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Best of 2015

We’re away until January 4, but we’re re-posting some of our favorite pieces from 2015. Please enjoy, and have a happy New Year!

Christo, Red Store Front (Project), collage, 1965, 40″ x 48″ x 2”, pencil, charcoal, enamel paint, wax crayon, wood, fabric, Plexiglas, and electric light. Image courtesy Craig F. Starr Gallery

Notes on shopping and giving.

I used to get coffee at Pret a Manger almost every morning. It’s a noisy and bustling shop in Union Square, the sort of high-impact environment that teaches people how to shout at one another without sounding unfriendly. (“No, I said I would not like cream cheese!” he yelled at the cashier, smiling with his eyes.) The staff there has been rigorously trained, and no matter how large the crowds are, you can expect to get in and out in just a few minutes. Obviously this is because you’re gently shepherded through the stages of a scripted consumer experience, with the store’s layout, color scheme, music, temperature, and copywriting all doing their part to vectorize you. Later I would learn that Pret, which has more than 350 locations worldwide, holds its employees to stringent standards of affective labor, demanding that they touch one another frequently and display signs of authentic happiness, but I was only intermittently aware of this when I visited regularly. Usually I emerged (my coffee cup snug in its cardboard sleeve, to keep my hand from burning) with the prideful sense that I’d mastered the form of the transaction, with its nested sets of thank yous and predetermined courtesies. I knew the questions the cashier would ask, always with a brittle rictus of corporate-mandate cheer, and I knew the exact order of the questions, and how to answer them. The only bumpiness came at the end of the script, after I’d declined a receipt and the cashier had said, “Thank you, have a great day.” For a while, I responded, “Thanks—you, too,” and the transaction ended there. But I discovered that a slight tweak to this response could advance the dialogue to a third, hidden stage. If I said “You, too—thanks,” the cashier would say, “You’re welcome. Come see us again.”

I tried for several months to find some rejoinder to this, something to elicit some unscripted reaction. “Count on it!” Or, “Don’t mind if I do!” Or, “You know I will, you see me here every morning, five days a week!” Even my best efforts got me nothing but canned laughter (very lifelike canned laughter, it must be said) or another perfunctory exchange of thank-yous. But I was after a human moment. I wanted to parry one rote cordiality against another until the cashier, at last, gave in and acknowledged the ruse. “Look at us,” he’d whisper, “dragooned day after day into this hollow pas de deux of late capitalism.” Then we’d go rob a bank together. Read More >>