March 15, 2019 In Memoriam Crashing W. S. Merwin’s Wedding By Edward Hirsch Photo: Jill Greenberg/Courtesy of Copper Canyon Press William Merwin had a deep knowledge of the world. He was an autodidact, a poet who prided himself on making his way outside of the academy. He had gone to Princeton, but didn’t think much of the university, though he revered his teachers, John Berryman and R. P. Blackmur, who encouraged him to go his own way. He took their advice. When he was young, he looked up to Ezra Pound and Robert Graves, who took an interest in him, and, like them, he decided to figure things out for himself. He wasn’t a teacher, at least in any formal sense. He had the crankiness of people who learn everything on their own. He was a poet, a prose writer, and a translator. He was completely sure about his vocation. He was the most international of American poets, and the most down to earth, literally: he knew more about the natural world than anyone else I’ve ever known. He had a kind of homespun wisdom, though he was so handsome that it sometimes seemed as if Orpheus had walked into the room. I loved being with him. Read More
February 12, 2019 In Memoriam Ricky Jay, the Magician with an Edge By Michael Chabon Ricky Jay, one of the world’s greatest sleight-of-hand artists, was also an accomplished author, actor, historian, and renowned bibliophile with a library to envy. He died on November 24, 2018. The essay below is adapted from a speech given at a recent memorial service in his honor. Still from the 2012 documentary Deceptive Practice: The Mysteries and Mentors of Ricky Jay The first time I saw Ricky Jay perform was sometime around 1976, on The Mike Douglas Show. Ricky was beheading roses and puncturing watermelons with one of the simple playing cards that, in his hands, became a deadly missile. He was wearing a three-piece suit but he had a long beard, and hair down to his waist, and my grandmother, watching with me, thought he looked like a degenerate. I thought he was the coolest human I had ever seen, and that impression only deepened when, many years later, I was lucky enough to get to know him. Ricky was an artist and scholar with a fearsome intellect and a biting wit. He was also a surprisingly sweet and gentle soul. The greatest trick I ever performed was fooling him, with my novel The Amazing Adventures of Kavalier & Clay, into thinking that I really knew something about the magician’s art. The greatest of the many kindnesses he ever did me was to not hold it against me when he fairly quickly discovered that I was, in that regard at least, a charlatan. We met in 2001, when the late Sydney Goldstein asked me to interview Ricky for San Francisco’s City Arts & Lectures, back when it was still at the Herbst Theatre. Ricky seemed a bit weary that night, and as we waited backstage to go on, I found myself thinking about all the hundreds of times that he must have stood there like that, in the darkness, listening to the murmur of the house, waiting for the curtain to open and the footlights to come up. Read More
January 22, 2019 In Memoriam When Mary Oliver Signed Books By Billy Collins I didn’t know Mary Oliver as well as I would have liked, though our poetry paths crossed a few times. We were introduced more than once, but it wasn’t until one evening in October 2012 that we were brought into close proximity. We were asked to read together at an immense performing arts center in Bethesda, Maryland. I was excited at the prospect of our two readerships convening in one place, but drama of a different kind was on the horizon. Hurricane Sandy was bearing down on coastal Maryland and due to strike later that night. Read More
January 18, 2019 In Memoriam Francine du Plessix Gray and Sorrel Soup By Vasily Rudich and Gabriella De Ferrari By her own account, writing wasn’t easy for Francine du Plessix Gray, who died last Sunday at the age of eighty-eight. As she told Regina Weinreich in her 1987 Art of Fiction interview, “I’ve always had a terrifically painful ambivalence of love and terror towards the act of writing.” But this doesn’t come through in her fearless books, such as the novel Lovers and Tyrants, a semiautobiographical account of her childhood, and Them, an unsparing look at her tyrannical parents. She was born in 1930 at the French embassy in Warsaw, but after her father died in 1940, Gray and her mother emigrated to America. Gray arrived in the country knowing not a lick of English; fourteen months later, she won the school spelling bee. Gray thrived in tense situations—she studied under the poet Charles Olson, whom she described as a “terrifying guru,” and before coming to fiction, she worked as the only