November 8, 2013 Bulletin Claire Vaye Watkins Wins Dylan Thomas Prize By Sadie Stein We are delighted to announce that Claire Vaye Watkins has won the Dylan Thomas Prize, awarded to the best work of literature published by an author under the age of thirty, for her debut short story collection Battleborn. Read an excerpt of Watkins’s story “Gold Mine,” from issue 195, here.
October 29, 2013 Bulletin Or, the Modern Prometheus By Sadie Stein Anyone watching the CW’s Hart of Dixie last night will have noticed, at the 1:40 mark, an unexpected cameo by our very own digital director, Justin Alvarez. (You may know him as the mind behind our Tumblr, Facebook, Instagram, and Twitter accounts, among many other things.) Allow us to set the scene. Dr. Zoe Hart (Rachel Bilson) and Joel Stephens (Josh Cooke), in the Rammer Jammer, pass a poster for a one-man stage adaptation of Mary Shelley’s Frankenstein. Joel: Oh my—[laughs] I have to send this to my friend Justin at The Paris Review. He is going to flip out. Also, we must go. Dr. Hart objects, on the grounds that said production is some four hours long and features a third act in German. But this proved to us that the writers of the show know what they’re talking about; Justin (who has an MFA in playwriting, a fact we imagine will figure in his character’s trajectory) is indeed a fan of experimental theater with an enviable attention span. Our in-office research has informed us that the character of Joel is supposed to be a New York intellectual, and is apparently not a fan favorite.
October 24, 2013 Bulletin The Paris Review and WNYC, a Perfect Match By Sadie Stein Just a reminder to our readers: for the next five days, when you pledge to support WNYC, you can get a subscription to The Paris Review! Support public radio, and in the process receive four issues a year of poetry, fiction, interviews, and more. Just choose The Paris Review as your thank-you gift at the $100 pledge level. As always, you can pledge at a monthly level, or all at once. And yes, you can re-up an existing subscription, too!
October 22, 2013 Bulletin Double-Bind By Sadie Stein Last night posed a geographical dilemma for poet, Daily contributor, and Paris Review softball outfielder Rowan Ricardo Phillips. We had known for a while that Rowan was due to receive the 2013 PEN/Joyce Osterweil Award for Poetry for his collection The Ground. But when we learned he was also the recipient of a 2013 Whiting Writers’ Award, on the same evening, and several blocks northwest, we wondered how exactly he’d work the geography. In the end, it was tight; when the PEN Awards started, Rowan was not onstage with the other recipients. But he finally arrived, was there to accept his second award of the evening, and both times made impressive extemporaneous remarks, somehow seamlessly working in Catalan, Shakespeare’s sonnet 116, and heartfelt tributes to his mother and wife, between thank-you’s to editors, publishers, and friends. All in all, a good night’s work! Hearty congratulations to Rowan and all the evening’s talented honorees.
October 18, 2013 Bulletin See You There: The Paris Review in Philadelphia By Sadie Stein Philly friends! This Sunday, I, Sadie Stein, and our editor, the estimable (and still not related) Lorin Stein will be in town as part of the 215 Festival. Great things will be taking place all weekend; we will be at the closing event at the Philadelphia Arts Alliance, answering your questions, talking shop, and hosting cocktails! Looking forward to meeting you! RSVP to the event here.
October 16, 2013 Bulletin If You See Something By Sadie Stein For the past week and a half, New York City straphangers have been hearing an unusual announcement during their commutes. “Police are seeking a missing child, Avonte Oquendo, fourteen. He suffers from autism and cannot communicate verbally.” The message describes his striped shirt, jeans, and sneakers; riders are instructed to contact the NYPD. The same message runs on the electronic sign boards on the platforms, between wait times for different lines. The MTA is running the alerts because like many people on the autism spectrum, Avonte likes trains, and the hope is that he will gravitate toward subway stations. Anyone who has lived in a city recognizes the mask of defensive impassivity commuters typically wear. But change comes over passengers’ faces when they hear this public service announcement. In those moments every single person has the same hope: that he be found, that he be unharmed. By now, we all know his face, which is plastered all over the subway system. Oquendo walked out of his school in Long Island City, Queens, on October 4 and has not been seen since. Hundreds of volunteers have been searching around the clock; the reward is now more than $70,000. Psychics are working with the cops; divers have started dragging the East River. Meanwhile, the MTA has taken the unprecedented step of suspending overnight track work and deploying employees to scour all 468 stations for the missing boy. “No one knows the subway system like track workers,” said Transport Workers Union Local 100 president John Samuelsen. It has long been understood that those with autism and Asperger’s are often drawn to transit systems; the order of the schedules, the complexity of the timetables and maps, can be both soothing and engaging. Darius McCollum, the Staten Island man whose fixation with the New York City transit system (and, more to the point, his penchant for impersonating transit workers and occasionally commandeering trains and buses) has gotten him arrested more than twenty times, is sort of a legend, but his is only an extreme example. In recent years, educators have capitalized on this established correlation: the London Transport Museum has hosted teenagers in its timetabling department, while the New York Transit Museum runs a “Subway Sleuths” after-school program for seven- to eleven-year-olds that is designed to “use children’s interest in transit to help them navigate social experiences with peers.” Studies in the UK and Australia have found that children on the autism spectrum identified strongly with Thomas the Tank Engine; the parent company, Thomas and Friends, has joined up with several initiatives designed to help put this influence to good use. Of course, to a child alone, the subway system can be anything but a friendly place. One need not enumerate the dangers. To most passengers, the subway is an experience to be borne at the best of times: efficient, affordable, and round-the-clock, yes, but hardly pleasant. It is strange to hear these announcements, and look around at each other, and know we are all realizing that there is a child who finds the same experience we are tolerating magical and reassuring, and that it is also endangering him, and that, at the same time, the whole, big, impersonal thing is being mobilized to try and find him. As the Reverend Wilbert Awdry, the trains enthusiast who created Thomas the Tank Engine, once said, “a steam engine has always got character. It’s the most human of all man-made machines.” Chief of Department Phil Banks said that if anyone thinks they see Avonte, they should call the department’s hotline at 800-577-TIPS.