July 31, 2017 Our Correspondents There Is No Safe Place to Hide By Anelise Chen Anelise Chen is the Daily’s “mollusk” correspondent. This week, the mollusk worries about how to maintain barriers in a dissolving world. Camilo Ramirez, Wave. From the series “The Gulf.” Growing up in Los Angeles in the early nineties, the mollusk had worried often about acid rain. Spawned in Taiwan, on an island choked with lush, photosynthetic matter, the mollusk had felt most at home among wet, squishy kin. Rain was not yet something to fear; she would play in it alongside the snails and polliwogs who lived in the shallow puddles by her house. But after she moved to LA, there was nothing but cars and smog, which clung in the air like the toxic atmosphere on Venus. Eventually, the mollusk learned that the smog precipitated into acid rain, which—her fourth-grade science teacher said—could sear the hair right off your head. The rain was just as acidic as lemon juice, and it had the power to corrode a car’s expensive paint job! Her teacher always seemed bitterly emphatic on this point, as though he had suffered personal losses. He told his students to construct rain catchers out of liter soda bottles and hang them outside. One dark afternoon, the mollusk heard pitter-patter on the roof. When the rain ceased, she ran out with her packet of pH strips. She watched in high suspense as the water absorbed into the strip, streaking it a dark, insalubrious yellow, just like Venus: acid rain. Read More
July 26, 2017 Our Correspondents “Would You Like to Write Something for My Magazine?” By Anthony Madrid Leaf from a manuscript of Valerius Maximus. I actually have two magazines. They don’t exist. Each one is better and more interesting than the other. I am the sole editor, have been from the beginning. There are no copies of either of these magazines. They are famous all over Europe and South America. Maybe you would like to write something for one of my magazines? The older of the two, there’s no way you’ve ever heard of it, is called The In-House Newsletter. Some people just call it Book Report. One smart-mouth in Laos calls it What I Did Over My Summer Vacation. No one has ever seen or discussed this magazine in any way. Let me tell you how it works. Read More
July 12, 2017 Our Correspondents ’Tis Pity Such a Pretty Maid As I Should Go to Hell By Anthony Madrid From the cover of the NYRB reissue of The Fire Horse. 1 I have just closed Isaac Watts’s once-famous book of children’s poetry, Divine Songs Attempted in Easy Language for the Use of Children. This book came out in 1715 and went through nobody-knows-how-many editions. Billions. Apparently there was a very long period during which it could reasonably be expected that any English-speaker could recite every one of these twenty-eight poems backward, under any conditions, including hanging upside-down drunk on two hits of acid. Today, most people only know of the book’s existence because two of its pieces are parodied in Alice in Wonderland (Watts: “ ’Tis the voice of the sluggard … ” and “How doth the little busy bee … ” versus Carroll: “ ’Tis the voice of the lobster … ” and “How doth the little crocodile … ”). Modern readers usually assume Carroll is cocking a snoot at old Watts for being a moralistic, unfun and quadrilateral prig. It is, of course, possible that Carroll thought that, but I must say I doubt it. After all, Carroll was himself a supreme goody-goody, every bit as much as Watts. Read Carroll’s in-earnest poem on the first page of Alice (“From a Fairy to a Child”). Read his diary. Read More
June 28, 2017 Our Correspondents Carrying Away His Last Sheep By Anthony Madrid An illustration of Leopardi by Tullio Pericoli. It’s Leopardi’s birthday tomorrow. Happy 219, Giacomo. In remembrance of the occasion, I think we’d all better have a look at the following short poem by James Wright. I’ve never seen it in any anthology. It’s from Shall We Gather at the River (1968). Read More
June 14, 2017 Our Correspondents Interview with the Neanderthal By Anthony Madrid Jindřich Štyrský, The Cave, 1926, oil on canvas. THE NEANDERTHAL I’m already uncomfortable with this. INTERVIEWER Why? Are you worried people are going to misunderstand, or … ? THE NEANDERTHAL The whole thing is misleading. I’m not even a Neanderthal. INTERVIEWER Listen, there’s nothing to worry about. We can start the interview right there on that note. Go ahead and explain the situation. THE NEANDERTHAL It’s … I don’t even know where to begin. Read More