January 8, 2014 Arts & Culture Divine Wisdom By Kaya Genc Photo: Schezar, via Flickr On May 28, 1453, the Byzantine emperor Constantine XI entered Hagia Sophia, “the church of the divine wisdom,” to pray. Constantinople was under siege, and the fate of the great basilica was unclear. The emperor prayed there before returning to the city walls, where he coordinated the defense effort against the army of Mehmed II, who would be christened conqueror by day’s end. As the two armies struggled to outmaneuver each other, those caught inside Hagia Sophia waited anxiously, fearful of what might happen if the capital of Greek Orthodoxy fell into Muslim hands. Emperor Justinian had commissioned the church in 532 A.D.; planned by the mathematician Anthemius of Tralles and the physicist Isidore of Miletus, and built by more than ten thousand laborers, it was intended to symbolize the magnificence of Christianity and become the seat of the Orthodox patriarch. Twenty years after its completion, two major earthquakes shook Hagia Sophia and destroyed its eastern arch. After extensive renovation, it reopened in 562 A.D. to the delight of Justinian, who, three years before his death, saw his great church survive one of nature’s worst calamities. On May 29, 1453, Mehmed II and his army entered the city, immediately marching on Hagia Sophia. In their book Strolling Through Istanbul, John Freely and Hilary Sumner-Boyd describe how Mehmed “dismounted at the door of the church and bent down to take a handful of earth, which he then sprinkled over his turban as an act of humility before God.” Read More
January 8, 2014 Arts & Culture, Our Daily Correspondent Charmed, I’m Sure By Sadie Stein Contestants for Miss New York City at the Grace Downs Airline Hostess School in New York, 1960. Library of Congress. While visiting my parents over the holidays, I spent a few hours looking over my dad’s extensive magazine archive. He happened to have a copy of the first-ever 1963 New York magazine, Clay Felker’s then Sunday-magazine supplement to the New York Herald Tribune. The articles, by Tom Wolfe, Barbara Goldsmith, and Jimmy Breslin, among others, were fascinating enough. But the thing that captured my imagination was the classifieds section—and one classified in particular. Nestled among the ads for military schools, summer camps, and tutors was the following: I was torn between natural horror—was this some kind of coded reprogramming for “tom-boys”?—and envy for the awkward girls who’d spent three months on said manor and returned to school in September not merely poised, slim, and well groomed, but also proficient equestriennes. One can easily imagine wistful mothers trembling on the brink of the 1960s feeling exactly the same way. Read More
January 8, 2014 Look Ice—It’s More Than Just Frozen Water! By Dan Piepenbring Lower Glacière of the Pré de S. Livres, 1865, an illustration from Ice-caves of France and Switzerland. If ice has lost all its wonder and the world feels to you like little more than a refrigerated truck, spend a few minutes with Ice-Caves of France and Switzerland: A Narrative of Subterranean Exploration, George Forrest Browne’s 1865 account of his journeys into the glacières of Chappet-sur-Villaz, La Genollière, and other such exotic Continental locales. The book’s tone is, as its title might suggest, implacably British, and Browne makes for an almost risibly agreeable narrator. The man simply loves to describe ice. It did not separate under the axe into misshapen pieces, with faces of every possible variation from regularity, that is, with what is called vitreous fracture, but rather separated into a number of nuts of limpid ice, each being of a prismatic form, and of much regularity in shape and size. A contemporary reader might expect some harrowing brush with fate, but this is not Into Thin Air. Browne is largely content to stay out of harm’s way: It would be very imprudent to go straight into an ice-cave after a long walk on a hot summer’s day, so we prepared to dine under the shade of the trees at the edge of the pit, and I went down into the cave for a few moments to get a piece of ice for our wine. And lest you tire of his meticulous accounts of ice formations, you’ll find relief in the more mundane details of his travelogue: A counter-irritant appeared in the shape of a fellow-traveller, whose luggage consisted of a stick and an old pair of boots. The man was not pleasant to be near in any way, and he was evidently not at all satisfied with the amount of room I allowed him. He kept discontentedly and doggedly pushing his spare pair of boots farther and farther into my two-thirds of the seat, and once or twice was on the point of a protest, in which case I was prepared to tell him that as he filled the whole banquette with his smell, he ought in reason to be satisfied with less room for himself.
January 8, 2014 On the Shelf Because, and Other News By Dan Piepenbring The American Dialect Society—how do we join?—has voted because the word of the year. They chose because because because “exploded with new grammatical possibilities in informal online use.” In the Midwest, towns are living without Borders. (The defunct bookstore chain, not the metaphorical limitation.) Some independent bookstores have even cropped up in its place. How did Reddit’s brilliant AMA series go from geeky to mainstream? (Did you know The Paris Review did one last year?) “Of course, my definition of evil is not everybody else’s. Evil is being involved in the glamour and charm of material existence, glamour in its old Gaelic sense meaning enchantment with the look of things, rather than the soul of things.” An expansive interview with the singular Kenneth Anger.
January 7, 2014 On Music Swamp Thing By Dan Piepenbring Cover of Bobby Charles’s 1972 album Bobby Charles. When it gets cold, profanely cold, anesthetically cold, I like to put on humid music. It doesn’t cut the wind chill, but it helps. In a pinch, one could depend on Dick Dale or calypso; in dire straits, even a Key West bromide like Jimmy Buffett’s “Boat Drinks” gives off enough balm to suffice. But while such songs have heat, they lack humidity. At the risk of sounding like a sleazy bandleader: if you really want to thaw out, you’ve got to sweat. Bobby Charles’s eponymous album, soon to be reissued on vinyl for possibly the first time since its 1972 release, is perfect for the job: it has the languor and stickiness of an August day in New Orleans. Battered but amiable, Charles, a Louisiana native who died in 2010, sings with the slightest of rasps through ten tracks of rhythm and blues, alternately bustling and lumbering. He strikes me as a man who knew how to take his time. His is the sort of music people like to describe as “homegrown” or “country-fried,” though both adjectives feel too tinged with condescension to apply here. In deepest winter, the mere sight of Bobby Charles’s cover is a salve. It has a brown-and-green palette both earthy and eye-popping. What felonies wouldn’t you commit to be that man, or that dog, reclining in such tauntingly verdant swampland? Read More
January 7, 2014 First Person, Our Daily Correspondent Makeovers By Sadie Stein “There is a new hotspot for heavy petting on the Upper West Side,” declared the West Side Rag, awesomely, some months ago. Widely considered the dirtiest, crummiest, saddest, and generally worst movie theater in Manhattan, the Loews Eighty-Fourth Street transformed itself in 2013 into an amorous teenager’s paradise, instituting luxurious, fully reclining seats and removable armrests. Reported the New York Post, The new loveseats are a huge hit with teens. Upper West Sider Richard Velazquez, forty, was seated in the same row as an enthusiastic teen couple at a World War Z showing last month. “Even before the previews started, they were going at it,” says Velazquez. “She was not entirely on top of him, but a quarter of the way there. When the movie ended, they were still at it. I was thinking, ‘Get a room already,’ but the theater was their room!” I don’t know if this gamble—or whatever it is—has paid off. Did anyone want an unsanitary multiplex with business-class seats? Who knows? All I know is that the Love Theater is my local, a mere five-minute walk from door to door. They don’t often show films I want to see—I guess the lineup is more geared toward the tastes of the heavy-petting demographic—but yesterday I crossed Broadway to see The Wolf of Wall Street, my thinking being that a comfy seat might come in handy in watching a three-hour film. Read More