December 30, 2011 Fiction Strangers By Tallis Eng We’re out this week, but we’re re-posting some of our favorite pieces from 2011 while we’re away. We hope you enjoy—and have a happy New Year! Laurel Nakadate, still from Stay the Same Never Change, 2008, 93 minutes. When I was in high school, the few friends I had all lived in other states—the far-flung gains of various summer camps—which meant that I took a lot of long train trips on weekends. On these rides, I developed the habit of sitting next to a very specific kind of stranger: a middle-aged man who looked lonely. The goal was to find someone who’d talk nonstop. That was how I met Tom Malone: on the train from New York to Raleigh. Over the course of the eight-hour journey, he talked about everything from his government job to his pit bull’s separation anxiety. He told me he used to braid his ex-wife’s hair every night, back when they were married. He explained in detail the reasons Amtrak’s business model was bound to fail. He said my name a lot, and with formality: “Here’s the thing, Jean,” and so on. I’d never felt safer in my life, sitting next to Tom—his belly like a life raft, and me nodding like a therapist. At one point though, he ruined the spell. He said, “You look exactly like that girl Lennon dated. What’s her name.” “Yoko Ono?” I said. “No, no, not Yoko Ono. Oh, darn it. May. May Pang? You know her? Lost weekend?” I didn’t know her. And I wanted us to go back to talking about him. About five years ago, when I first saw the work of artist Laurel Nakadate, I could have sworn that she had cast Tom in one of her videos, which feature middle-aged, sometimes overweight, mostly white men who had approached her in the street or hit on her in parking lots. In return, she’d invited them to go home with her and act out strange one-on-one scenarios in front of video cameras. We see them shaking her inert body and yelling, “Wake up! Wake up!” or performing an exorcism, or sharing a birthday cake. In a scene from I Want to Be the One to Walk in the Sun (2006), her hirsute costar strips down to his loose-fitting underpants, while she takes off everything but her bra and panties. Then, with her index finger, she traces a clockwise circle in the air over his head. It’s a signal for him to spin around, which he does, while she watches, unblinking and tender. Read More
December 1, 2011 Fiction 420 Characters By Lou Beach Illustration by Lou Beach.The stories you are about to encounter were written as status updates on a large social-networking site. These updates were limited to 420 characters, including letters, spaces, and punctuation. The author hopes you enjoy them. I KEEP MY FRIENDS IN A BOX under the bed, categorized and separated, secured by blue rubber bands that originally held broccoli. One day I removed the lid and saw that they had all turned into little bones. I strung them together into a long strand that I looped around and around my neck. TURNS OUT she wasn’t really pregnant, just doing a number, needing someone to hold onto. Hell, I’ve been married four times, I sussed it out. Anyways, I cut her loose in Bismarck and got a job on a road crew. Saw a big gray wolf deep in a field of snow. He sniffed the air and was gone. THERE IS A PLACE I visit, where no one else goes. The rocks are slippery and sharp, the drop to the dark sea below makes me dizzy. The sun never muscles its way through the gang of clouds that hover overhead shedding a mist that plasters my thin hair to my head, makes me turn up my collar. No, you can’t go with me, I don’t want a sandwich to take, thermos of hot chocolate, though your asking may keep me home. THE FLOOR MANAGER cued him for the break. “When we return—a report on elder abuse.” He stood and stretched, sat back down when the stylist came to fix his makeup, adjust his hair. “You’re so handsome,” she whispered as she dropped two pills into his waiting hand. “You’re killing me,” he said and put his hand on her ass. I DON’T KNOW HOW she tracked me from Bismarck. Maybe she followed my scent. Anyway I was working in Waukesha putting up vinyl siding and I look down and there she is, looking up at me with a hand on the ladder. “Hey.” “Hey.” I was still a little pissed at that pregnancy bullshit she tried to pull, but there was something about the curve of her neck and that dumbass gap-toothed grin … Read More
