March 7, 2012 On Sports Double Fault By A-J Aronstein Three months before I was born, my father bought an eight-court outdoor tennis club on three acres of land in New Rochelle, New York. The club sits at the bottom of what amounts to a gully, down the block from a swampy lily pond that overflows during thunderstorms and floods the basements of the handsome Tudor homes in the neighborhood. The courts themselves are made of a material called Har-Tru, a gray-green clay that smells like a mixture of coffee grounds and fresh-cut grass. It’s soft and easy on the knees, perfect for middle-aged investment bankers and ad executives but more difficult to maintain than hard courts. When it rains, the material softens, expands like a sponge, and turns into a shallow lake. During dry spells, it gets chalky and swirls around on warm breezes. Like lunar dust, Har-Tru sticks to everything. It gunks up sneakers, stains white tennis shorts, and accumulates in socks. As a kid, over the course of a given summer, I’d transfer an entire court’s worth of Har-Tru to our living room. The courts were our family’s livelihood; their quality was a matter of pride for my father. Like a farmer who knows the precise chemical composition of the soil in his fields, he could step out on the courts, sniff the air, and know whether to water them or let them bake in the sun. He never read weather reports (he called weathermen “crooks”) but developed meteorological instincts. He sensed drops in barometric pressure and intuited the approach of autumnal cold fronts. “Rain’s coming,” he’d say, looking out over the courts like an Oklahoman homesteader. Even when I went south to the University of Virginia, I found Har-Tru waiting for me. The company that manufactures it boasts on their homepage that Har-Tru comes from “billion-year-old Pre-Cambrian metabasalt found in the Blue Ridge Mountains.” I could have walked to their corporate headquarters from the center of campus. Charlottesville has brilliant sunsets thanks to the airborne coal dust carried on the wind from mines in West Virginia. I couldn’t help but stare at yellow-orange-pink skies over the Blue Ridge in autumn and think, Look at all that Har-Tru. Read More
March 6, 2012 Events Two ‘Paris Review’ Events Not to Be Missed By The Paris Review This week, The Paris Review takes over New York! Tonight, editor Lorin Stein will be at McNally Jackson with Sarah Manguso to discuss her new book, The Guardians: An Elegy. David Shields rhapsodized that The Guardians “is very pure and elemental, and I wanted nothing coming between me and the page.” Don’t let anything stand in your way, either; stoke your excitement for the discussion by reading our excerpt of the book here! Then, on Friday, Geoff Dyer and John Jeremiah Sullivan, both contributors to our two-hundredth issue, discuss their books Zona and Pulphead at 192 Books. A man whom Zadie Smith dubbed a “national treasure” and our Southern editor in one room? We can’t imagine anything better. We hope to see you there! Sarah Manguso in Conversation with Lorin SteinMarch 6, 7 P.M.Location: McNally Jackson52 Prince StreetNew York, NY 10012 Geoff Dyer in Conversation with John Jeremiah SullivanMarch 9, 7 P.M.Location: 192 Books192 10th AvenueNew York, NY 10011RSVP only. To reserve your spot, call 212-255-4022.
March 6, 2012 At Work Hari Kunzru on ‘Gods Without Men’ By Amitava Kumar Hari Kunzru’s latest novel, Gods Without Men, is being released in the U.S. today. Set in the Mojave Desert, the novel is an echo chamber for stories divided across more than two centuries. The clever symmetries that link the stories reveal the bleached bones of American identity—racial mixing, violence, an unending contest over the politics of meaning and faith. This is Kunzru’s fourth novel; his debut, The Impressionist, appeared in 2003 and was followed by Transmission (2004) and My Revolutions (2007). I conducted this interview by e-mail, but I saw Kunzru only a few weeks ago, in late January, at the Jaipur Literature Festival. He had done a public reading from Salman Rushdie’s The Satanic Verses , a book banned in India since its publication more than two decades ago. Rushdie had been scheduled to appear at the festival but, because of threats to his life, decided to stay away. When I last saw Kunzru, it was close to midnight and he was making calls to lawyers overseas. He had been informed that he was facing arrest. The next day, on legal advice, Kunzru left the country. The first time I read about you, you were described as having “a nonspecifically exotic appearance” that marked you “as a potential native of about half the world’s nations.” How do you usually explain your origins? I was born in London. Depending on who I’m talking to, and how I feel, I might describe myself simply as a Londoner, British (that one’s only crept in since I came to live in New York—to anyone in the UK, it’s weirdly meaningless), English, the son of an Indian father and an English mother, Kashmiri Pandit, rootless cosmopolitan … Read More
March 6, 2012 Bulletin Join Us for Our 2012 Spring Revel By Sadie Stein Our annual gala, the Spring Revel, brings together writers and friends of the magazine to share in an evening of cocktails, dinner, music, talk, and, all-around revelry. Just last year Women’s Wear Daily called this venerable tradition “the best party in town”—and who are we to argue with WWD? This year’s going to be especially … revelrous, because we’re celebrating the two hundredth issue of The Paris Review. Comedian David Cross (Arrested Development, etc.) will give the Terry Southern Prize for Humor. Mona Simpson will give the Plimpton Prize for Fiction. Zadie Smith will present Robert Silvers, cofounder and editor of The New York Review of Books (and our sometime Paris editor), with the Hadada Prize for a “unique contribution to literature.” Our Benefit Chairs are Chris Hughes, cofounder of Facebook, and his fiancée Sean Eldridge, President of Hudson River Ventures and Senior Adviser at Freedom to Marry. We’d love to see you there! Tickets and tables are available in The Paris Review’s store.
