October 5, 2022 Rereading The Ritz of the Bayou: Nancy Lemann’s Shabby-Genteel By James Wolcott New Orleans, 1958. Licensed under CC0 4.0. In our new Fall issue, no. 241, we published Nancy Lemann’s “Diary of Remorse.” To mark the occasion, we asked writers to reflect on Lemann’s remarkable literary career. In the early years of the revived Vanity Fair, I happened to be in Tina Brown’s office when the conversation turned to a dispatch Nancy Lemann had just filed from the trial of Louisiana governor Edwin Edwards, which Nancy, a child of New Orleans, was covering for the magazine. Tina was dissatisfied, borderline exasperated: Nowhere in the article, she complained, did Nancy specify what the trial was about, what the actual charges were, and what the criminal penalties might be; it was all mood, séance atmosphere, and sketch artistry. This was not journalism as we knew it in the halls of Condé Nast. “I’ll talk to Nancy and get her to work all this in up front,” said Pat Towers, Nancy’s editor. In Towers’s comment, I caught an echo of something I once heard Nancy sigh aloud about: an editor’s suggestions regarding her latest novel manuscript, primarily its lack of story. “I guess I’ll have to go back and put in some plot,” Nancy had said—but of course you can’t retroactively implant a plot into a body of fiction as if installing a new transmission. Read More
September 22, 2022 Rereading Nobody Writes Like Nancy Lemann By Susan Minot Photograph by David Wipf. Spanish moss, City Park, New Orleans, June 1958, via Wikimedia Commons. Licensed under CC BY 2.0. Nancy Lemann’s work is deceptive in its meandering. She is thinking deeply even when it seems as if her thoughts are floating. Her laser powers slice into idiocy (and dice it) while they also beam sympathetically onto, as she would call it, the folly of the human condition. Her work evokes something old-fashioned in its manner and tone, and this proves to be a way she keeps herself from being subsumed in the clichés of modern culture even as she is examining it. But she is observing the human being of today. One of her passions is history, with particular attention to architectural preservation and travel. Though she is describing us, we feel she is looking at us from another time, through the lens of the ages. Read More
September 15, 2022 Rereading The Entangled Life: On Nancy Lemann By Krithika Varagur Photograph by Sophie Haigney. In our new Fall issue, no. 241, we published Nancy Lemann’s “Diary of Remorse.” To mark the occasion, we asked writers to reflect on Lemann’s remarkable literary career. I picked up Nancy Lemann’s Lives of the Saints from a sidewalk pile in Greenpoint in October 2020, just a few minutes before it started raining in sheets. I read the novel in one sitting when I got home. The next day, I lent it to a friend with whom I was crashing for a few weeks. She returned it twenty-two months later, at the beach. Before we even left Fort Tilden I found myself lending it out to another friend. I’m not very generous with books, to be honest, but for some reason, this novel, like an early-aughts chain email, demands to be forwarded. It is a short book, which makes it a good loan to a friend, because you can jointly anticipate a sense of accomplishment. And it may then become a field guide to certain shared experiences of Youth—allowing you both to observe, for instance, on a summer night when everyone around you is having Breakdowns, that this is exactly like Lives of the Saints. Read More
December 1, 2021 Rereading On the Alert for Omens: Rereading Charles Portis By Rosa Lyster Annotated pages from the author’s copy of The Dog of the South About a month ago, this man dropped an orange peel on me, deliberately, from the third-floor window of a pink apartment building on Bohdana Khmelnytsky Street in Kyiv, Ukraine. If you would like to picture the scene, you should imagine a man with the same shape of head and beard as Karl Marx, dressed in a high-necked white garment that sits at the intersection of “mystic” and “physician,” eating an orange and staring directly into the tired eyes of a woman who is wearing an ankle-length black coat that makes her feel like a corrupt but dignified old banker and big shiny black shoes that make her feel like a powerful car. I was on my way to the A. V. Fomin Botanical Garden a few streets away, and it was early enough in the morning that I had nothing in my head except the thought of how much I loved my shoes. I’d been gazing down at them as I walked, gloating over them in a way that was Rumpelstiltskinesque, when I realized someone was staring at me, hard, so I looked up and there was this man, in the pink building across the street, eating his orange with glazed conviction and giving off an aura of Rasputin. Read More
November 28, 2021 Rereading “Daddy Was a Number Runner” By Deesha Philyaw Twelve-year-old Francie Coffin is going to be late getting back to school, again. Chatty Mrs. Mackey is delaying her with talk of dreams they both had the night before, dreams about fish. Madame Zora’s dream book gives the number 514 for fish dreams. This is important because Francie has come to collect Mrs. Mackey’s wager on the day’s number. Francie, Mrs. Mackey, and their Harlem neighbors all pin their hopes on “the numbers,” a type of daily underground lottery. Francie collects Mrs. Mackey’s number slip and money on behalf of her father, a neighborhood number runner. As Francie observes, “A number runner is something like Santa Claus and any day you hit the number is Christmas.” Before Francie can make it home to the railroad flat apartment where her mother serves her a dreaded potted-meat sandwich and a weak cup of tea for lunch, she’s chased by Sukie, a bully who also happens to be her best friend. Sukie threatens to “beat the shit out of” Francie yet again. Sukie is evil, light-skinned, and pretty. Francie, who laments being “skinny and black and bad looking,” envies Sukie. Sukie isn’t the only danger lurking around Francie’s tenement. There’s also the bald white man in the doorway to the roof of the building—the same man who had recently followed Francie into a movie theater and gave her a dime before fumbling beneath her skirt. Read More