November 27, 2012 First Person Yanet’s Vintage Emporium By Julia Cooke While I’m at Yanet’s apartment it begins to pour, packs of chubby raindrops in the tropical afternoon that make the dust in her Havana apartment feel thicker than it actually is. I’m trapped until the storm passes. But every surface in Yanet’s home is coated with objects waiting to be lifted, appraised, perused, felt—at least an afternoon’s worth. So I browse the waist-high tables and rich wood armoires with rows of cut-crystal wine and port glasses, mod carafes with faded metallic polka dots, kitschy ceramic table lamps painted with bright pastoral scenes, and patterned blown-glass globes that once held water and fish. Technically, it’s not legal for any of these objects to be sold. Read More
November 27, 2012 On the Shelf Scandal at the (Old) OED, and Other News By Sadie Stein “An eminent former editor of the Oxford English Dictionary covertly deleted thousands of words because of their foreign origins and bizarrely blamed previous editors, according to claims in a book published this week.” It may be intended to kickstart NaNoWriMo, but we think this Random Line Generator could be put to all sorts of interesting social uses. “They would have loved me to have written fantasy fiction because that would have been easier to sell from a Tolkien, but I wanted to write thrillers.” Simon Tolkien on his famous grandfather’s legacy. “I hate them. It’s like making believe there’s another kind of sex. There isn’t another kind of sex. There isn’t another kind of book. A book is a book is a book.” Maurice Sendak was characteristically wishy-washy on the subject of e-books. Some less vitriolic takes on the state of print.
November 26, 2012 Bulletin What We’re Doing: Double-Bind Tuesday! By Lorin Stein As we have now and then had occasion to point out, Daily editor Sadie Stein and I are not married. Nor is either one of us a parent. But that won’t stop us from competing for your love. Tomorrow at seven: Join Sadie and Doree Shafrir at KGB Bar for an evening of true-life storytelling. OR Join me at 192 Books for a live interview with the poet and novelist Ben Lerner, author of Leaving the Atocha Station. You can’t do both, but we hope you’ll do one! [tweetbutton] [facebook_ilike]
November 26, 2012 Arts & Culture Peaks and Valleys: Leslie Stephen, Mountaineer By Alex Siskin Leslie Stephen is best known today as the father of Virginia Woolf and Vanessa Bell. But in his day, Stephen was a distinguished critic and author in his own right. And, not incidentally, a pioneering mountaineer who made early and important contributions to the literature of what is known as the golden age of alpinism. Leslie Stephen arrived in Cambridge University in 1851 with a fair amount of emotional and intellectual baggage. His father, James Stephen, was the colonial undersecretary, a pretty big job at the height of the British Empire. His older brothers, Herbert and James Fitzjames, had preceded him at Cambridge. Herbert had recently died of a fever in Dresden, on his way home from Constantinople, a tragedy that rocked the family confidence and strength, especially that of the overworked elder James, who began heading down a steady decline. James Fitzjames, meanwhile, quickly stepped with authority into the role of eldest son. He was an Apostle at Cambridge (Leslie was not), and moved swiftly to follow in his father’s footsteps toward a distinguished legal career. James Stephen played a central role in abolishing slavery in the British Empire; James Fitzjames Stephen went on to singlehandedly write the criminal code of India. Leslie Stephen was cut from different cloth: he was a skinny weakling who had become addicted to narrative poetry in early adolescence. Because he was clearly the most sensitive of James Stephen’s sons, his father marked him for the clergy, and he would indeed be ordained in the Anglican Church. Read More
November 26, 2012 Arts & Culture Bond. James Bond. By Sadie Stein James Bond was a well-known ornithologist. His Birds of the West Indies is an unusually rich source of names. According to Bond, the Sooty Tern is also known as the Egg Bird; Booby; Bubí; Hurricane Bird; Gaviota Oscura; Gaviota Monja; Oiseau Fou; Touaou. But when the keen birdwatcher Ian Fleming needed a name that sounded as ordinary as possible, he had to look no further than the title page of Bond’s great work. Why does the name of an actual ornithologist sound so right as the name of a fictional spy? Why couldn’t Fleming have used another pair of common monosyllables—John Clark, say? Bond is a solid, blue-chip, faith-giving kind of a name. Who wouldn’t prefer a government Bond under their mattress (we’re talking AAA British) to a petty clerk? Is your word your clerk? I don’t think so. Bond. It’s in the name. —Colin Burrow, London Review of Books [tweetbutton] [facebook_ilike]
November 26, 2012 On Music Escapades Out on the D Train By Adelaide Docx Going to a Bob Dylan gig these days requires a certain sort of mindset. Worship, obviously, but also a readiness not to see or hear anything pleasant for two hours. The greatest fan of Dylan I have ever met wears earplugs during his concerts. And Dylan’s voice on his latest album occasionally sounds terrifyingly close to a death rattle. Last week, by way of preparation for a performance at Brooklyn’s Barclays Center my friend put himself on an expectation-suppressing diet of the worst ever Dylan tracks. “I listened to ‘Let’s Stick Together’ from ‘Down in the Groove,’” he reported, “Awful. Just dreadful, and the worst CD sound imaginable. Loved it!” Brooklyn was Dylan’s last stop on a thirty-three city U.S. tour. And moments into his first set, he had us all wondering once again what we were doing there. As if to underline this question, a mirror was set up, front of stage—face-out. Without any sort of greeting, Dylan entered under his white brimmed hat and croaked “You Ain’t Goin’ Nowhere” indecipherably from behind the keyboard. Only one word really came through: “Whoo-ee!” The earplugs went in next to me, the crowd dug in—silent, enduring. It looked like we were in for another terrible night, but as the song advanced one detected a devious energy in the delivery, a hint that he could give better. And he did—a lot better. Old songs in new arrangements sounded as though they had just been written, and details to which he gave focused articulation, seemed alive with fresh experience. “Don’t Think Twice, It’s Alright”, drained of bitterness and self-pity, was sung with mischief, and gentle curiosity. Lines like “You could have done better / But I don’t mind” became almost forgiving. In a haunting rendition of “Visions of Johanna,” he brought immediacy to the smallest fragments of narrative, singing of the room where “the heat pipes just cough” as though he’d just come from a small cramped apartment in the Village. And even when Dylan misses a line, it can seem palpably present to a fan in the grip of aural madness. In the same song, I thought I heard him whisper of “escapades out on the D train” as vividly as though he might have taken the D train to the Barclays Center that evening, but Earplugs (can he lip read Dylan?) turned to me moments after and said, “Skipped a line”. Read More