Earlier today, we announced that Richard Howard will receive The Paris Review’s 2017 Hadada Award. To celebrate, we’re sharing “On Tour,” a poem by Howard from our Summer 1956 issue.
It is the movement that disturbs the line. Thickening the form. Turning into warm Compression what had once been cold and fine.
Seen from down here, if only we remained. These hills are high: Driving on, the sky Imposes, and no longer can be trained
By any structure of the seeming ground. Landscape, I discover, As the car gains over Something that changes from a little mound
To monstrous eminence before your eyes. Landscape can flaunt, can Fail like the heart of man: And when you see the difference in size
Of cliffs we once considered at the bright Grass along their peak And then saw from the bleak Extremity of sand below, the sight
Gives more than pause—alas, it gives the slow Ruin of our hopes Fed upon the slopes From where we’ve been to where we want to go.
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