November 3, 2011 The Poem Stuck in My Head Brenda Shaughnessy’s “I’m Over the Moon” By Lorin Stein It takes guts to apostrophize a heavenly body. Everybody’s seen them: Sappho, Keats, Mayakovsky, O’Hara, you name it. After all these millions of years, what’s left to say? And to write a poem addressing the moon herself—a breakup poem, no less!—you had better be extremely naive, or else know exactly what you’re doing, and get lucky, too. This is what bravery looks like in a poem. It is not (necessarily) a matter of sharing personal information. To my mind, a brave poem is one that risks seeming stupid or grandiose or frivolous, that nods in recognition at various poems that came before, then sweeps past, racing toward the thing it came to say. The first time I read Brenda Shaughnessy’s poem “I’m Over the Moon” five years ago, it was a Sunday and I was sitting at the breakfast table. I remember because “I’m Over the Moon” is the only poem I have ever read out loud at a breakfast table. Having read it, I had to share it. The poem marked a new directness in Shaughnessy’s work (“I’ve had to learn to be direct”), but all the sass and sense of humor I loved from before were intact. Lately “I’m Over the Moon” has been on my mind again (ever since we published two of Shaughnessy’s more recent poems in the Review). It is the first entry in our series “The Poem Stuck in My Head”: Read More
November 3, 2011 Bulletin St. Mark’s Saved By Lorin Stein Great news in this morning’s Observer: Cooper Union has agreed to give St. Mark’s Bookshop a break on the rent, and the store will remain open. Many thanks to our readers who helped save St. Mark’s, whether by signing the petition or just by picking up a copy of the Review. (The save–St. Mark’s discount will remain in effect until our winter issue appears.) And three cheers for Cooper Union!
November 3, 2011 In Memoriam Dear Stanley By Emma Straub When I was a senior at Saint Ann’s School in Brooklyn Heights, I was one of the editors of our school yearbook. We used the school darkroom to print every photograph in the book by hand, a massive task. My fingernails smelled like chemicals for months, and my eyes, I was sure, had permanently adjusted to the dark. There were eight of us, six girls and two boys, whom we called the “sex toys,” as if any of us had ever seen such a thing. Saint Ann’s had (and continues to have) the reputation of an artsy school, and we did our best to keep it that way. We divvied up the tasks with the guidance of our photography teacher, Heather, whom we trusted because she sometimes snuck cigarettes in the school building after hours. Somehow it fell to me to take a photograph of our founding headmaster, Stanley Bosworth, for the front of the book. The picture I took of Stanley was unremarkable—he is leaning against the building, looking slightly off into the distance. He’s wearing a plaid sports jacket, and the frames of his eyeglasses are tinted. He looks like an owl crossed with the hero of a seventies French film, and that’s just how Stanley was. He had founded the school in 1965 and had been its fearless leader ever since. I printed the photograph on the same paper as a photograph of the school building, so that the building and Stanley would be together forever. I certainly couldn’t imagine one without the other. The limestone lines of the beaux arts building zigzag across Stanley’s plaid jacket, and come to a point over his head; he is the mermaid on the prow of the ship, hands behind his back, always at ease. Stanley loved the photograph. One evening, when I was alone in the darkroom, Heather passed me a piece of paper, told me it was top secret, and that she would take it back when I was through reading it. It was Stanley’s letter, which was to run opposite the photo in the yearbook, and it was addressed to me. Read More
November 2, 2011 Bulletin On the Shelf By Sadie Stein A cultural news roundup. The International literary community rallies around an imprisoned Turkish publisher and activist. Steve Jobs tops the best-seller list. Rebecca … the musical! Heart of Darkness … the opera! Blue Nights … the movie! Lisbeth Salander … the clothing line? Salman Rushdie on Kim Kardashian. On Twitter. In limerick. Speaking of strange bedfellows: Groucho Marx and T. S. Eliot. J. K. Rowling considered killing off Ron “out of sheer spite.” Speaking of spite, Didion vs. Kael. Awesome people reading.
November 2, 2011 Books On Homesickness By Francesca Mari 'The Soldier's Dream of Home,' a Currier & Ives lithograph produced during the Civil War, was one sign of the great attention that soldiers' homesickness received. Courtesy of Library of Congress. A few weeks ago I found myself accidentally enacting the drama of a book I was reading. The book was Homesickness: An American History, and I was reading it on the subway, somewhat embarrassed by the title, which, held up right in front of my face, was like a sign saying: Here in New York, I can’t cut it. I comforted myself with the idea that I was only a few stops from home, where I could read safe from potential pity. But when I got to my door, I discovered that I’d locked myself out. I looked up at my windows. I wished I could use the bathroom, foreign bathrooms costing at least a coffee. But it struck me that I didn’t long to be in my apartment. My place, with its card table in the kitchen and mattress on the floor, is unsettled—I would feel as dislocated inside of it as out. I can’t imagine what feeling settled here would look like; the only settled place I’m familiar with is the home where I grew up. How long does it take to cultivate the feeling of home? I’ve been in New York for three years, on the East Coast for eight, and I’ve never suffered from acute homesickness. But still, when I’m called to define “home,” I think of El Granada, a town of 5,436 that staked itself twenty-six miles south of San Francisco down the coast. I mean staked quite literally: between 1906 and 1909, Ocean Shore Railway, which was building tracks from Santa Cruz to San Francisco along what is now Highway 1, planted thousands of fast-growing, blue gum eucalyptuses with the hopes of flipping El Granada into a seaside resort for train-traveling San Franciscans. The railroad company also commissioned the eminent architect and city planner Daniel Burnham (famous for the Flatiron building) to plan the streets. They go in two directions, up the hills and around them, so that it looks from above as if a four-square-mile spider web has been draped over the thousands of trees. But the dream of El Granada was not to be. Two years later the railway company collapsed. The tracks were abandoned. Some speculators bought land, but the place never really caught on until computers did in the late eighties and nineties, and intrepid commuters from Silicon Valley bought BMWs and began building houses. Read More
November 1, 2011 Look Abstracts By Scott Treleaven Scott Treleaven, The Triumph of Pan, 2011, pastel, crayon, gesso, gouache, house paint, and collages on paper, each 39 x 25 1/5 in. Read More