September 15, 2015 From the Archive My Bitterness, My Mission By Dan Piepenbring A man disappearing into a cracked chamber pot with the legs of a woman, 1791. Image: Wellcome Library From a series of poems by David Ray in our Fall 1977 issue. Read More
September 3, 2015 From the Archive How to Name Your Baby By Dan Piepenbring Illustration: Elmar Ersch Whenever anyone frowns upon the Daily for publishing work they find obscene, frivolous, or otherwise undeserving of the prestigious Paris Review name, I want to direct their attention to our seventies issues. Readers who think we’ve published sixty-two years of Hemingway interviews and gentle sestinas will be surprised by the magazine’s irreverence. The Review of the seventies was, if the archive is any indication, a relaxed, profligate, and singularly fun place to work. It published some great literature. It also published, in the Summer 1976 issue, fourteen pages of silly names. John Train’s “How to Name Your Baby,” republished in full below, is one of my all-time favorite finds from the archive. Referring to the work of a certain Office of Nomenclature Stabilization—an office that has since lapsed into obsolescence, I regret to learn from Google—it’s gloriously inessential, though I guess you could argue that it predicted the rise of the listicle. Train, who is eighty-seven now, cofounded the magazine and was its first managing editor; this piece only burnishes his legacy, and in the eighties he turned it into a line of books, including John Train’s Remarkable Names, Even More Remarkable Names, and Remarkable Names of Real People. Read More
August 19, 2015 From the Archive Snort to Win By Dan Piepenbring “Coke,” a poem by Scott Cohen from our Summer 1971 issue. Cohen’s collection Actual Size was published the same year. The difference in the speed of the thought process of a man who has just snorted coke and a man who hasn’t is a very strange number which has a cosmic meaning, that is, it enters into the cosmic processes. This number is 27,000. I was glad to find the Bar-B-Q Book sitting on my desk because sitting on the Bar-B-Q Book was another gram of coke. Read More
August 12, 2015 From the Archive Last Days of Prospero By Dan Piepenbring Joseph Severn, A Scene from the Tempest, Prospero and Ariel (detail) “Last Days of Prospero,” a poem by Donald Justice from our Winter – Spring 1964 issue. Justice, born on August 12, 1925, is remembered for his formal mastery; he had a special fondness for sestinas. He died in 2004. Michael Hofmann has said that Justice “probably has few peers when it comes to the musical arrangement of words in a line.” In 2011, John Jeremiah Sullivan wrote about his poem “There Is a Gold Light in Certain Old Paintings” for the Daily. The aging magician retired to his island. It was not so green as he remembered, Nor did the sea caress its headlands With the customary nuptial music. He did not mind. He would not mind, So long as the causeway to the mainland Were not repaired, so long as the gay Little tourist steamer never again Read More
August 7, 2015 From the Archive Pet Brick By Dan Piepenbring “Ethics,” a prose poem by Adam LeFevre from our Winter 1975 issue. LeFevre, now sixty-four, is also a playwright and an established character actor. Where I went to college in the purple valley of northwest Massachusetts, there was a fellow in my class who used to drag a brick around by a string. He called it his “pet brick.” Every night he would drag his brick into the campus snack bar when the snack bar was most crowded, and order two vanilla milkshakes—one for himself, one for his brick. The first time I saw him I laughed at the absurdity of the proposition. A pet brick! A brick drinking a milkshake! The subsequent occasions of my seeing his fellow and his brick made me respond differently. Often I was angry, thinking he dragged the brick for just the clamor that will always attend the outrageous. Sometimes, when I could convince myself that he and his brick were actually a charade protesting technology gone wild or man’s inhumanity to man, I could feel the pleasant twinge of belonging to a fraternity of hoodwinkers. But when I saw him in the early morning, dragging his brick through the empty quads, my heart would fill with the silent despair that rose from the strange interplay between them. Just as it was impossible to know exactly how he felt about the brick, in those days I never knew how I should feel about anything. Only one thing was clear. He did not love the brick. Nor did the brick love him. This fact became my reference point in all matters of faith.
July 31, 2015 From the Archive August in the Apple Orchard By Dan Piepenbring Charles-François Daubigny, Orchard, 1865–69. George Bradley’s poem “August in the Apple Orchard” appeared in our Summer 1980 issue. Bradley’s most recent collection is 2011’s A Few of Her Secrets. It seems someone else was interested in order, too— The squat trees edging away down the slope In wavy lines like rivulets—but wasn’t very good at it, And left you to make the best of the result. But you can’t very well tear up Uncle Jack’s half-acre On a whim, and besides, the view isn’t unattractive, Just arbitrary. Read More