woman on the night shift at United Press International, where she was forced to file stories “in a matter of minutes—sometimes a matter of seconds, since we were always trying to beat AP to the radio wire.” She went on to become a New Yorker staff writer and a finalist for the Pulitzer Prize, and she taught at Yale, Princeton, Columbia, and Brown. However, despite her success, when asked whether she’d like to be a writer in the next life, she replied: “Hell no. Have you ever met a writer who’d want the same karma a second time round? I doubt if one exists. We write out of revenge against reality, to dream and enter the lives of others. The next time round I’d like to be a great athlete with a political mission, like Billie Jean King or Arthur Ashe, or perhaps a lieder singer.” Here, we bring you two short memories from those who knew her: Francine du Plessix Gray. Photo: Frances McLaughlin-Gill. Read More
January 17, 2019 In Memoriam Passing Mary Oliver at Dawn By Summer Brennan Mary Oliver (Photo © Mariana Cook/Penguin Press) I don’t know what to say about Mary Oliver’s death except that she was a great and beloved poet, and also my teacher and academic adviser, and that she was kind to me. She was absurdly generous. I first met her as if inside one of her poems: in a field of tall September grass, under a big bowl of stars just before dawn. It was my first week of college, and I hadn’t been able to sleep with excitement. I had thrown a Fair Isle sweater on over my flannel pajamas, slipped some hiking boots over fleece socks, and run out into the sleeping world. I was entering the field, by the reeds of the nearby pond, when I heard her coming along the path, a small, unknown figure walking with two dogs. Unassuming yet unmistakable. Perhaps I should not say that we “met” there, since we didn’t speak. We merely nodded as if it were normal to be up at that hour, passing in the dark. When I later introduced myself properly, I’d like to think that she remembered me as the girl from the field. Perhaps she did. As she wrote in her essay “Wordsworth’s Mountain”: But dawn—dawn is a gift. Much is revealed about a person by his or her passion, or indifference, to this opening of the door of day. No one who loves dawn, and is abroad to see it, could be a stranger to me. As a teacher, Mary had almost no ego at all. In an act of generosity that I only now, as a “published writer,” can fully appreciate, she would bring into class her own failed poems—efforts at expressing some experience or sense or truth that would remain private and not be sent out into the world. She would talk about why they did not work. She was matter of fact about her failure. I remember one such poem she brought in, which she had called “The Pony Express.” Something about riders adrift in the landscape. She explained how she had tried but failed to express a vastness, and a loneliness, that were not coming through. Later, it would seem, she did rework this poem and publish it in her book Swan: Poems and Prose Poems (2010), under the title “The Riders.” It ends: Read More
August 20, 2018 In Memoriam Tom Clark (1941–2018) By Larry Bensky Baseball card of Tom Clark (© 1990 Little Sun). For decades, as his health declined, Tom Clark lived on a busy street in Berkeley in a house with many steep stairs. Crossing, haltingly, one of those streets, he was struck by a car and killed on August 17. One of the last times I saw him, he made fun of himself for his frailty, for the way he had to pause while walking in the neighborhood, and pause even more when he tried to get to his front door. But though he could have, he refused to move. His surroundings—mainly an enormous trove of books, magazines, newspapers, and his own voluminous works and manuscripts—would have been too hard, and time-consuming, to go through alone. And aside from his wife Angelica, he trusted no one to help. I asked Tom if he would be interested in being interviewed. We both knew we didn’t have forever to think about it (I’m eighty-one; he was seventy-seven). My pitch was: “You’re probably the least known person in this country to have written, and published, over forty books. There’s a great diversity in subject and mode in what you’ve written. And you keep up obsessively with the literary and political world around you. Got to be some wisdom to communicate, no?” Tom was polite but obviously totally uninterested. He listened to me and, without responding, said he had to go lie down. Some time later, when he hadn’t returned, Angelica—whom I’d known since their first days together in Bolinas in the late sixties—came and told me he was asleep, and there was no telling when he’d get up. Read More