November 22, 2012 Arts & Culture Dallas, Part 2: Up Close By Edward McPherson Today marks the fiftieth anniversary of the assassination of John F. Kennedy. With all eyes on Dallas, it seemed fitting to re-run one of our favorite pieces from 2012, an ode to the city and its complicated legacy. [Read part 1 here.] Have you ever seen Dallas from a DC-9 at night? Dallas is a jewel, Dallas is a beautiful sight. And Dallas is a jungle, but Dallas gives a beautiful light. —Jimmie Dale Gilmore, from the song “Dallas” From a Boeing 737 on a sparkling fall day, Dallas looks like a patchwork of mottled greens and browns, the ground more rich and loamy than withered and sere, as if the coming winter were just nature’s way of winking. The lakes are murky, the land billiard-table flat, laced with former wagon trails that have now become thoroughfares. Approaching the city, cloned suburban houses sprout in rows that curl and stretch with predetermined whimsy, the pools, tennis courts, and golf courses popping up at neat intervals. Divided expressways thread through the map, the roads laden with cars, pickups, motorcycles, and semis all going, going, going, even on a Sunday, even on a football Sunday. I am flying into Love Field, an airport that has served Dallas since 1917, when the army named the flying field after First Lieutenant Moss Lee Love, who crashed and died in his Type C Wright pusher biplane four years earlier. Kennedy landed at Love Field at 11:37 A.M. on November 22, 1963. It is a Texas State Historical Site. I am flying into history. Read More
November 22, 2012 First Person The Witch and the Poet: Part 2 By Pamela Petro The story so far: the author and a friend visit a local witch for an assignment and, unexpectedly, the witch informs Pamela that her destiny is to be a poet. Things went downhill pretty quickly after our visit to the witch. I wrote the story for our college paper and naively sent it to the witch for verification. Trying to imitate the brutal truthiness of the New Journalists I was reading, I’d described her as “somewhere between middle aged plump and any age fat.” I didn’t expect she’d be pleased, but I did believe that Truth was inescapable and we all had to accept it, in print or in the mirror. The witch didn’t see it that way. Eschewing magic, she threatened to call down a different but equally powerful set of spells on me—the legal kind. She said she’d sue my ass if I ever printed a word of it. I regret calling her fat. What a churlish thing to do. (How often does that word come up? It’s a good one, and a rare one, especially in memoir—especially if you use it about yourself.) I thought I needed to tell the truth as I saw it. It never occurred to me I could edit out the bits that might be hurtful. I often wonder about the witch: what did she edit? Did she see the train wreck that would almost kill me seven years later, but think better of bringing it up and ruining my night? Maybe the cards aren’t that specific. Surely, though, a massive Amtrak wreck with sixteen dead and hundreds injured, a crushed jaw, broken ribs, and slashed lung and spleen would contribute to one of the “down” times ahead? Did she see that I was gay? Again, alternative sexuality certainly brings its share of ups and downs, as she put it. But if that’s what she intuited, the witch didn’t call a spade a spade. Would she, like me, not have had the vocabulary to identify something she might have glimpsed in my future or in my soul? Or would she just call me a “poet,” in the way people used to say Oscar Wilde and his set were “artistic?” How far outside our own experience can we—dare we—tread when mapping the lives of others? Or did she exercise the judgment I lacked and edit out information that might have been too deterministic? Or too negative? Who can say how the witch’s socio-political belief system broke on the issue of homosexuality. Read More
November 21, 2012 Weird Book Room Anybody Can be Cool … But Awesome Takes Practice By Sadie Stein Selected from the AbeBooks’ Weird Book Room. [tweetbutton] [facebook_ilike]
November 21, 2012 First Person The Witch and the Poet: Part 1 By Pamela Petro Toward the end of February, 1980, a witch told me I was a poet. This happened in the town of Galilee, in Rhode Island. Like the other Galilee, it was on the coast, and also like that Galilee, it was as good a place as any for a creation myth. I had to interview the witch for a newspaper my friend Allen edited at Brown. I don’t know where he found the witch or why he lent me his car to go interview her. I was nineteen and hadn’t written anything, though I claimed to “write,” as if writing were more a state of being than a practice. I got the assignment, I think, because Allen wanted to date me, even though I had no intention, ever, of going out with him. (Okay, I went once: a very cold winter picnic in a park at midnight, with blankets and a blindfold, but that was it. I suspected then that I wasn’t just uninterested in Allen—I was uninterested in picnicking with men in general—but hadn’t yet learned the vocabulary to explain what that meant, even to myself). When I went to see the witch I made my roommate Wendy go with me. No way was I going to see a witch alone at night. Read More
November 21, 2012 Video & Multimedia Animated Discussion By Sadie Stein We love illustrator Damien Florebert Cuypers and Benoît François’s new animated project, Stories of Philosophies. As he describes it, each episode is composed of two parts, each of which presents a philosopher reacting to the presence of an object in the manner of his well-known philosophical vision. The following features René Descartes and Nietzsche. Stories of Philosophies from Histoires de Philosophies on Vimeo.
November 21, 2012 First Person Letter from Tel Aviv: Love and Rockets By Rebecca Sacks It’s prime rocket-time in Tel Aviv and I have to pee. This is a totally legitimate concern, but one which I am still not able to bring up to my Israeli friends: bathroom timing. The last place you want to be during a rocket is the bathroom, I hear. The tiles and glass make it really, really dangerous. We only get one, maybe two sirens a day in Tel Aviv. So the chances are pretty slim. But can you imagine how embarrassing it would be to explain that to someone? “These scars I earned during the bombing of 2012, while I was on the can.” The first time I heard a bomb siren all I could think was “The VengaBus is Coming.” I was in a café in the north of Tel Aviv, trying to read a menu upside-down. (I’m learning Hebrew.) There had been news of escalated bombings in the south, but that was all very far from Tel Aviv. Well, nothing is particularly far geographically in Israel, but Tel Aviv is a world away. The city has a way of blocking out the din of conflicts within Israeli society, as well as pressures from the antagonistic forces surrounding its borders. The pathological determination of the Tel Avivi not to let anything fuck with their shit is hard to underestimate. It’s a bit like the way girls look straight ahead when they don’t want to acknowledge some creepy guy doing the “psst, psst” holler from a moving car. Read More