January 9, 2018 Stolen An Inspired Theft By Ann Beattie Good artists imitate; great artists steal. In our series Stolen, writers share stories of theft. Long, long ago, in the faraway kingdom of Virginia, a tall, somewhat-handsome man came to town. He had a rather well-known art gallery for a time in New York City, though in those days the word gallerist had not yet been invented, so he was just thought of by name. This man had come with his daughter, an equestrian, to visit several artists who showed at his gallery. This was a time so distant that Banksy, while certainly more than a gleam in his father’s eye, was not yet a star. Read More
November 6, 2017 Stolen The Mexican American Bandit By Myriam Gurba Good artists imitate; great artists steal. In our new series, Stolen, writers share stories of theft. Still from the animated short Zimbo by the Guadalajaran directors Rita Basulto and Juan José Medina. My ex-wife stared as she watched my maternal grandmother slide a chicken into her purse. When she noticed she was being watched, my grandmother locked eyes with my ex-wife. In her thick Guadalajara accent, my grandmother bellowed, “For the dogs.” Her dogs were waiting outside of the buffet, in her truck. It was Mother’s Day and they were her most beloved. On our way home, my ex-wife asked, “Have you seen your grandmother steal meat before?” I looked at her with a deadpan expression meant to approximate the one my grandmother had given her. “She’s Mexican,” I answered. My grandmother’s habit of filling her purse with meat reinforces an American stereotype: that Mexicans are thieves. Consider the now-retired chip mascot Frito Bandito. And Speedy Gonzales, the cheese snatcher. But Mexicans invert this trope. “You live in California,” my paternal grandfather would remind me when we’d visit Mexico at Christmas. “You live there because of a robbery! The United States stole that land! Americans are thieves.” My grandfather’s indictment was supposed to make me, a gringa, ashamed. Instead, it made me secretly relish America. My family lived on stolen land and stolen fruit always tastes better. Its ill-gotten nature emboldens its umami, glazes it with immoral MSG. When I went on my first stealing spree, I became a Mexican bandit, and a practitioner of Manifest Destiny. Read More
September 22, 2017 Stolen Reading J. A. Baker’s The Peregrine in Fall By Barret Baumgart Good artists imitate; great artists steal. In our new series, Stolen, writers share stories of theft. It was autumn and warm, late evening, and the shadows were as long as the hot busses that hissed and braked alongside the main library’s midwestern utilitarian grim, lifting trails of dead leaves like a breath of smoke in their wake as they rumbled toward the river. I read the dedication in J. A. Baker’s The Peregrine, “To My Wife,” before dropping the book in my backpack and unlocking my bike. I found it somewhat cheering. At least this neglected author managed to find someone. But over the decades, many readers—I later learned—had come to debate this. They said he never had a wife. They said he lived alone; he was a librarian; he was sick when he wrote the book, hence the melancholy that colors his prose. Others said it was not prose but poetry, while others insisted it wasn’t nonfiction but a novel. Even certain filmmakers wanted to lay claim to the text. Werner Herzog told a Rio audience to quit film school. If they wanted to make a movie they had only to read one book: The Peregrine. Classic Herzogian hyperbole, I thought, pushing my bike uphill across the dried grass toward the old capital. Read More