Eunie Morgan’s house was the third one past Monk's. It was the last house on the road. Around midnight, Eunie's mother said, she had heard the screen door close. She heard the screen door and thought nothing of it. She thought of course that Eunie had gone out to the toilet. Even in 1953 the Morgans had no indoor plumbing.
Of course none of them went as far as the toilet, late at night. Eunie and the old woman squatted on the grass. The old man watered the spirea at the far end of the porch. Then I must have gone to sleep, Eunie's mother said, but I woke up later on, and I thought that I never heard her come in.
She went downstairs and walked around in the house. Eunie's room was behind the kitchen, but she might be sleeping anywhere on a hot night. She might be on the couch in the front room or stretched out on the hall floor to get the breeze between the doors. She might have gone out on the porch where there was a decent car seat that her father, years ago, had found discarded farther down the road. Her mother could not find her anywhere. The kitchen clock said twenty past two.
Eunie's mother went back upstairs and shook Eunie's father till he woke up.
“Eunie's not down there,” she said.
“Where is she then?” said her husband, as if it was up to her to know. She had to shake him and shake him, to keep him from going back to sleep. He had a great indifference to news, a reluctance to listen to what anybody said, even when he was awake.
“Get up, get up,” she said. “We got to find her.” Finally he obeyed her, sat up, pulled on his trousers and his boots. “Get your flashlight,” she told him, and with him behind her she went down the stairs again, out onto the porch, down into the yard. It was his job to shine the flashlight—she told him where. She directed him along the path to the toilet, which stood in a clump of lilacs and currant bushes at the back ofthe property. They poked the light inside the building and found nothing. Then they peered in among the sturdy lilac trunks—these were practically trees—and along the path— almost lost now—that led through a sagging section of the wire fence to the wild growth along the river bank. Nothing there. Nobody.
Back through the vegetable garden they went, lighting up the dusted potato plants and the rhubarb that was now grandly gone to seed. The old man lifted a great rhubarb leaf with his boot, and shone the light under that.
His wife asked whether he had gone crazy.
She recalled that Eunie used to walk in her sleep. But that was years ago.
She spotted something glinting at the corner ofthe house, like knives or a man in armour.
“There. There.” she said. “Shine it there. What's that?” It was only Eunie's bicycle, that she rode to work every day. Then the mother called Eunie's name. She called it at the back and the front of the house; plum trees grew as high as the house in front and there was no sidewalk, just a dirt path between them. Their trunks crowded in like watchers, crooked black animals. When she waited for an answer she heard the gulp of a frog, close, as if it sat in those branches. Morgan's place was the last on this road, last of the houses with their backs to the river. Haifa mile farther on, the road ended up in a field too marshy for any use, with weedy poplars growing up through the willow-bushes and elderberries. In the other direction, it met the road from town, then crossed the river and climbed the hill to the chicken farm. On the river flats lay the old fairgrounds, some grandstands abandoned since before the War, when the fair here was taken over by the big fair at Walley. The racetrack oval was still marked out in the grass.
This was where the town set out to be, over a hundred years ago. Mills and hostelries were here. But the river floods persuaded people to move to higher ground. House plots re- mained on the map, and roads laid out, but only the one row of houses where people lived who were too poor or in some way too stubborn to change —or, at the other extreme, too temporary in their living arrangements to object to the inva- sion of the water.
They gave up —Eunie's parents did. They sat down in the kitchen without any light on. It was between three and four o'clock. It must have seemed as if they were waiting for Eunie to come and tell them what to do. It was Eunie who was in charge in that house and they probably could hardly imagine a time when it had been otherwise. Nineteen years ago she had literally burst into their lives. Mrs. Morgan had thought she was having the change and getting stout —she was stout enough already that it did not make much difference. She thought the commotion in her stomach was what people called indigestion. She knew how people got children, she was not a dunce —it was just that she had gone on so long without any such thing happening. One day in the post office she had to ask for a chair, she was weak and overcome by cramps. Then her water broke, she was hustled over to the hospital, and Eunie popped out with a full head of white hair. She made her claim to attention from the moment of her birth.
One whole summer Eunie and Rhea played together. They never thought of their activity as play, but playing was what they called it, to satisfy other people. It was the most serious part of their lives. What they did the rest of the time seemed frivolous, forgettable. When they cut from Eunie's yard down to the riverbank they became different people. Each of them was called Tom. The Two Toms. A Tom was a noun to them, not just a name. It was not male or female. It meant somebody exceptionally brave and clever but not always lucky, and— just barely—indestructible. The Toms had a battle which could never end, and this was with the Bannershees. (Perhaps Rhea and Eunie had heard of banshees.) The Bannershees lurked along the river and could take the form of robbers or Germans or skeletons. Their tricks and propensities were endless. They laid traps and lay in ambush and tortured the children they had stolen. Sometimes Eunie and Rhea got some real children — the McKays who lived briefly in one of the river houses — and persuaded them to let themselves be tied up and thrashed with cattails. But the McKays could not or would not submit themselves to the plot, and they soon cried or escaped and went home, so that it was just the Toms again.
