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Shelby Foote.
This week at The Paris Review, we’re spilling ink. Read on for Shelby Foote’s Art of Fiction interview, A. S. Byatt’s short story “The Djinn in the Nightingale’s Eye,” and Jean Sénac’s poem “Young Deluge.”
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Shelby Foote, The Art of Fiction No. 158 Issue no. 151 (Summer 1999)
INTERVIEWER What precisely is a blotter? FOOTE This is a blotter [pointing] and if you haven’t got one you’re up the creek. You use the blotter to keep the ink from being wet on the page. You put the blotter on top and blot the page. I was talking about blotters in an interview, what a hard time I had finding them, and I got a letter from a woman in Mississippi. She said, I have quite a lot of blotters I’ll be glad to send you. So I got blotters galore. Ink is another problem. I got a phone call from a man in Richmond, Virginia who had a good supply of ink in quart bottles. I got three quarts from him, so I’m in good shape on that.
INTERVIEWER
What precisely is a blotter?
FOOTE
This is a blotter [pointing] and if you haven’t got one you’re up the creek. You use the blotter to keep the ink from being wet on the page. You put the blotter on top and blot the page. I was talking about blotters in an interview, what a hard time I had finding them, and I got a letter from a woman in Mississippi. She said, I have quite a lot of blotters I’ll be glad to send you. So I got blotters galore. Ink is another problem. I got a phone call from a man in Richmond, Virginia who had a good supply of ink in quart bottles. I got three quarts from him, so I’m in good shape on that.
Photo: Eric Magnan. CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0), via Wikimedia Commons.
The Djinn in the Nightingale’s Eye By A. S. Byatt Issue no. 133 (Winter 1994)
The phrase was, of course, not her own; she was, as I have said, a being of a secondary order. The phrase was John Milton’s, plucked from the air, or the circumambient language, at the height of his powers, to describe the beauty of the primordial coils of the insinuating serpent in the Paradise garden. Gillian Perholt remembered the very day these words had first coiled into shape and risen in beauty from the page, and struck at her, unsuspecting as Eve. There she was, sixteen years old, a golden-haired white virgin with vague blue eyes (she pictured herself so) and there on the ink-stained desk in the dust was the battered emerald-green book, ink-stained too, and second-hand, scribbled across and across by dutiful or impatient female fingers, and everywhere was a smell, still drily pungent, of hot ink and linoleum and dust if not ashes, and there he was, the creature, insolent and lovely before her …
Photo: Max Stanworth. CC BY 2.0 (https://creativecommons.org/licenses/by/2.0), via Wikimedia Commons.
Young Deluge By Jean Sénac, translated by Mark Polizzotti Issue no. 96 (Summer 1985)
Nothing. About you I know only the weight of a little ink in a bookseller’s stall and the rumbling of keg-laden trucks on a ramp. (Curved wood and the dregs of childhood you lead me to. Oh, to know nothing. — I’ll call your name when your thighs in hurried strokes weigh blue on the poem you dredge from my body.) I’ll call your name …
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