Our favorite poet/sports correspondent is back, this time with some very strong feelings about football.

Photo: Rowan Ricardo Phillips

“We’re from Buffalo. Obviously. That’s why we’re driving through this tunnel with you.”

It was Sunday, around noon. I was in a car with three men more or less my age. When driving through a tunnel there’s always a moment when I start thinking about the crushing tons of water overhead; how we’re kept safe by tons of concrete and steel; that traveling through a tunnel is an act of faith—either in science or in the benefits of simply following the person in front of you.

Somewhere outside the tunnel, the air was sun-kissed, bright, warm. But inside the tunnel, the murky orange lights overhead chased one another in single file. That’s when the dark side of our trip, something dubious tugging at our excitement, started to bubble to the surface. It was only a matter of time before we started stating the obvious as a way of confirming that, yes, we had agreed to do this. Because the question started to pose itself: “What the hell are we doing here?” Sometimes it’s as simple as “We’re from Buffalo.” Read More

Our favorite poet/sports correspondent is back, this time with a meditation on Lionel Messi.

Lionel Messi/ Photo: David Ramos

On a sunny Saturday afternoon in Seville. On an overcast morning in New York. Sometime past midnight in Tokyo. A Saturday in Abidjan. This is how you live now. This is how you have lived for nearly half of your life. You’re in one place, playing a game, which is to say doing your job, which is playing a game. You’re in one place and you’re in all possible places; at times encircled, at times cursored, at times turned into a digital shroud of statistics that mark how fast you’ve run at your fastest. The shorn-smooth grass you walk on—you mostly walk, like a painter let loose on a meadow, while everyone else runs as though late for a meeting—is black ice for the rest of us. We see you there, infected with data. We watch you in the simulacrum. We love you because the simulacrum tells us to love you. We hate you because the simulacrum tells us to hate you. The pontificators and the screamers have their say. Some of us have no interest in you, but the simulacrum makes sure we know who you are. We parse from all of this what we consider pleasure: love, hate, indifference. You’re standing in one place, one patch of grass on a sunny Saturday afternoon in Seville, playing a game, which is to say doing your job, which is playing a game. A ball floats in the air toward you. You’re in one place and you’re in all possible places. Your name is stamped between your shoulder blades. You turn your back away from the ball. We all know who you are. You balance yourself and focus. What you’re about to do has no name.

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