April 21, 2016 From the Archive Morning Street By Carlos Drummond de Andrade William Edouard Scott, Rainy Night at Etaples, 1912 Carlos Drummond de Andrade’s poem “Morning Street” appeared in our Fall 1986 issue. He is considered by some to be the greatest Portuguese-language poet of all time. The splashing rainunearthed my father. I never imaginedhim buried thus, to the din of trolleyson an asphalt streetgiant palm trees slanting on the beach(and a voice from sleepto stroke my hair), as melodies wash upwith lost moneydiscarded confessionsold papers, glasses, pearls. To see him exposedto the damp, acrid air,that drifts in with the tideand cuts your breath,to wish to love himwithout deceitto cover him with kisses, with flowers, with swallows,to alter timeto offer the warmof a quiet embracefrom this elderly recluse,discarded confessionsand a lamb-like truce. To feel the lackof inborn strengthsto want to carry himto the older sofaof a bygone ranch,but splashes of rainbut sheets of mud beneath reddish street lampsbut all that existsof morning and windbetween one nature and anotheryawning sheds by the docksdiscarded confessionsingratitude. What should a man doat dawn(a taste of defeatin his mouth, in the air)in whatever place?Everything spoken, drunk, or even pretendedand the rest still buriedin the folds of sleep,cigarette stubsthe wet glare of streetsdiscarded confessionsmorning defeat. Vague mountainsgreening wavesnewspapers already white,hesitant melodytrying to spawnconditions for hopeon this gray day, of a broken lament. Nothing left to remind meof the seamless asphalt.Abandoned cellarsmy body shiversdiscarded confessions: abruptly, the walk home. —Translated from the Portuguese by Thomas Colchie
April 14, 2016 From the Archive The Artichoke By Nin Andrews William Morris & Co., Wallpaper Sample Book 1, Artichoke, pattern #359, ca. 1915 Nin Andrews’s poem “The Artichoke” appeared in our Fall 1991 issue. Her most recent collection is Why God Is a Woman. Read More
March 24, 2016 From the Archive An Indulgence of Authors’ Self-Portraits By The Paris Review Philip Roth “An Indulgence of Authors’ Self-Portraits” appeared in our Fall 1976 issue, the same year Burt Britton’s book Self-Portraits—Book People Picture Themselves was published. Britton’s book displays his collection of self-doodles by famous authors, artist, athletes, actors, and musicians, much of which was sold at auction in 2009. “So what does Mr. Britton look like?” asked the New York Times in 2009. “He refused to be photographed.” —Jeffery Gleaves One evening fifteen years ago Burt Britton (now head of the Review department at the Strand Bookstore) and Norman Mailer were sitting together in the Village Vanguard where Britton then worked. On impulse, Britton asked Mailer for a self-portrait. Mailer complied—the first of a collection which began to fill the pages of a blank book in the Strand. These were done by friends—primarily writers—who entered their drawings and salutations when they visited the store. No one has refused him a self-portrait. When he remarked on James Jones’ generosity, Jones explained, “Burt, for Christ’s sake, I wouldn’t be left out of that book!” As his collection grew, Britton was approached by a number of publishers, but always refused publication on the grounds that the self-portraits were the property of his private mania. But recently Anais Nin and others have persuaded him to let others in on how writers view themselves. Random House will publish the entire collection this fall under the title, Self-Portraits—Book People Picture Themselves. Many of the portraits reproduced here are by writers who have been published and/or interviewed in this magazine. Read More
March 16, 2016 From the Archive The Unnecessary By Karen Murai Adam Marian Pete, On the Way, 1994. Karen Murai’s poem “The Unnecessary” appeared in our Spring 1990 issue. Read More
March 11, 2016 From the Archive The Solution By Sharon Olds A new kind of matchmaking. Photo: Marco Verch Sharon Olds’s poem “The Solution” appeared in our Summer 1985 issue. Her most recent collection is Stag’s Leap. Finally they got the Singles problem under control, they made it scientific. They opened huge Sex Centers—you could simply go and state what you want and they would find you someone who wanted that too. You would stand under a sign saying I Like to Be Touched and Held and when someone came and stood under the sign saying I Like to Touch and Hold they would send the two of you off together. Read More
March 2, 2016 From the Archive After the Loss of a Limb By Elena Wilkinson Eugène-Louis Doyen, nineteenth century Elena Wilkinson’s poem “After the Loss of a Limb” appeared in our Spring 1974 issue. Her contributor’s note said only that she lived in New York City. Read More