November 14, 2011 Fiction Green Car, Nightfall By Margaret Weatherford Photograph by Boosbob50. One day when my father’s car overheated down in Chula Vista, he came home with beans in a can the size of an oil drum. “This is what the real Mexicans eat,” he announced. That sounded suspicious. We ate beans our mom cooked on the stove and supposed real Mexicans did the same. We gathered skeptically as my dad opened the can. “Look at these beans!” he beamed. He was ready to dig in without even heating them up. We stared into the murky depths. Nobody else wanted to try them. One day as we headed north on Interstate 5, a radiator hose burst right by the big, hollow globe, tilting on its axis in El Toro. Two hippies hitchhiking on the on-ramp kept offering us their ten-gallon bottle of water. “Water won’t do it,” my father said. “It’ll run right through.” There was an Episcopal church there across the street, and the priest took us in for the afternoon. It was 103 degrees that day, but cool in the church. My brothers and I walked up and down the adobe halls for hours. We drank chocolate milk from cartons. The hippies and their dog and their baby and their ten-gallon bottle of water got a ride in a Volkswagen heading for Oregon, but we were there in El Toro till nightfall. I don’t know how my father fixed the car. Read More
October 10, 2011 Fiction At the Hotel Roquefort By James Jones James Jones. The Paris Review was founded in 1953, the year after my father won the National Book Award for his novel From Here to Eternity. James Jones was a newcomer on the literary scene, an outsider who had fought in the Pacific and had only completed two semesters of college. By the time my parents moved to Paris in 1958, The Paris Review was a hugely important literary magazine. And although my father never felt a part of the highly educated, ivory-tower crowd, he was extremely fond of William Styron, George Plimpton, and Peter Matthiessen, the magazine’s founders, and felt a deep kinship with them as people who were committed to the written word. My father was interviewed by Nelson W. Aldrich Jr. for the Autumn/Winter 1958–59 issue of The Paris Review, just after the publication of his second novel, Some Came Running, which was savaged by the critics. The interview gave my father a chance to speak his mind and set the record straight, and it is one of the best interviews he ever gave. It seems only fitting that a section of his earliest, unpublished work should be printed in The Paris Review, whose three founders came to his defense and continued to stand by him and his work long after his death in 1977. —Kaylie Jones Read More
September 14, 2011 Fiction New Art Museum in Hamburg Blown Up By Terry Southern In 1962, Olympia Press editor Maurice Girodias published Terry Southern’s story “New Art Museum in Hamburg Blown Up” in the first issue of the short-lived literary magazine, Olympia (it ran for only four issues). Southern’s trenchant and funny piece was in excellent company: the issue also featured ten episodes from William S. Burroughs’s The Soft Machine, poems by Lawrence Durrell, a selection from Southern’s pornographic novel, Candy, and a suppressed chapter from J. P. Donleavy’s The Ginger Man. This was not a publication to be taken lightly. Southern’s story was relegated to “long-lost” status before his son, Nile, proposed it for inclusion in Gabriel Levinson’s forthcoming anthology, A Brief History of Authoterrorism. We’re pleased to welcome it back after nearly fifty years. Read More
May 6, 2011 Fiction Contact By Adam Gilders I remember thinking, after the second or third unreturned phone call, maybe this is how it begins with stalkers. A few unreturned phone calls, three or four, but it’s the absence of a good reason that really sets you off. I mean, why isn’t he returning those calls? There’s no good reason. You want to address the problem, to set things straight. So there’s a few more calls, like, why aren’t you answering my calls? It’s not that it’s a big deal to me, it’s not that I don’t have anything else to do, or that my life lacks meaning, but there’s no good reason to be avoiding me. We used to be pretty good friends, and it’s not like we had a big falling out. I mean, it just came into my mind to give you a call, since we hadn’t been in touch for a few years, and I thought maybe you’d want to know that things hadn’t worked out with my marriage. The point is, I suddenly had an insight about how stalkers are born: mounting frustration, burning resolution, determination to make contact. So you’re thinking the stalker gives birth to himself, but the stalker, and I use the word loosely, very loosely, isn’t necessarily responsible for the birth; there’s at least two parents, I mean. There was never any threat to your person. With the restraining order you reported that you had reason to believe that you were in danger. The only one who was in danger: me. I’m the first to admit that I went too far with some of my … When I cut off the tip of my finger and sent it in a package. Sent the tip of my thumb, with the note: What would it take Dale? (What does it?) How did that add up to a threat to you Dale? It added up to a lot of pain for me, but not a threat. If he stopped thinking about himself for five minutes and thought about … Sent him my finger. Do you know what that’s like, in terms of pain? Friend is: Dale This story first appeared in Another Ventriloquist. See also: “Adam Gilders and Another Ventriloquist.”