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The Daily

 

  • Nostalgia

    If Heavy, Then Lift

    By

    Every morning, I would start the day with the Smashing Pumpkins—haunting “Disarm,” anthemic “Today.” Over and over, in a bedroom still mired in childhood, where a mound of carelessly tossed stuffed animals crept up my white wood dresser, I relentlessly played Siamese Dream. This, I thought, is how one becomes a teenager.

    When the sun was at its hottest, late in the afternoon, I would stand at my front door, forehead pressed against the mesh screen, waiting for some friend’s mother to pull up in a beige Nissan and carry us to the mall. Here, I would spend hours in too-short shorts in too-cold air conditioning deliberating between pungent Plumeria or Freesia lotions at Bath & Body Works, scarfing down greasy slices of food-court pizza, and buying a hideous glittery cropped tee my mother would take one look at and matter-of-factly proclaim I would never wear. Until I was called for dinner, I’d read Seventeen, wondering if, once my dreaded braces came off, I’d be as beautiful as the young girls staring back at me with their wisps of charcoal eyeliner rimming their almond-shaped eyes, the ones who looked like they hadn’t cried since they fell off pretty pink bicycles with white baskets and streamers flowing from the handlebars. After that night’s iteration of chicken and rice, the phone would ring. For the next hour and a half, I would talk about nothing with the person I had had nothing to say to at the mall just a few hours before.

    It was the summer of 1993, and I was bored. Read More

  • Bulletin

    A Bigger, Brighter Screen

    By
      Andy Warhol, Screen Test: Virginia Tusi, 1965, still from a silent black-and-white film in 16mm, 4 minutes at 16 frames per second.


    Andy Warhol, Screen Test: Virginia Tusi, 1965, still from a silent black-and-white film in 16mm, 4 minutes at 16 frames per second.

    Readers of The Paris Review will remember a portfolio and a novel excerpt by Rachel Kushner in our Winter issue. Now that book—The Flamethrowers—is out and earning raves (“It unfolds on a bigger, brighter screen than nearly any recent American novel I can remember,” says today’s New York Times). Click here to read our excerpt and here to see (and read about) the artworks that inspired the novel.

     

  • Bull City Summer

    Bull City Summer

    By
    At Durham Bulls Athletic Park. Photo: Kate Joyce.

    At Durham Bulls Athletic Park. Photo: Kate Joyce.

    Unless you are a baseball adept, or familiar with Durham, North Carolina, your relationship to the words Durham Bulls may be an inverted one. Perhaps your mind flips the words to Bull Durham, the 1988 movie about life and love in the minor leagues. Kevin Costner stars as journeyman catcher Crash Davis (there was a real player by that name, long ago), who is sent to Durham to tutor the young, talented, and wild Nuke LaLoosh (Tim Robbins), a flamethrowing pitcher who is never sure where his pitches will go. Nuke spends the summer canoodling with Annie Savoy (Susan Sarandon), an aging baseball groupie, before he is called up to the “Show,” the major leagues. That clears the way for Crash and Annie to become the batterymates, as baseball argot puts it, they were destined to be. It is a mellow, even melancholy consummation, a sadder-but-wiser ending to an antic, shaggy, often profane baseball tale of getting all the way to the major leagues, or just to the end of summer—to the end of a dream.

    Bull Durham gets a lot right, and real minor-leaguers approve of it—my multiyear polling of ballplayers in clubhouses shows it to be the truest baseball movie: they identify with the bus-ride scenes (the minors are still known colloquially as the bus leagues), with Crash lamenting the “dying quail” difference between hitting .250 and .300 (the difference that’ll get you to the majors), and with the lecture Crash gives Nuke on how to fob off sports clichés on reporters like me.

    But Bull Durham does omit a crucial detail, one that the casual viewer will probably overlook. Read More

  • On the Shelf

    Challenges, and Other News

    By

    richmarchplowman

  • “At times of tragedy, the mind goes to certain favored zones; mine goes automatically to poetry.” Dan Chiasson offers the tested comforts of William Langland.
  • The Los Angeles Times brings us a nifty map of literary LA.
  • The most frequently challenged library book of 2012? Captain Underpants.
  • Bells, whistles, and animation: the so-called next generation of e-books.
  • Flann O’Brien’s “alleged role as author of an allegedly fake interview with John Stanislaus Joyce, father of James Joyce.”
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