In 2012, having published four books and won the Pulitzer Prize in Fiction, Jhumpa Lahiri moved to Rome. There, she experienced what she described as “a radical transition, a state of complete bewilderment.” A set of preconceptions had hardened around her writing, and in Italy, Lahiri hoped to jettison these in pursuit of a new vulnerability. She looked to the Italian language to reinvent herself on the page, restoring the joy and freedom in her work.
One consequence of this immersion was In Other Words, Lahiri’s memoir about language, and her first book written in Italian. (An English translation by Ann Goldstein appeared in 2015.) Just as important, in their way, were her first efforts at translation—a pair of novels, Ties and Trick, by her friend Domenico Starnone, the author of more than a dozen books and a winner of Italy’s prestigious Strega Prize. Ties, published last year, tells the story of a marriage in extremis and dissects a lifetime of accrued routine, deception, and petty resentment. When it came to light that Starnone is married to the writer who goes by Elena Ferrante, critics returned to Ties, suddenly eager to read it as a counterpart to Ferrante’s own Days of Abandonment.
Trick, Lahiri’s second Starnone translation, out in March, is another vivisection of family life, a novel as lean and unflinching as its predecessor. An elderly illustrator, Daniele, visits his childhood apartment, now his daughter’s home, to babysit his four-year-old grandson. The boy’s frenetic energy fills Daniele with foreboding, forcing him to reckon with his past and his senescence—to accept that his creative powers are waning and his body is failing him.
In a pair of phone conversations—one last year, after Ties came out, and one more recently, following the publication of Trick—I talked to Lahiri about the raw power behind Starnone’s work; about her approach to translation and her love of the Italian language; and about balconies, which are scary. Read More