Walter Benjamin’s membership card from the Bibliothèque nationale de France. Public domain, via Wikimedia Commons.

Take, as a foundation, the image of women carrying full, heavy vessels on their heads without using their hands.

The rhythm in which they do this is what the proverb demonstrates.

A noli me tangere of experience speaks from the proverb.

And through this, the proverb declares its ability to transform experience into tradition. Read More

Disneyland’s Pirates of the Caribbean ride

The Pirates of the Caribbean ride at Disneyland cast a profound, immersive spell on me as a boy, years before the movies existed. The raft floats past a fake Louisiana plantation, where no slaves are bought or sold but real people sit around white tablecloths in a restaurant my mother always said was too expensive. Banjo music, fireflies. Blue twilight on the bayou. A deceptive calm before the raft from the watery parish of “New Orleans Square” to some burning island in the Caribbean. The smell of chlorine.

I know more now about pirates than I did as a child: I was kidnapped and held hostage by a Somali pirate gang from early 2012 to late 2014. I’d made the mistake of traveling to Somalia to research a book. In 2005, when Somali pirates first hijacked a major vessel, they sparked a revival of an ancient crime that had lain dormant in the world, with a few exceptions, for almost two hundred years. The topic had riveted me then as a sign of historical breakdown, a fascinating old-new phenomenon.

Now, more or less recovered, back in California, I found the strange hokeyness of that Disney ride tugging at my memory. So I drove to Anaheim one recent morning and floated through the chlorine canals. We used to wait hours in that snaking line, when I was a boy, for fifteen minutes of dark fascination. But now, the wild interior world, with its animatronic drunkards and growling pirate captains, its blade-killed skeletons on piles of glittering jewels, left me empty. “Ye come seekin’ adventure and salty old pirates, eh?” said a talking skull. “Sure, you come to the proper place. But keep a weather eye open, mates—”

Read More

On the occasion of an exhibition dedicated to Gabriel García Márquez in Bogotá, Colombia, Santiago Mutis Durán, the son of Márquez’s close friend Álvaro Mutis, gathered together small author-less stories that Márquez had written down or told over the course of his lifetime. Mutis Durán’s essay was originally published in Conversaciones desde La Soledad magazine in 2001 and has been translated for The Paris Review by David Unger.  

GARCÍA MÁRQUEZ IN HIS HOME IN MEXICO IN 2003. PHOTO: INDIRA RESTREPO.

We’ve all heard the kinds of stories that get passed around, author-less and persistent. I once heard Gabriel García Márquez tell the Mexican poet Adolfo Castañón one of these “unsigned” stories:

A young couple, a bit tired of city life, decided to move to the country with their two Labradors. Once settled into their little country house, they became friends with their neighbors, a couple that had fruit orchards and raised rabbits. One morning, their neighbors came over to say that they were going to town and would return the following day. The morning passed peacefully, but in the afternoon, the Labradors came into the kitchen with rabbit parts in their mouths. Shocked by this unexpected turn of events, the couple discussed what to do next. After putting the rabbits back in their cages, they returned home, decided not to say anything to their neighbors. They felt disheartened, but went through the rest of the day as if nothing had happened. The following morning their neighbors knocked on their door. Each held a dead rabbit in their hands. Before the couple even had a chance to come up with an excuse over something they had been dreading since the day before and that had kept them awake all night, their neighbors said: “We found them dead in their cages this morning; we’re in shock since yesterday we buried them in the garden.”

Read More