May 15, 2014 World Cup 2014 The Rebirth of Colombia By David Gendelman A team emerges from the shadow of its past. Teams in the World Cup are generally split among three tiers. The top one consists of those that year in and year out field the best squads in the world—including most of the previous World Cup winners and finalists, such as Brazil, Germany, and Argentina. The bottom tier consists of those from whom no one expects much, other than that they show up on time for matches. Among that group this year are Iran, Australia, and Algeria. But most teams fall somewhere in that second tier, where fans begin the tournament holding out hope that—through a perfect storm of lucky bounces, mistaken calls, beneficial match draws, and brilliant overachievement—their team will cobble together a World Cup championship. Colombia, who have qualified for the World Cup for the first time in sixteen years, is one of these teams. “We qualified for the 1962 World Cup, and the best thing you could say about the Colombian team from then until 1990 was that we tied with Russia in 1962 … It wasn’t even a victory,” said the Colombian writer Juan Gabriel Vásquez, forty-one, the author of the highly acclaimed 2011 novel The Sound of Things Falling, and an avid soccer fan who has closely followed the Colombian team his entire life. “Football is a very big element of the national unity. So the importance that football has had for Colombia has not been really reflected in the results on an international scale.” Read More
May 9, 2014 World Cup 2014 Hulk, the Brazilian Outsider By David Gendelman As the World Cup approaches, we’re featuring a series of essays on this year’s tournament. The 2014 World Cup, which begins on June 12, is all about Brazil. It is the host country, its team is the favorite, its players and manager are the focus of a huge majority of the two hundred million people who live in the nation and millions more who live outside it. Thirty-one other national teams will be arriving in the country next month, some of them with arguably as good a chance of winning the tournament as Brazil. But until the Selecao—or the Selection, as the Brazilian team is called—gets knocked out of the World Cup, every other team will be a guest in its house. At nearly every position on the field, Brazil fields some of the best players in the world from the best teams in the world: its star, the forward Neymar, who plays for Barcelona during the club season; its playmaker, Oscar, who plays in London for Chelsea; its defenders Marcelo and Thiago Silva, who play for Real Madrid and Paris Saint-Germain, respectively. The only thing the team doesn’t have this year is a Ronaldo; as the British writer John Lanchester pointed out before the 2006 World Cup, the team then nearly included four of them—“Ronaldao, Ronaldo, Ronaldinho, and Ronaldinhozinho: big Ronald, normal-sized Ronald, small Ronald, and even smaller Ronald.” In place of all those Ronaldos, though, Brazil has Hulk—its starting right winger, who has a build far different from most any other soccer player in the country, or the world, for that matter. On the pitch, his upper body looks like someone tried to wrap an undersize jersey over a brick house. Hulk plies his trade at Zenit St. Petersburg, in Russia, almost as close as a Brazilian can get to soccer Siberia as the United States. He’s also somewhat removed from the country’s samba school of soccer, a style of play the nation prides itself on and that is commonly referred to as Jogo Bonito, or the Beautiful Game. It’s best represented this year by the creative footwork of Neymar and Oscar, who dodge and dart every which way while maintaining control of the ball as if it were on the long end of a yo-yo attached to their toes instead of their fingers. This isn’t Hulk’s game; his is more the battering ram. Read More