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  • Arts & Culture

    Old New York

    By

    The Sixth Avenue El train has just cleared the steep bend off Third Street. It is now picking up speed and will, any moment now, bolt uptown. Next stop, Eighth Street, then past Jefferson Market, Fourteenth Street, then all the way north till it reaches Fifty-Ninth Street. But perhaps it is not racing up at all but grinding to a stop after that notoriously difficult curve before Bleeker Street. It’s hard to tell. The blue lettering on the train’s marker light must spell something, but it’s hard to decipher this as well. Under the el two vehicles seem to know where they’re headed. To the left of the train, on the corner of Sixth and Cornelia, a scrawny, wedge-shaped, twelve-story high-rise strains to look taller than it is. Its numberless lighted windows suggest that, despite darkness everywhere, this is by no means nighttime, but evening, maybe early evening. The building’s residents are probably preparing dinner, some just walking in after work, others listening to the radio, the children are doing homework.

    This is 1922, and this is Sloan country. Read More

  • Arts & Culture

    Digital Silence

    By

    Eli Horowitz is not particularly tech savvy, but he’s spent a lot of time thinking about what consumer technology can do. Until a few months ago, long after most of his friends and colleagues had bought iPhones, the former McSweeney’s editor and publisher was still taking their calls (and text messages) on a frayed LG flip-phone that was too worn down to snap closed completely; he had started to think of it as “more like a flap-phone.” By the time he upgraded, however, he’d already been long at work on The Silent History, a digital, serialized novel containing stories that, with the help of GPS, can only be read at the physical locations where they are set. “We came up with the very clunky shorthand description of a serialized exploratory novel for iPhone. Which just rolls off the tongue,” said Matt Derby, one of the novel’s authors, on a recent weekend on the Lower East Side. Read More

  • Studio Visit

    David Opdyke

    By

    David Opdyke’s studio is, at the moment, mostly emptied of his intricate, deceptively beautiful sculptures, though it is filled with neatly organized boxes, helpfully labeled with the names of the particular bit of flotsam (“Sand,” “Seaweed”) each contains. The artworks are on display at Bryce Walkowitz Gallery in Chelsea, where Opdyke’s PVC-pipes-cum-cherry-blossom-trees (the petals are tiny pink toilets!) bloom in the gallery’s picture window. The piece is part of Opdyke’s first solo show at the gallery, which is entitled Accumulated Afterthoughts.

    I met Opdyke at the gallery on a May afternoon, so he could describe the making of his intricate pieces, painstakingly assembled in a process at once “zen” and “after a point, frustrating.” Later that afternoon, I visited his studio. Part of the loft where he currently lives with his wife and two children, it is located right by the Williamsburg Bridge. (When I asked whether the noise of bridge traffic ever bothers him, Opdyke observed that the late-night drunken cell-phone conversations of nearby restaurant patrons are the far greater menace.)

    Read More