The French Canadian artist Guy Laramée, whom we’ve featured before on the Daily, has a new series of book sculptures, “Onde Elles Moran”—“Where They Live.” Laramée spent nine months on the series, which features Brazilian birds painted on secondhand, linen-bound Clássicos Jackson—something akin to our Great Books of the Western World, those generically handsome tomes seemingly designed to collect dust on attractive shelves—with the birds’ native habitats carved into the pages.
Laramée has become known for his book sculptures, which he began about five years ago; he regards books as raw material in need of processing, and he’s proven unafraid to go at them with a chain saw. But he can also approach the medium with a miniaturist’s attention to detail, as demonstrated in the topography of the landscapes here; he uses . “It all started in a sand blaster cabinet,” he said in an interview with ANOBIUM about the sculptures’ genesis:
I put a book in there—stupid idea—and there it was. Within seconds I saw the landscape, the drama, Borges, the little people who lived in books, everything … I never really totally forget that these are books, that my raw material is not wood, not even paper, but a book. At times I’m lost in the project, in the landscape. But a book is a book, structurally. The pages are not glued, so you have to respect the structure, from the binding of each pages to the cover, otherwise pages will fly away when you release the clamps.
Dan Piepenbring is the web editor of The Paris Review.