March 5, 2012 First Person The Topographical Soul By Thomas Beller I was at the last show of the night in a movie theater in New Orleans, and I stepped out midway to go to the bathroom. The movie was loud, cacophonous, upsetting—a documentary about Hurricane Katrina and its aftermath. As I peed, I stared absentmindedly at a tile in the wall in front of me. There was nothing remarkable about this tile, but I felt an involuntary shiver. I was alone in the bathroom, but it occurred to me that the bathroom itself had once been alone and empty—for days, weeks, maybe months during the hurricane and evacuation. It had been frozen in time like the figures in Pompeii but without any bodies to be captured in mid-life, mid-gesture. Instead, what had been captured, what resonated, was a stillness that persisted even now, after the city had ostensibly come back to life. Cities are not meant to be emptied. Most of them never are. Even in their quietest hour they have a rustling sense of breath. But I had once spent time in another city that had also been emptied: Phnom Penh, which was evacuated under the Khmer Rouge. Phnom Penh was, from the moment I saw it in 1994, a place that refused comparison. At first I accepted this. I had come for new experiences and I was happy, if often unnerved, to let new experiences prick me with their unfamiliarity. But then I began to feel a certain resistance in me, an effort to corral all the stimulation and make it adhere to a context with which I was familiar. I was trying, as I always did, to see Phnom Penh through the lens of my hometown, New York. Read More
March 5, 2012 Books Loose Lips By Laura Moser It is perfectly monstrous the way people go about, nowadays, saying things against one behind one’s back that are absolutely and entirely true. —Oscar Wilde, The Picture of Dorian Gray I spent a recent Sunday morning at the baby shower of a friend made in adulthood. The other attendees all went back to Catholic school, so after the obligatory oohing and aahing over the onesies, conversation turned to Jessie, the surprising no-show of the high school crowd. “She must be hungover again,” said one girl with a knowing shrug. “Yeah,” another chimed in. “Scott must’ve been on the late shift again, if you know what I mean.” Snickering all around. “Ugh, Scott,” one said with a theatrical shiver. “That guy is such a loser, my God. If Jessie doesn’t move on soon—” “Jessie will never move on,” another girl emphatically interrupted. “She finds his gigantic forty-year-old beer belly and pathological fear of commitment totally entrancing, and really who wouldn’t?” What followed was another ten minutes on the subject of the absent Jessie, who, at thirty-three, all agreed, was definitely way too old to keep answering the midnight booty calls of the ne’er-do-well weeknight bartender at the Harp. Finally, the hostess noticed me nibbling quietly on my teacakes in the corner. “Oh, God, I am so sorry!” she cried. “I forgot that you don’t know Jessie! This must be so boring to you—we will change the subject.” A pause. “So, um, what else should we talk about?” She gazed down at her belly doubtfully. In the thudding silence that followed, I was allowed to insist that Jessie’s sleazy sexual predilections and Scott’s ironic collection of too-tight NASCAR T-shirts were infinitely more interesting than bump-circumference guessing games or the extortionate price of strollers these days. Several hours past the official end of the party, I left in the glow of new friendships made: it was truly the most fun I’d had in weeks. Because that’s the thing: gossip is fun, one of the most profound and satisfying pleasures we humans are given. Read More