As soon as he realized he was lost, that
in kicking around his new job in his head,
the new people he'd met, and how
he could manage a week in Seaside,
he'd stumbled past the muddy fork of road
that slithered down in switchbacks
to Highway 20, and now couldn't tell,
through rainclouds coarse as pig iron,
and about as cold, which languished
over each of the scarred mountaintops,
where west was, or east, or north,
or feel the sun's direction,
he stopped, as he knew he should,
and doubled back. An hour at the worst
would bring him to the International
inert in a ditch with its radiator
punctured, its axle broken, and blood
from his temple on the steering wheel.
He wished he'd never set eyes on that truck…
here he was, trudging like an idiot
through a thousand-square-mile dead spot
of Douglas fir, soaked to the bone
and hungry, with his head throbbing.
He wasn't up to this, he said to himself,
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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