May 19, 2016 From the Archive The Single Girl’s Guide to Art By Shannon Borg Jean Baptiste Greuze, A Girl With A Dead Canary, 1765. Shannon Borg’s poem “The Single Girl’s Guide to Art” appeared in our Spring 2002 issue. Her latest collection is Corset. Read More
May 12, 2016 From the Archive Summing Up By Claribel Alegria Frederic Edwin Church. Claribel Alegria’s poem “Summing Up” appeared in our Fall 1988 issue. Alegria is ninety-two today. Her latest book is Casting Off, translated by Margaret Sayers Peden. Read More
May 4, 2016 From the Archive April to May By Joyce Peseroff Camille Pissarro, Gelée blanche, 1873. Joyce E. Peseroff’s poem “April to May” appeared in our Spring 1979 issue. Her latest collection is Know Thyself. Read More
April 27, 2016 From the Archive Birthday Letter from South Carolina By Jean Valentine Augustus Paul Trouche, The Hundred Pines, James Island, South Carolina, c. nineteenth century. Jean Valentine’s poem “Birthday Letter from South Carolina” appeared in our Fall 1981 issue. Valentine is eighty-two today. Her most recent collection is Shirt in Heaven. Read More
April 21, 2016 From the Archive Morning Street By Carlos Drummond de Andrade William Edouard Scott, Rainy Night at Etaples, 1912 Carlos Drummond de Andrade’s poem “Morning Street” appeared in our Fall 1986 issue. He is considered by some to be the greatest Portuguese-language poet of all time. The splashing rainunearthed my father. I never imaginedhim buried thus, to the din of trolleyson an asphalt streetgiant palm trees slanting on the beach(and a voice from sleepto stroke my hair), as melodies wash upwith lost moneydiscarded confessionsold papers, glasses, pearls. To see him exposedto the damp, acrid air,that drifts in with the tideand cuts your breath,to wish to love himwithout deceitto cover him with kisses, with flowers, with swallows,to alter timeto offer the warmof a quiet embracefrom this elderly recluse,discarded confessionsand a lamb-like truce. To feel the lackof inborn strengthsto want to carry himto the older sofaof a bygone ranch,but splashes of rainbut sheets of mud beneath reddish street lampsbut all that existsof morning and windbetween one nature and anotheryawning sheds by the docksdiscarded confessionsingratitude. What should a man doat dawn(a taste of defeatin his mouth, in the air)in whatever place?Everything spoken, drunk, or even pretendedand the rest still buriedin the folds of sleep,cigarette stubsthe wet glare of streetsdiscarded confessionsmorning defeat. Vague mountainsgreening wavesnewspapers already white,hesitant melodytrying to spawnconditions for hopeon this gray day, of a broken lament. Nothing left to remind meof the seamless asphalt.Abandoned cellarsmy body shiversdiscarded confessions: abruptly, the walk home. —Translated from the Portuguese by Thomas Colchie
April 14, 2016 From the Archive The Artichoke By Nin Andrews William Morris & Co., Wallpaper Sample Book 1, Artichoke, pattern #359, ca. 1915 Nin Andrews’s poem “The Artichoke” appeared in our Fall 1991 issue. Her most recent collection is Why God Is a Woman. Read More