July 10, 2014 Bulletin Read Everywhere, Part 3 By The Paris Review “Megan getting her head around the LRB at the British Museum.” Celebrate summer—and get summer reading, all year round—with a joint subscription to The Paris Review and The London Review of Books. The Paris Review brings you the best new fiction, poetry, and interviews; The London Review of Books publishes the best cultural essays and long-form journalism. Now, for a limited time, you can get them both for one low price, anywhere in the world. Tell us where you’re reading either magazine—or both! Share photos from around the world with the hashtag #ReadEverywhere. Subscribe today.
July 8, 2014 Bulletin Read Everywhere, Part 2 By The Paris Review Garth Greenwell, whose story “Gospodar” appears in our Summer issue, reads The Paris Review in Plaza del Angel, Madrid, on Coronation Day. Celebrate summer—and get summer reading, all year round—with a joint subscription to The Paris Review and The London Review of Books. The Paris Review brings you the best new fiction, poetry, and interviews; The London Review of Books publishes the best cultural essays and long-form journalism. Now, for a limited time, you can get them both for one low price, anywhere in the world. Tell us where you’re reading either magazine—or both! Share photos from around with the world with the hashtag #ReadEverywhere. Subscribe today.
July 4, 2014 Bulletin Read Everywhere By The Paris Review Reading The London Review of Books in the Dead Sea. Celebrate summer—and get summer reading, all year round—with a joint subscription to The Paris Review and The London Review of Books. The Paris Review brings you the best new fiction, poetry, and interviews; The London Review of Books publishes the best cultural essays and long-form journalism. Now, for a limited time, you can get them both for one low price, anywhere in the world. Tell us where you’re reading either magazine—or both! Share photos from around with the world with the hashtag #ReadEverywhere. Subscribe today.
July 2, 2014 Bulletin Both Sides of Your Brain, Both Sides of the Pond By The Paris Review The Paris Review is where America goes for the best in new fiction; The London Review of Books is where Europe goes for bold critical essays. Now, for a limited time only, you can receive a year of The London Review of Books and The Paris Review for $60. Bring your hemispheres together: subscribe today.
July 1, 2014 Bulletin Your Summer Reading, Sorted By The Paris Review We’re delighted to announce a summer-long joint subscription deal with The London Review of Books. For sixty years, The Paris Review has published what’s best and most original in American writing; since 1979, The London Review of Books has set a standard for long-form literary journalism, with essays that examine every aspect of world culture. Now, for a limited time only, you can get a year’s subscription to both magazines for one low price: $60 U.S. It’s reading for all seasons, starting today. Subscribe now!
June 12, 2014 Bulletin Constant Freshness By Dan Piepenbring A manuscript page from “Reading Rorty and Paul Celan One Morning in Early June,” an unpublished—or at least unpublished ca. 1989—poem by Charles Wright. Congratulations to Charles Wright, who was announced today as America’s next poet laureate. James Billington, the librarian of Congress, said that Wright’s poems have “an infinite array of beautiful words reflected with constant freshness” and commended his “combination of literary elegance and genuine humility—it’s just the rare alchemy of a great poet.” Wright has received, as the Times notes, “just about every other honor in the poetry world, including the Pulitzer Prize, the National Book Award, the Bollingen Prize and the Ruth Lilly Poetry Prize.” The Paris Review interviewed Charles Wright in 1989 for the Art of Poetry series; he said of the form, There seem to me to be certain absolutes in whatever field of endeavor one is in. In business and banking they may be availability and convertibility, security and safekeeping, minimal loss and steady, incremental accession. I don’t think it’s that way in poetry, though such values will get you to temporary high places. Brilliance is what you reach for, language that has a life of its own, seriousness of subject matter beyond the momentary gasp and glitter, a willingness to take on what’s difficult and beautiful, a willingness to be different and abstract, a willingness to put on the hair shirt and go into the desert and sit still, and listen hard, and write it down, and tell no one. We’re happy to have published six of Wright’s poems in our Summer 2008 issue. Here’s one of them, “In Memory of the Natural World”: Four ducks on the pond tonight, the fifth one MIA. A fly, a smaller than normal fly, Is mapping his way through sun-strikes across my window. Behind him, as though at attention, the pine trees hold their breaths. The fly’s real, the trees are real, And the ducks. But the glass is artificial, and it’s on fire. We wish Wright all the best in his new role.