early spring.
February 3, 2014 Arts & Culture Recapping Dante: Canto 16, or the Pilgrim’s Progress By Alexander Aciman Giovanni Stradano, Canto XVI, 1587. This winter, we’re recapping the Inferno. Read along! At this point in The Inferno, as Dante continues to test, stretch, and deplete Virgil’s patience, let us imagine for a moment what Virgil might say given the opportunity to write a performance review for the pilgrim. Performance Review Pilgrim name: Dante AlighieriOccupation: Poet/expert stalker/political commentator (fascist?)Age: Roughly halfway through the journey of his life Supervisor’s notes: Dante has done well on this divine quest so far, especially considering the fact that I found him lost in a forest not long ago. When we reached the end of this most recent section of Hell, Dante confessed that he’d intended to use a belt to fight off the leopard I saved him from—it’s safe to say that he has made considerable progress since he first came on. I still worry about him, however. He seems to listen to me almost blindly—I’m fairly certain that if I told him to jump off a bridge, he might actually do it. He can’t think for himself, and he’s not exactly a self-starter; he has middle management written all over him. He’d make a great lifelong employee, though I recommend putting him through purgatory before sending him up high. He still has a lot to learn. Read More
February 3, 2014 On the Shelf A Day in the Sun for Beleaguered Librarians, and Other News By Dan Piepenbring Photo: Bill Branson Remembering Philip Seymour Hoffman. Who are Joyce’s modern heirs? Rivka Galchen and Pankaj Mishra discuss. No longer shall they toil in obscurity: Lemony Snicket has launched the Prize for Noble Librarians Faced with Adversity. The Hardy Boys face what are undeniably their strangest mysteries yet. Is Eurostile Bold Extended the most popular typeface in science fiction? A look at the typography in 2001: A Space Odyssey.
February 2, 2014 On Sports The Sportsman’s Code of Chivalry By Miranda Popkey Two Sundays ago, I watched the AFC Conference game with some friends. Picture a Venn Diagram; label one circle “Fans of the New England Patriots” and the other “People Who Have Studied Sir Gawain and the Green Knight.” The person who exists at the intersection of those two circles was sitting on a couch across from me, anxiously eating chips and guacamole. As the Patriots slipped further and further behind the Broncos, talk turned to Arthurian legend, and to knightliness at large. Peyton Manning, our group quickly agreed, was the Lancelot of quarterbacks. Like Lancelot, he’s unquestionably the most talented of his cadre—a fact confirmed when he was, to no one’s surprise, named this year’s league MVP. He’s also, like Lancelot, doltish and unbeautiful: in T. H. White’s The Once and Future King, Lancelot is, to quote King Arthur, “the ugliest man I have ever seen”; Peyton can’t claim that honor, but he does have a grotesquely large forehead, scarred by the Riddell helmet he is forced to squeeze over it. And both Lancelot and Peyton are doomed to be surpassed by a dim younger relative—in the former’s case, it’s the unbearably pure Galahad, Lancelot’s son, the only knight allowed to glimpse the Holy Grail; in Peyton’s case, it’s his younger brother, Eli, whose childishly transparent expressions of disappointment have been turned into exemplars of gif art, and who already has two Super Bowl rings to Peyton’s one. Which made Tom Brady his Tristan: not quite as skilled, but achingly handsome. Metaphors aside, there is a sort of gallantry we expect from our athletes. NFL players do not, of course, swear their troth to a code of chivalry; nevertheless there are rules, largely unspoken, to which professional athletes are expected to adhere. Off the field, if not on, while speaking to the press, if not while concussing one another, we want our athletes, like our knights, “to refrain from the wanton giving of offense”; “to eschew unfairness, meanness, and deceit”; and “to live by honor and for glory.” Read More
January 31, 2014 Arts & Culture, Our Daily Correspondent Inch by Inch By Sadie Stein When we graduated sixth grade, in the skirts and ties we had laboriously sewn—mine was apple-green gingham—with the corsages and boutonnieres our teachers had made to match, I was the first to receive my diploma. This was not a particular distinction; it was just because I was the shortest person in the entire grade. And at the end of the ceremony, we sang “The Garden Song,” aka “Inch by Inch, Row by Row,” and I remember being very conscious that this was the last time we would ever sing it, and that now everything would be different. And not just because we were moving to the Upper School Campus a few hundred yards away. Because we would not be allowed to be kids in the same way ever again. I remember blinking back tears. All week, I have wanted to write about Pete Seeger, but every time I sit down to do so I have been overcome with emotion and