In this series of videograms, poets read and discuss the poems getting them through these strange times—broadcasting straight from their couches to yours. These readings bring intimacy into our spaces of isolation, both through the affinity of poetry and through the warmth of being able to speak to each other across the distances.

“Musical Interlude”
by Eamon Grennan
Issue no. 154 (Spring 2000)

Through the voice, the soul’s work is done.
Janet Baker

Cragflower. Music of the sea.
The flower still standing
in its tormented place.

Morning full of voices. Mourning too.
Mahalia singing On My Way
and making it to Cay-nen Land.

On a rock, sit, listen to Bjorling
sing Only a Rose
over your friend’s ashes.

Chaffinch on the clothesline—
rosy biscuit breast aglow—
will any minute

confirm himself in song.
And listen,
the thin single note

of the sandpiper in lakedusk:
beige and bright white,
precise bill opening, closing:

only the one note
but enough to cut across
the whole valley

as a nightwind shakes
the stiff green reeds to whispering.
Pain, even a single grain of it

anywhere in the body
is a kind of stop and focus,
turning us to pure attention,

as may happen
with some small invisible
winged thing singing in the thick of hedges.

Tess Taylor is the author of the chapbook The Misremembered World, The Forage House, and Work & Days. In spring 2020 she published two books of poems: Last West, part of Dorothea Lange: Words & Pictures exhibition at the Museum of Modern Art, and Rift Zone, from Red Hen Press.

In our column Poetry Rx, readers write in with a specific emotion, and our resident poets—Sarah Kay, Kaveh Akbar, and Claire Schwartz—take turns prescribing the perfect poems to match. It’s back after a short hiatus, with Claire Schwartz on the line.

© Ellis Rosen

Dear Poets, 

I feel overwhelmed by the ambient anxiety in the air right now. My hands are raw from washing, and I can’t stop refreshing the news. How do we continue to move through our lives when a virus is spreading, events keep getting canceled, and the only way to greet our loved ones is with an elbow bump? Are these the end-times we keep bracing for? I wonder if you might have a poem that reminds us how to stay close to one another while we’re all “practicing social distancing.” Or a poem that will be nice to read when we’re all quarantined? 

Thanks,

Lonely COVID

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In our column Poetry Rx, readers write in with a specific emotion, and our resident poets—Sarah Kay, Kaveh Akbar, and Claire Schwartz—take turns prescribing the perfect poems to match. This month, Sarah Kay is on the line.

Dear Poets,

My romantic life has been a series of almosts. Something always intervenes—poor timing, too many miles, someone else—to prevent the early intimacy from flowering into something more. I am deeply thankful for each and every one, but I’m so tired of almost. How do I stay patient as I wait for a love that finally, forcefully blooms? 

Sincerely,
The Not-Quite-Ex

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In our column Poetry Rx, readers write in with a specific emotion, and our resident poets—Sarah Kay, Kaveh Akbar, and Claire Schwartz—take turns prescribing the perfect poems to match. This month, Kaveh Akbar is on the line.

© Ellis Rosen

Dear Poets,

I am at a point in my life where I have very little structure, where every day is full of small decisions and every move feels like a long shot. I am in the process of beating an addiction (I hope), but this means that I am fully sober, grounded, and often a very raw kind of awake for every long minute of the day, however brilliant, brutal, or just plain boring it is. Do you have a poem that could quiet my mind or offer me clarity?

Thanks,

Actively Awake

Dear AA,

I remember so clearly the early days of sobriety. I’d stare at my watch willing the time to pass faster, only to see, like in those old high school movies, the second hand seemingly move backward. When your whole life is predicated on feeding your addiction, and then you remove that addiction entirely, you’re suddenly faced with a lot of life. A lot of hours, minutes, seconds. It’s one of the reasons I got so into poetry; it was literally just a place to put myself. I could read a book of poems and not worry about what to do with my body or my mind for an hour, two hours. I could write a poem and somehow make four or six or eight hours just fly by. Read More

In our column Poetry Rx, readers write in with a specific emotion, and our resident poets—Sarah Kay, Kaveh Akbar, and Claire Schwartz—take turns prescribing the perfect poems to match. This month, Claire Schwartz is on the line.

Dear Poets,  

I lost my father suddenly on New Year’s Day. I have lived without him for over a year and a half now, and while I’ve found that my heart is more resilient than I imagined, I’ve started to fear the passing of time. The first of every new month feels like it’s stabbing me with the reminder that time will not slow down. I’m scared for this year to end, because right now I can still claim his death is recent, and it scares me that one day it will be in the distant past. I’m scared that I’ll start forgetting pieces of him, or that I’ll stop thinking about him as much, which would feel like letting him die again. I’m wondering if you can give me a poem about how to accept the passing of time and stop seeing it as the enemy.

Sincerely,
A Fearful Daughter

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In our column Poetry Rx, readers write in with a specific emotion, and our resident poets—Sarah Kay, Kaveh Akbar, and Claire Schwartz—take turns prescribing the perfect poems to match. This week, Sarah Kay is on the line.

© Ellis Rosen

Dear Poets, 

I am writing to you for some clarity or company. At thirty, I have found myself in some kind of threshold state. I’m grappling with the tragic loss of a person I loved, mourning a future that got lost in the past, and also celebrating the births of so many of my peers’ new babies. I have been at the hospital witnessing—or on the other side of the phone hearing about—these big ends and big beginnings. I feel like I’m spinning: a compass who doesn’t know whether to point toward the exits or the entrances. Are the exits and entrances are the same? Babies come out of the holes in our bodies, surgical or anatomical, and loss feels the same way: I feel like she was torn from my body somehow, leaving an emptiness, a wound. I guess I don’t really have a question, except to say, does this seem familiar to you? Are you spinning, too? 

Thank you,
Caught in A twirl

Dear Caught in A Twirl,

So much of your letter does indeed sound familiar. During a bout of despair I once asked my mother whether growing older was just one wound piled upon another until we are just a collection of hurt, and she answered, unironically, “No, sometimes someone gets married or has a baby!” At the time I probably rolled my eyes or laughed at her stubborn optimism, but I have since grown to take her answer quite genuinely. My best friends are also having babies or getting married, big beginnings I am grateful to witness. And at thirty we are both already starting to encounter some big endings, too. I am very sorry for your loss. I want to share with you Robin Beth Schaer’s poem “Holdfast” which begins, 

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