August 31, 2012 This Week’s Reading What We’re Loving: Stridentists, Oblivion By The Paris Review Of the first volume of Karl Ove Knausgaard’s long, uneventful bildungsroman, My Struggle, James Wood wrote, “Even when I was bored, I was interested.” Wood is a man who knows how to pay attention to long, boring books, even at times enjoys them, so I began My Struggle with trepidation; it was misplaced. The book kept me up till two almost every morning for a week. All the good things Wood says about the novel seem to me true; but I loved it even when the narrator slipped into clichés, because they made him seem that much more real and singleminded in his storytelling. I don’t read Norwegian, but it’s hard to believe that the translator, Don Bartlett, could have made such vital, humane prose—over such a long stretch—unless he was hewing close to a work of genius. —Lorin Stein “Here’s my brutal / many-minded / poem / to the new city,” are the first words of Manuel Maples Arce’s “City: Bolshevik Super-Poem in 5 Cantos.” The poem was first published in Mexico City in 1924, and the subtitle isn’t entirely ironic. Another stanza begins, “Russia’s lungs / blow the wind / of social revolution / in our direction. / Literary dick gropers / will understand nothing.” I first read about Arce in Savage Detectives, where he is one of the deities in Bolaño’s pantheon of the Latin American avant-garde, identified as “the father of stridentism.” I thought this was a made-up group, but it really existed (that’s them, in the photo). They gathered in a café called Multánime (“many-minded”), where a contemporary reports that “the waiters placed their order via radio and the Pianola played music from intercepted Martian concerts.” —Robyn Creswell Read More
August 31, 2012 On the Shelf Signatures, Notes, and Lists By Sadie Stein The evolution of F. Scott Fitzgerald’s autograph. We have long been intrigued by the Strand’s “The Jean Files,” a series of notes, found in books, to a woman named Jean. The latest plea is especially intriguing. Listen to Dylan Thomas read “Do Not Go Gentle into That Good Night.” Thank you to Iris Blasi for unearthing this vintage bit of Letterman, um, wit: Top Ten Bookstore Pickup Lines. We may be biased, but are happy to disseminate the following: “According to a new study, people with an active interest in the arts contribute more to society than those with little or no such interest.” [tweetbutton] [facebook_ilike]
August 30, 2012 First Person Stuffed By James Santel Around Valentine’s Day, my gut finally confirmed what my head had long known: I would in fact be graduating from college in just three months, which meant that something would have to be done about the books. This was in Philadelphia, in a large room on the second floor of a three-story house on Baltimore Avenue. Not wanting the hassle of selling a sofa or armchair at year’s end, I had furnished the room with little other than a bed, a salvaged nightstand, and a too-small desk borrowed from a friend’s girlfriend’s roommate. If it weren’t for the books (and the Robert Kennedy campaign poster that passed for decoration), a visitor to my room might surmise that its occupant tended toward a mildly disturbed kind of solitude. But there were books, lots of them. Books lined the mantel of the bricked-up fireplace. Books were stacked at the foot of the bed; they were strewn on the floor around the desk like a blast radius. Piles of books that frequently collapsed into small landslides annexed the nightstand. A stray book or two often lay on the floor in the middle of the room, the aftermath of hasty between-class transitions. For the first time in my life, I felt I had too many books. You have to understand that like many bibliophiles, this was a Rubicon I never imagined crossing. In my experience, the adage “all things in moderation” carries much wisdom; until last winter, I thought books were an exception to this rule, occupying a higher moral plane than other things one might collect, like bottles of fine scotch or European football jerseys. In my reverence for the printed word, I subscribed to all the humanistic pieties: books as worlds between two covers, as food for the mind and soul, as a link between living and dead. Walking into Penn’s library every day for the last two years, I passed beneath a window bearing a breathless quotation from Samuel Daniel: “O blessed letters! That combine in one all ages past, and make one live with all!” The pane’s religiosity was apt; my faith in books had never been higher than in college. There, they protected me from the terrifying emptiness of Sunday afternoons, distracted me from one girl or another’s failure to return my call, and transported me from the campuses where I often felt I was merely playing at life, swept away from my old comfortable St. Louis existence because I needed a college degree. Books were the tributaries that returned me to the main current, if only for a few hours. Read More
August 30, 2012 Arts & Culture Bullet Points By Joseph Bernstein 1. You will likely have noticed by now the writerly fashion of building an essay by numbered sections. These sections can vary from just a single sentence to many pages. Sometimes a section will bear one or more indentations or line breaks and will stretch into a mini-essay. Sometimes there will be as few as three sections and sometimes there will be more than a hundred. Writers, such as God, have been numbering sections for a very long time indeed, and I do not wish to suggest that this technique is new, rather that it is increasingly used. My proof is a general sense that this is happening, nursed into conviction by a robust confirmation bias. Two Quite often these sections comprise a series of declarative sentences, near aphorisms, sayings that, breathed from the lips of drunks, would by most of us be taken in, swished around and then spat out. III These sections comprise wild declarative sentences, aphorisms, sayings that, belched from the throats of drunks, would be swished around and then spat out. To take one example, “The only picture that it seems appropriate to paint in 2012 is a painting of people having their picture taken by famous paintings.” Read More
August 30, 2012 On the Shelf The Dark Lady, Potter Gowns By Sadie Stein Ten books that will never be Penguin classics (except in this mock-up). The John Updike Society has purchased the author’s childhood home, with an eye to creating a museum. Politicians’ favorite books. A new candidate for Shakespeare’s mysterious “dark lady” has emerged: a prostitute called “Lucy Negro,” an “arrant whore and a bawde” who worked in Clerkenwell. A dress made of Harry Potter. Naturally. [tweetbutton] [facebook_ilike]
August 29, 2012 Weird Book Room English Smocks By Sadie Stein Selected from the AbeBooks’ Weird Book Room.