The Toms built a city of mud by the riverbank. It was walled with stones against the Bannershees' attack and contained a royal palace, a swimming pool, a flag. But then the Toms took a journey and the Bannershees leveled it all. (Of course Eunie and Rhea had to change themselves, often, into Bannershees.) A new leader appeared, a Bannershee queen; her name was Joylinda, and her schemes were diabolical. She had poisoned the blackberries growing on the bank, and the Toms had eaten some, being careless and hungry after their journey. They lay writhing and sweating down among the juicy weeds when the poison struck. They pressed their bellies into mud that was slightly soft and warm like just-made fudge. They felt their innards shrivel and they were shaking in every limb, but they had to get up and stagger about, looking for an antidote. They tried chewing sword grass —which true to its name could slice your skin — they smeared their mouths with mud, and considered biting into a live frog if they could catch one, but decided at last it was chokecherries that would save them from death. They ate a cluster of the tiny chokecherries and the skin inside their mouths puckered desperately, so that they had to run to the river to drink the water. They threw themselves down on it, where it was all silty among the water- lilies and you couldn't see the bottom. They drank and drank it, while the bluebottles flew straight as arrows over their heads. They were saved.
Emerging from this world in the late afternoon, they found themselves in Eunie's yard where her parents would be working still, or again, hoeing or hilling or weeding their vegetables. They would lie down in the shade of the house, exhausted as if they had swum lakes or climbed mountains. They smelled of the river, of the wild garlic and mint they had squashed underfoot, of the hot rank grass and the foul mud where the drain emptied. Sometimes Eunie would go into the house and get them something to eat —slices of bread with corn syrup or molasses. She never had to ask if she could do this. She always kept the bigger piece for herself.
They were not friends in the way that Rhea would understand being friends later on. They never tried to please or comfort each other. They did not share secrets, except for the game, and even that was not a secret because they let others take pan. But they never let the others be Toms. So maybe that was what they shared, in their intense and daily collabora- tion. The nature, the danger, of being Toms.
Eunie never seemed subject to her parents or even connected to them in the way of other children. Rhea was struck by the way Eunie ruled her own life, the careless power she had in the house. When Rhea said that she had to be home at a certain time, or that she had to do chores or change her clothes, Eunie was affronted, disbelieving. Every decision Eunie made must have been on her own. When she was fifteen she stopped going to school and got a job in the glove factory. Rhea could imagine her coming home and announcing to her parents what she had done. No, not even announcing it—it would come out in an offhand way, maybe when she started getting home later in the afternoon. Now that she was earning money, she bought a bicycle. She bought a radio and listened to it in her room late at night. Perhaps her parents would hear shots ring out then, vehicles roaring through the streets. She might tell them things she had heard — the news of crimes and accidents, hurricanes, avalanches. Rhea didn't think they would pay much attention. They were busy and their life was eventful, though the events in it were seasonal and had to do with the vegetables which they sold in town to earn their living. The vegetables, the raspberries, the rhubarb. They hadn't time for much else.
While Eunie was still in school Rhea was riding her bicycle, so they never walked together although they took the same route. When Rhea rode past Eunie, Eunie was in the habit of shouting out something challenging, disparaging. Hi ho. Silver! And now, when Eunie had a bicycle, Rhea had started walking —there was a notion at the high school that any girl who rode a bicycle, after grade nine, looked gawky and ridiculous. Eunie would dismount and walk along beside Rhea, as if she was doing her a favor.
It was not a favor at all —Rhea did not want her. Eunie had always been a peculiar sight, tall for her age, with sharp, narrow shoulders, a whitish-blond crest of fuzzy hair sticking up at the crown of her head, a cocksure expression and a long, heavy jaw. That jaw gave a thickness to the lower part of her face that seemed reflected in the phlegmy growl of her voice. When she was younger none of that had mattered —her own conviction, that everything about her was proper had daunted many. But now she was five feet nine or ten, drab and mannish in her slacks and bandannas, with big feet in what looked like men's shoes, a hectoring voice and an ungainly walk —she had gone right from being a child to being a character. And she spoke to Rhea with a proprietary air that grated, asking her if she wasn't tired of going to school, or if her bike was broken and her father couldn't afford to get it fixed. When Rhea got a permanent, Eunie wanted to know what had happened to her hair. All this she thought she could do because she and Rhea lived on the same side of town and had played together, in an era that seemed to Rhea so distant and discardable. The worst thing was when Eunie launched into accounts that Rhea found both boring and infuriating, of murders and disasters and freakish events that she had heard about on the radio. Rhea was infuriated because she could not get Eunie to tell her whether these things had really happened, or even to make that distinction — as far as Rhea could tell —to herself.
Was that on the news, Eunie? Was it a story? Were there people acting it out in front of a microphone or was it reporting? Eunie! Was it real or was it a play?
It was Rhea, never Eunie, who would get frazzled by these questions. Eunie would just get on her bicycle and ride away.
"Toodeley oodeley oo! See you in the Zoo!"
Eunie's job suited her, surely. The glove factory occupied the second and third floors of a building on the main street, and in the warm weather when the windows were open you could hear not only the sewing machines but the loud jokes, the quarrels and insults, the famous rough language of the women who worked there. They were supposed to be of a lower class than waitresses, much lower than store clerks. They worked longer hours and made less money, but that didn't make them humble. Far from it. They came jostling and joking down the stairs and burst out on to the street. They yelled at cars, in which there were people they knew, and people they didn't know. They spread disorder as if they had every right.
People close to the bottom, like Eunie Morgan, or right at the top, like Billy Doud, showed a similar carelessness, a blunted understanding.