December 17, 2013 Quote Unquote Many Happy Returns, Penelope Fitzgerald By Sadie Stein Image via the Guardian. “Everyone in Penelope Fitzgerald’s family called her Mops, no one ever called her Penelope unless they met her later in life. And she didn’t like the name Penelope. But it would seem very peculiar for me to call her Mops all the way through.” —Hermione Lee, the Art of Biography No. 4
December 17, 2013 On the Shelf Apollinaire on Trial, and Other News By Sadie Stein Apollinaire (or, at any rate, his Turkish publisher) is on trial in Istanbul. Sofia Coppola is set to adapt Alysia Abbott’s 1970s San Francisco-set Fairyland: A Memoir of My Father. The American Library Association has named ten librarians from across the United States to be winners of the I Love My Librarian award. Each honoree will receive $5,000. Buzzfeed brings us fourteen places to talk to a stranger about books. Elevators and playgrounds feel potentially problematic, but what do we know?
December 16, 2013 Arts & Culture A Corner of Paradise By Nicole Rudick The opening to Betsy Karel’s new book of photography, Conjuring Paradise, is a poem by Kay Ryan titled “Slant.” It wonders at the randomness of loss, suspecting that its arbitrariness may be otherwise: Does a skew insinuate into the visual plane; dothe avenues begin to strain for the diagonal?Maybe there is always this lean, this slightslant … Her imagining of a plan behind loss has a theatrical cant—the man behind the curtain—but the poet’s conclusion that it’s perhaps wiser to let this observation go unnamed is a subtle riff on Emily Dickinson’s “tell all the truth but tell it slant.” Both poems imply that the truth of the matter is always set obliquely, and thus never fully seen. What, then, do we really understand of it? Karel’s images follow the same principle, looking at paradise through the lens of loss. She visited Waikiki, on the island of Oʻahu, in 2004 with her husband, who was dying of cancer; he found solace and pleasure in the tropical resorts, his symptoms temporarily alleviated. After his death, Karel returned to the area to make the photographs in this book, and the images she captured reflect this uneasy enterprise. Torpid and tanned beachgoers, ocean-themed decor, gifts shops and bars, the aqua splendor of swimming pools—each scene feels caught between a facile, picturesque serenity and a jarring sense of unreality. Ryan’s impression of a “skew” in the “visual plane” is rendered literal in Karel’s photographs: the strange angle of a balcony set against the sea, of painted waves rolling over a hallway, of a flashy sports car parked, as though forgotten, in the blank corner of an entryway. Tropical splendor is just out of reach, as when plumes of sea spray block access to the ocean or the rich Hawaiian landscape is supplanted by a painted backdrop (can those smiling tourists discern the difference?). In one image, a giant screen, partially unfurled, hangs between Karel’s camera and the promise of palm trees and blue sky. If you can only see paradise out of the corner of your eye or through a squint, Karel seems to ask, is it real? Pause Play Play Prev | Next
December 16, 2013 Arts & Culture Recapping Dante: Canto 11, or Foul Smells and Boring Theological Discussions Ahead By Alexander Aciman Detail of a miniature of Dante and Virgil looking into the tomb of Pope Anastasius. As Dante and Virgil make their way through the City of Dis (and see the tomb of yet another pope), Dante has a moment very much like the one where you open the bathroom door at work and are assaulted by the fumes of a previous occupant’s abomination. Of course, in this case, it’s the smell of lower hell. Virgil gives Dante a few minutes to compose himself and assures him that he’ll find a way to make the time pass while Virgil describes the rest of hell. In many ways, canto 11 is a lot like canto 2—it’s a way of briefly making everything clear to both Dante and to the reader. It’s Virgil’s way of saying, I know what you’re thinking; did we go through six circles of hell, or only five? Well, to tell you the truth, in all this excitement, I kind of lost track myself. Let’s briefly recap! And to be fair, Dante the poet couldn’t have picked a better moment to pause and explain what’s going on, because it’s starting to get very confusing. Read More
December 16, 2013 Bulletin Holidays, via The Paris Review By Sadie Stein Richard Anuszkiewicz, Untitled. We have already reminded you about the wonderful gift that is a full year—or even two, or three!—of the best in prose, poetry, interviews, and art. But don’t forget, there is also the Paris Review print series, allowing you to share an archive of nearly fifty years of contemporary masterworks. Subscribe now! And see our print series here.
December 16, 2013 On the Shelf Darcy vs. Knightley, and Other News By Sadie Stein Elif Batuman defends the end-of-year list, in a list. Here are all the best books of 2013 lists. Celebrity death match, Austen style: favorite Mr. Darcy versus dark horse Mr. Knightley. Geek, “a person who is very knowledgeable and enthusiastic about a specific subject,” has been named the word of the year by the Collins online dictionary.