affection for my progressive elementary school with its earnest devotion to the tenets of secular humanism and folk music, and have wanted to write hundreds of pages. I want to write about City and Country and the Weed Wallow and the holiday assembly and the apple assembly. And Mary and Sally and Joyce and Colleen and and Mrs. English and Betty (teachers) and Mr. Schwartz (the principal) and Mr. Ellis (the custodian). In fifth grade, in June, we donned costumes and did sword dances and played recorders and invited our parents to the medieval feast. At the third grade cookout we wore the Native American garb we had sewn and beaded and dyed with onionskins and cooked fish and oysters in a fire behind the upper-school library. Then, there was the endless work on those skirts. I also know that none of this would mean anything to anyone who didn’t attend my school, and that we all have our own early memories, tender as a bruise, and that unless one is Proust, it really doesn’t much matter. Read More
January 31, 2014 This Week’s Reading What We’re Loving: Pragmatism, Professional Consultants, Pubic Crests By The Paris Review Walter Battiss, Wandering Nude 1, 1978, oil on canvas. Pop quiz! Which American philosopher coined the following expressions: pluralism, time-line, healthy-minded, live option, stream of consciousness, and the bitch-goddess success. Hint: he counted among his most devoted students Gertrude Stein, Theodore Roosevelt, and W.E.B. DuBois. Last hint, from a letter he wrote to his little brother Henry, in 1902: “You have created a new genre littéraire which I can’t help thinking perverse, but in which you nevertheless succeed, for I read with interest to the end (many pages and innumerable sentences twice over to see what the dickens they could possibly mean).” If you guessed William James (correctly), you probably remember him as the main inventor of “pragmatism,” the can-do philosophy that professional philosophers love to hate. But as Robert D. Richardson shows in his 2006 biography William James: In the Maelstrom of American Modernism, it is hard to imagine a livelier, more lovable mind. As a scientist, James did original work on everything from evolution to spiritualism. As a philosopher, he anticipated everyone from Bergson to Wittgenstein to Austin to Daniel Kahneman. As a person, James is the most appealing kind of genius, continually inspired by his family, by his friendships and romances, and by communion with what he called “the hidden self,” where we are most vulnerable and alive. —Lorin Stein The latest issue of Granta includes “Nudity,” an essay by Norman Rush about his youthful encounters with the body au naturel. Rush’s parents dabbled in a kind of functional nudism, which we might today call “letting it all hang out.” “The nudity of my parents did not assuage my ripening interest, but inflamed it,” he writes. “I wanted to see other naked female humans, and I wanted my father to keep his bathrobe on.” Though the piece mostly chronicles the young Rush’s quest to see live nudes, it takes an astonishing, affecting swerve in its final paragraph, which I won’t spoil here. It also includes, of course, those quintessentially Rushian terms for the female anatomy, “escutcheon” (the pubic crest) and “introitus” (just look it up). —Dan Piepenbring Sunday is Groundhog Day (fingers crossed!), but I’ve been heralding the arrival of spring for days now, however futile my attempts may be. Perhaps that’s why I picked up Tove Jansson’s The Summer Book this week. I’ve read Jansson’s Moomin comics and her children’s books, but I haven’t ever delved into her prose. This book—a series of interrelated vignettes about a girl and her grandmother on a quiet island in the Gulf of Finland—is a treasure. Its stories are miniatures not just in length but in perspective as well: sometimes literally, as when the grandmother lays down near the beach and studies a blade of grass, a fluff of down, and a piece of bark in the sand by her face. Through her examination, their minute details are writ large; the bark, for instance, becomes “a very ancient mountain.” And when she finally gazes past them, to the wider world, it no longer looks so big. —Nicole Rudick The Lost Art of Dress: The Women Who Once Made America Stylish is a paean to that now-extinct species, the “dress doctor,” a professional consultant who helped average citizens navigate questions of style and economy in a rapidly changing landscape. How should a working girl look professional on a budget? How might a farm wife stretch a yard of fabric and still be chic? And how to incorporate principles of harmony, proportion, balance, rhythm, emphasis into every aspect of aesthetic life? The author, Linda Przybyszewski, is an academic, and the book serves as an informative cultural history. But more than this, it is a tribute to a time when style—and maybe even life—felt more straightforward, and however arbitrary, there were definitive answers. —Sadie Stein Read More