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The Daily

 

  • Arts & Culture

    February in Chicago

    By

    chicago-winterJust a few years ago, I had no idea what cold felt like, and no way to know how to prepare for it. I didn’t know my limit.

    Zero degrees. No degrees. None of them. Personally, that’s when I start to lose it. In this range, anyone’s capacity to describe what they are feeling—already a pretty fraught prospect—collapses into mutterings about “hanging in there.”

    And then the wind comes off the lake.

    February in Chicago: four weeks when it’s acceptable to shower in a hoodie and sleep in a balaclava, wool turtleneck sweater, and thermal socks. Anyone who says they’re not wearing long underwear is either lying or an idiot. I’m wearing one of my three pairs right now, and I’m sitting in my apartment. If I lean forward over the keyboard, I can feel the sun through my bay window on my face.

    It’s colder elsewhere, sure. Mostly in the settings of nineteenth-century Russian novels. And as we get toward March, I keep the weather for Duluth in my iPhone rotation, just to stay humble.

    But—as anyone around here will remind you over a Schlitz, or eight—Chicago is the largest American city that deals with negative-twenty-degree wind chills on a regular basis.

    The wind chill last week got down to negative twenty. In this range, we all become characters in a Jack London story, fighting to keep the blood in extremities we didn’t know we had. And I start to wonder: If I needed to build a fire and all I had was an iPhone, how long would it take for me to freeze to death? Read More

  • Quote Unquote

    Dear Enemy

    By

    sylvia

     

    “And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.” ―Sylvia Plath

  • Books

    Love in Amish Country

    By

    Picture-122I didn’t know Amish romance novels existed until a trip I took a number of years ago to Shipshewana, Indiana. There my uncle directed an Amish and Mennonite cultural center, and I was ostensibly working on a book about Amish and Mennonite culture, so it seemed a place I should go. I had just turned thirty and was beset with ambivalent, indistinct longings for the Mennonite heritage in which I’d been raised, even though the entirety of my twenties had served as an extended exercise in exodus and estrangement. Still, I went, most excited to locate and eat some peanut butter pie made with flaky, lard-infused crust.

    The cultural center my uncle ran was called Menno-Hof, hof a Pennsylvania Dutch word that means something close to “farmyard,” though at Menno-Hof the farmyard is neatly pruned, the pond perfectly ovular, the flower garden precisely planted to approximate a quilt. It seemed to me a beautiful lie in need of some freshly dropped horse patties.

    After touring the fastidiously curated exhibits in the barn and adjacent whitewashed Amish farmhouse—replete with a recreated reformation dungeon, a small hurricane room with a vibrating floor and powerful fans, a Conservative Mennonite church where a booming God voice commanded that I consider my spiritual fate—I finally wound up in the gift shop on the brink of both ecstatic revelation and nervous breakdown. Many of the wares there approximated the contents of my mother’s root cellar (raspberry jam and apple butter in glass jars) and the theological section of my father’s library (Nonviolence—A Brief History: The Warsaw Lectures, by John Howard Yoder). 

    The only items there truly unfamiliar to me were two wire racks full of paperbacks, their covers each backlit with the golden glow of God’s everlasting presence and bucolic perfection: wheat fields, corn fields, rivers and barns beneath cerulean or honey skies. A plain-clothed woman in some state of muted emotional duress gazed into the middle distance beneath her white bonnet. I spun through the racks, elated, repulsed. Could there be anything better, or worse, than Amish romance novels? Read More