March 19, 2018 On Writing On Writer’s Block: Advice from Twelve Writers By The Paris Review Our Writers at Work series, which spans sixty-five years of interviews with nearly four hundred writers, offers no shortage of advice. Should this multitude seem daunting, fear not! The editors of The Paris Review have combed through the series and sorted the best tips and tricks into tidy categories meant to guide you through the authorial landscape. In The Writer’s Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from “The Paris Review” Interviews, readers can learn how Eudora Welty and E. B. White revised their prose, what Vladimir Nabokov and Dorothy Parker thought about their editors, how Elena Ferrante and Eileen Myles face success (and failure), how Kurt Vonnegut and Truman Capote dealt with their critics, and much more. The Writer’s Chapbook has it all, from tips on how to begin a work to advice for (and against) writing under the influence. Below is an excerpt from the chapter “Do You Ever Get Writer’s Block?” If you’re hungry for more, you can preorder The Writer’s Chapbook today for $15. But hurry, this discounted price is only available for a limited time. Read More
October 16, 2017 On Writing Katherine Mansfield, Virginia Woolf, and the Benefits of Jealous Friends By Emily Midorikawa and Emma Claire Sweeney Virginia Woolf and Katherine Mansfield We consider ourselves fortunate to have become friends during our early twenties, back when we were at the very start of our literary journeys. We were both English teachers living in rural Japan, and we had both been writing in secret in between lessons, but it took us almost a year to pluck up the courage to “come out” to each other as aspiring authors. We made our mutual confession over bowls of spaghetti in an eccentric, garlic-themed restaurant. Our delight at discovering a friend with the same dream eclipsed any prospect of possible rivalry. From that moment on, although our lives took us geographically in different directions, we trod a joint path as writers. After returning home to the UK, we lived many miles apart but helped each other from afar, reassured by the knowledge that our friend was also eschewing a well-paid profession and making do in the pokiest of apartments to buy some time to write. We shared and critiqued drafts of stories, passed on news of writing courses and contests, and soon confided in each other about our ideas for books. Sweetest to us during these years were what we termed our “writing weekends.” On these occasions, we’d travel across country by train to hole ourselves away in one another’s homes. We spent hours engrossed in our separate worlds on the page but came together to discuss our chapters in cramped kitchenettes—one of us slicing vegetables, the other toasting spices, both of us sipping from large glasses of wine. Together, we’d celebrate any successes: an acceptance on a master’s program, a place on a competition shortlist, signing with a literary agent. As time wore on, however, we’d more frequently find ourselves commiserating over the receipt of yet another publisher’s rejection slip. Read More
August 11, 2017 On Writing Six Tips on Writing Inspired by My Farmers Market By Ann Beattie Lincoln Perry Read More