In March, The Paris Review launched The Art of Distance, a newsletter highlighting unlocked archive pieces that resonate with the staff of the magazine, quarantine-appropriate writing on the Daily, resources from our peer organizations, and more. Read Emily Nemens’s introductory letter here, and find the latest unlocked archive selection below.
“We’re trying something new with The Art of Distance this month. Over the next four weeks, we’re serializing a story in four parts. Deciding what to share was no easy task. We have more than a thousand stories, novel excerpts, and other permutations of storytelling in the magazine’s archive. (I’d be remiss not to remind you that subscribers to the print magazine just have to link their account to get digital access to those stories in their entirety—and to more than four hundred Writers at Work interviews and north of four thousand poems as well.) That being said, Edward P. Jones’s “Marie,” which originally appeared in issue no. 122 (Spring 1992), felt like a natural choice for this moment. (The story later appeared in Jones’s PEN/Hemingway Award–winning debut collection, Lost in the City.) Here is a story about the possibility—and the frustrations—of Washington, D.C., about ageism and bureaucracy and the importance of listening to each other. So without further ado, please enjoy part 1 of “Marie,” by Edward P. Jones.” —EN
P.S. Today also happens to be Jones’s birthday—happy birthday, Edward!
Every now and again, as if on a whim, the Federal government people would write to Marie Delaveaux Wilson in one of those white, stampless envelopes and tell her to come in to their place so they could take another look at her. They, the Social Security people, wrote to her in a foreign language that she had learned to translate over the years, and for all of the years she had been receiving the letters the same man had been signing them. Once, because she had something important to tell him, Marie called the number the man always put at the top of the letters, but a woman answered Mr. Smith’s telephone and told Marie he was in an all day meeting. Another time she called and a man said Mr. Smith was on vacation. And finally one day a woman answered and told Marie that Mr. Smith was deceased. The woman told her to wait and she would get someone new to talk to her about her case, but Marie thought it bad luck to have telephoned a dead man and she hung up.
Now, years after the woman had told her Mr. Smith was no more, the letters were still being signed by John Smith. Come into our office at Twenty-First and M Streets, Northwest, the letters said in that foreign language. Come in so we can see if you are still blind in one eye. Come in so we can see if you are still old and getting older. Come in so we can see if you still deserve to get Supplemental Security Income payments.
She always obeyed the letters, even if the order now came from a dead man, for she knew people who had been temporarily cut off from SSI for not showing up or even for being late. And once cut off, you had to move heaven and earth to get back on.
So on a not unpleasant day in March, she rose in the dark in the morning, even before the day had any sort of character, to give herself plenty of time to bathe, eat, lay out money for the bus, dress, listen to the spirituals on the radio. She was eighty-six years old and had learned that life was all chaos and painful uncertainty and that the only way to get through it was to expect chaos even in the most innocent of moments. Offer a crust of bread to a sick bird and you often draw back a bloody finger.
John Smith’s letter had told her to come in at eleven o’clock, his favorite time, and by nine that morning she had had her bath and had eaten. Dressed by 9:30. The walk from Claridge Towers at Twelfth and M down to the bus stop at Fourteenth and K took her about ten minutes, more or less. There was a bus at about 10:30, her schedule told her, but she preferred the one that came a half hour earlier, lest there be trouble with the 10:30 bus. After she dressed, she sat at her dining room table and went over yet again what papers and all else she needed to take. Given the nature of life—particularly the questions asked by the Social Security people—she always took more than they might ask for: her birth certificate, her husband’s death certificate, doctors’ letters.
One of the last things she put in her pocketbook was a knife that she had, about seven inches long, which she had serrated on both edges with the use of a small saw borrowed from a neighbor. The knife, she was convinced now, had saved her life about two weeks before. Before then she had often been careless about when she took the knife out with her, and she had never taken it out in daylight, but now she never left her apartment without it, even when going down the hall to the trash drop.
She had gone out to buy a simple box of oatmeal, no more, no less. It was about seven in the evening, the streets with enough commuters driving up Thirteenth Street to make her feel safe. Several yards before she reached the store, the young man came from behind her and tried to rip off her coat pocket where he thought she kept her money, for she carried no purse or pocketbook after five o’clock. The money was in the other pocket with the knife, and his hand was caught in the empty pocket long enough for her to reach around with the knife and cut his hand as it came out of her pocket.
He screamed and called her an old bitch. He took a few steps up Thirteenth Street and stood in front of Emerson’s Market, examining the hand and shaking off blood. Except for the cars passing up and down Thirteenth Street, they were alone, and she began to pray.
“You cut me,” he said, as if he had only been minding his own business when she cut him. “Just look what you done to my hand,” he said and looked around as if for some witness to her crime. There was not a great amount of blood, but there was enough for her to see it dripping to the pavement. He seemed to be about twenty, no more than twenty-five, dressed the way they were all dressed nowadays, as if a blind man had matched up all their colors. It occurred to her to say that she had seven grandchildren about his age, that telling him this would make him leave her alone. But the more filth he spoke, the more she wanted him only to come toward her again.
“You done crippled me, you old bitch.”
“I sure did,” she said, without malice, without triumph, but simply the way she would have told him the time of day had he asked and had she known. She gripped the knife tighter, and as she did, she turned her body ever so slightly so that her good eye lined up with him. Her heart was making an awful racket, wanting to be away from him, wanting to be safe at home. I will not be moved, some organ in the neighborhood of the heart told the heart. “And I got plenty more where that come from.”
The last words seemed to bring him down some and, still shaking the blood from his hand, he took a step or two back, which disappointed her. I will not be moved, that other organ kept telling the heart. “You just crazy, thas all,” he said. “Just a crazy old hag.” Then he turned and lumbered up toward Logan Circle, and several times he looked back over his shoulder as if afraid she might be following. A man came out of Emerson’s, then a woman with two little boys. She wanted to grab each of them by the arm and tell them she had come close to losing her life. “I saved myself with this here thing,” she would have said. She forgot about the oatmeal and took her raging heart back to the apartment. She told herself that she should, but she never washed the fellow’s blood off the knife, and over the next few days it dried and then it began to flake off.
Toward ten o’clock that morning Wilamena Mason knocked and let herself in with a key Marie had given her.
“I see you all ready,” Wilamena said.
“With the help of the Lord,” Marie said. “Want a spot a coffee?”
“No thanks,” Wilamena said, and dropped into a chair at the table. “Been drinkin’ so much coffee lately, I’m gonna turn into coffee. Was up all night with Calhoun.”
“How he doin’?”
Wilamena told her Calhoun was better that morning, his first good morning in over a week. Calhoun Lambeth was Wilamena’s boyfriend, a seventy-five-year-old man she had taken up with six or so months before, not long after he moved in. He was the best-dressed old man Marie had ever known, but he had always appeared to be sickly, even while strutting about with his gold-tipped cane. And seeing that she could count his days on the fingers of her hands, Marie had avoided getting to know him. She could not understand why Wilamena, who could have had any man in Claridge Towers or any other senior citizen building for that matter, would take such a man into her bed. “True love,” Wilamena had explained. “Avoid heartache,” Marie had said, trying to be kind.
They left the apartment. Marie sought help from no one, lest she come to depend on a person too much. But since the encounter with the young man, Wilamena had insisted on escorting her. Marie, to avoid arguments, allowed Wilamena to walk with her from time to time to the bus stop, but no farther.
Want to keep reading? Subscribers can unlock the whole story today. Otherwise, tune in next Monday for part 2, and meanwhile, check out Edward P. Jones’s unlocked Art of Fiction interview.
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