October 30, 2019 Document From the Notebooks of John Cage By The Paris Review John Cage. Photo: Betty Freeman. To put it mildly, John Cage’s Diary: How to Improve the World (You Will Only Make Matters Worse) is no ordinary account of days gone by; a plain record of events would be too simple for such a daring and meticulous artist. The product of thirty years, Diary allows us a glimpse of the late twentieth century through Cage’s eyes. His insights and observations reveal a generous, openhearted view of the world in tumult. In keeping with this openness is the book’s methodology: using a number generator based on the I Ching, Cage would allow chance to determine each entry’s word count, left margination, and typeface. Like much of Cage’s oeuvre, the complexity of this process melts away in the experience of the work. Here, for instance, is the first page of Part II, which was originally published in the Winter–Spring 1967 issue of The Paris Review: At first glance, it scans as chaos. In practice, it reads like poetry, though the typographical pyrotechnics lend it a unique tactility, as though the letters are swelling off the page. In 2015, Diary appeared in a single volume for the first time, published by Siglio Press. A new paperback version has just been released, now with a selection of pages from the unpublished ninth installment in Cage’s project (he had planned ten parts in all but completed only eight by the time of his death, in 1992). Six facsimile pages from Cage’s notebooks appear below. Read More
July 4, 2019 Document George Plimpton’s Illegal Fireworks Display By The Paris Review The Paris Review’s founding editor George Plimpton was a man of many enthusiasms, but fireworks were chief among them. His lifelong affair with pyrotechnic explosives began when he served as a demolitions expert in the U.S. Army. He even wrote a book on the subject—Fireworks: A History and Celebration. Needless to say, he loved the Fourth of July. George could be counted upon to supply and launch fireworks for all manner of occasions: weddings, celebrations, and, of course, Fourth of July parties, such as one held in the late sixties on Martha’s Vineyard, which Rose Styron—poet, activist, wife of founding editor William Styron, and member of The Paris Review’s extended family—recalls as particularly full of misadventure. In celebration of this year’s Independence Day, we called her up to hear the story. Read More
November 7, 2018 Document Selections from Leonard Cohen’s Notebooks By Leonard Cohen Two years have passed since Leonard Cohen’s death on the eve of the 2016 American presidential election, and to no one’s surprise, the world remains steeped in the miserable mix of darkness and fleeting hope that the poet-songwriter articulated so well. The Flame, published last month by Farrar, Straus and Giroux, is Cohen’s parting gift: a collection of poems, lyrics, drawings, and pages from his notebooks. Cohen’s son, Adam, writes in his foreword: “This volume contains my father’s final efforts as a poet … It was what he was staying alive to do, his sole breathing purpose at the end.” Below, we present a selection of images from the book. Read More
February 2, 2018 Document James Joyce’s Love Letters to His “Dirty Little Fuckbird” By Nadja Spiegelman James Joyce by Alex Ehrenzweig, 1915. On Nassau Street in Dublin, on June 10, 1904, twenty-two-year-old James Joyce saw (as clearly as he could see, since he was not wearing his glasses, and his vision was poor) the twenty-year-old Nora Barnacle, then a young chambermaid, sauntering by. Nora would later tell the story of their first meeting often, though she often told it differently. Sometimes she said Joyce wore a sailor’s cap, and other times she said he wore a big white sombrero and a long overcoat that hung down to his feet. Joyce proposed a date, and Barnacle agreed, but though Joyce went to the appointed place at the appointed time, she never showed. He wrote to her, “I may be blind. I looked for a long time at a head of reddish-brown hair and decided it was not yours. I went home quite dejected. I would like to make an appointment but it might not suit you. I hope you will be kind enough to make one with me—if you have not forgotten me!” A few days later, on what was likely June 16, 1904—the date on which Joyce would later set Ulysses—they had their first proper date, though it was far from proper. Joyce took Barnacle east, past the docks and the harbor, to the deserted area of Dublin known as Ringswald. There, to Joyce’s surprise and gratitude, Barnacle slipped her hand down his trousers and “made me a man.” By October, the couple had eloped to Zurich. Although the couple did not officially marry until 1931, their unconventional relationship was passionate till the end. The letters below were written when Joyce returned to Dublin alone for the first time, in 1909, in an attempt to get Dubliners published. They are delightfully, shockingly dirty. Read in full, they are also quite charming. In the absent spaces, we can hear Nora’s enthusiastic, just-as-naughty replies, and the longing of a man who wants nothing more than to be home. This correspondence was first published in 1975 in the Selected Letters of James Joyce, now out of print. These letters, or excerpts of them, have been floating around the Internet for some time now, but they merit multiple joyous re-readings. Happy birthday, James Joyce. May we all find a soul mate whose farts we would know anywhere. 3 December 1909: 44 Fontenoy Street, Dublin My darling little convent-girl, There is some star too near the earth for I am still in a fever-fit of animal desire. Today I stopped short often in the street with an exclamation whenever I thought of the letters I wrote you last night and the night before. They must read awful in the cold light of day. Perhaps their coarseness has disgusted you. I know you are a much finer nature than your extraordinary lover and though it was you yourself, you hot little girl, who first wrote to me saying that you were longing to be fucked by me yet I suppose the wild filth and obscenity of my reply went beyond all bounds of modesty. When I got your express letter this morning and saw how careful you are of your worthless Jim I felt ashamed of what I had written. Yet now, night, secret sinful night, has come down again on the world and I am alone again writing to you and your letter is again folded before me on the table. Do not ask me to go to bed, dear. Let me write to you, dear. Read More
January 24, 2018 Document Arthur Miller’s Sassy Defense of the NEA By The Paris Review Arthur Miller In the spring of 1995, then House Speaker Newt Gingrich addressed supporters of federal funding for the arts and humanities, asserting that Arthur Miller had written some of the most significant plays in American theater without receiving governmental aid. The first page of Miller’s reply, originally published in The Nation, appears below: Letter courtesy of the Harry Ransom Archive at the University of Texas at Austin.
January 11, 2018 Document Chateaubriand on Life in a Society Dissolving By François-René de Chateaubriand François-René de Chateaubriand (1768–1848) was a French historian, diplomat, and writer. Long recognized as one of the first French Romantics, he was, in his lifetime, celebrated for his novellas. Today, however, he is best remembered for his posthumously published memoir, Mémoires d’Outre-Tombe, which will be republished by New York Review Books Classics as Memoirs from Beyond the Grave in February. In the selection below, Chateaubriand observes Parisian society dissolving and recomposing itself in the aftermath of the French Revolution. SOCIETY—PARIS Paris, December 1821 When, before the Revolution, I read the history of public disturbances among the different nations, I could not conceive of how people had lived in such times. I was astonished that Montaigne could write so cheerfully in a castle that he could not so much as stroll around without running the risk of being abducted by bands of Leaguers or Protestants. The Revolution made me understand how possible it is to live under such conditions. Moments of crisis redouble the life of man. In a society that is dissolving and recomposing itself, the struggle of two spirits, the clash of past and future, the intermingling of old ways and new, makes for a transitory concoction that leaves no time for boredom. Passions and characters set at liberty are displayed with an energy unimaginable in a well-regulated city. The breaches of the law, the freedom from duties, customs, and good manners, even the dangers intensify the appeal of this disorder. The human race on holiday strolls down the street, rid of its masters and restored for a moment to its natural state; it feels no need of a civic bridle until it shoulders the yoke of the new tyrants, which license breeds. Read More