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  • Arts & Culture

    In Search of Lost Time: An Illustrated Panorama

    By

    The first European in my mother’s family to set foot in North America was a short, olive-skinned Frenchman from one of the outermost communes of greater Paris. He fled France amidst the turmoil following the revolution of 1848 for the gold fields of California and chased an elusive mother lode all the way up the coast into Alaska before giving up. He was an exact contemporary of the early Impressionists, and a full generation older than Marcel Proust. He spent the final years of his life a broken man, having outlived two of his three children, and subsisting on a homesteaded vineyard in the Santa Cruz mountains long before California wine was a profitable industry.

    The only relic of him my family still possesses is a stack of letters spanning thirty years from his sister, Geneviève, imploring him to come home. A Parisian relation visiting his cabin in the 1890s noted that he wept at the thought of his homeland. As far as I know, he shares no direct connection with Proust, but the world he came from is Proust’s world, and seemed to me, as a child, enchanted when contrasted with the drab California suburb I grew up in. Sadness is a condition that can ripple across many generations, and if his was earned through the loss of a time and place, mine was inherited from the ruined family that struggled to make sense of his mournful legacy.

    But his still-hopeful departure from Le Havre for the new World in 1852 would have been immediately preceded by a train ride from Paris through Normandy – a train ride through the same countryside that left Proust enraptured on his childhood sojourns to Illiers-Combray. What follows is an illustration of that train ride, as recounted in Proust’s sprawling lifework, À la recherche du temps perdu. This passage occurs in Part Three of the First Volume and constitutes but a few rich, supple pages.

    Jason Novak works at a grocery store in Berkeley, California, and changes diapers in his spare time.

  • Arts & Culture

    The Presidency, in Verse

    By

    We may know their takes on climate change, on reproductive rights, on economic policy. But what of poetry? The Poetry Foundation has investigated the poets the presidents loved, and presented their findings in an illuminating and timely post. Just a few pairings: Read More

  • First Person

    Falling Overboard

    By

    Illustration by Madzia Bryll, a fellow member of the crew.

    At first, I couldn’t sleep on the ship. At night, bunked beneath the waterline, I put my hand against the wooden hull and imagined dark water on the other side pressing back. I lay awake holding my breath, picturing the route I would swim through a maze of cabins and hatches if the ship went down. In port, Bounty had looked tremendous: one hundred and eighty feet long, three masts stretching a hundred feet into the sky, and a thousand square yards of canvas sails. But underway, with ocean spreading toward horizon in every direction, she was small, and inside her I was even smaller.

    I had lost my job and my marriage when I saw Bounty for the first time. I wanted to stowaway, cast off, and leave the ruins of my life behind—and Bounty let me. Yet I left far more than grief on land; what mattered at home—education, achievements, appearance—was irrelevant at sea. It was unsettling to abandon all that I thought defined me. I sat in the galley with the other deckhands and wondered what they understood from my face. I was uncertain of what remained.

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