Elif Batuman describes life after writing a best-selling book and tells how she asked Jonathan Frazen if he had any weed. “There’s some in my freezer,” Franzen replies. “But it’s all the way uptown.” —Thessaly La Force
Having stretched Philip Connors’s Fire Season out over two weeks of late nights, for the pleasure of coming home to it, I tore through Samuel R. Delany’s The Motion of Light in Water in a day. I can’t stop talking about it, because I can’t stop thinking about it. It evokes bohemian New York in the fifties and sixties—gay, straight, and other—more vividly than anything I’ve read. —Lorin Stein
When I saw that Maurice Manning was a finalist for a Pulitzer this year, I went and reread much of his poetry—psalms and pastorals, a philosophical ode to Daniel Boone. If you don’t know his work, you now have no excuse. —Nicole Rudick
What got me about Martin Amis’s The Information were the quick, declarative sentences that suddenly appear in otherwise bleak and descriptive paragraphs. At the start of the novel, Amis skirts around our main character until tying everything together with “He was forty tomorrow, and reviewed books.” The economy of language here is divine. —Rosalind Parry
Jennifer Egan, who was awarded the Pulitzer Prize for fiction this week, discusses her early hopes of becoming a doctor, life as a struggling writer in New York, and the importance of self-criticism and perseverance in a candid interview with The Days of Yore. —Elianna Kan
This letter from Sebastian Junger to Tim Hetherington, the photographer who was killed in Libya this week, is heartbreaking. —T. L.
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