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Punks Behind the Iron Curtain, and Other News

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On the Shelf

Survival-Instruction-performs-at-Tyumen-festival-in-1988--from-Artur-Strukov-s-archives

Survival Instruction, a Siberian punk band, in 1988. Photo by Artur Strukov, via Noisey

  • Richard Price talks to David Simon about crime, television, crime on television, and his father as a less-than-ideal reader: “I ran into him about three months after [my first novel] came out. It was one o’clock in the afternoon and he said, ‘Come on, let’s get a Tequila Sunrise’—you know, it’s 1974—or a Harvey Wallbanger or something. He said, ‘Yeah, I got the book, I read it, you know, it wasn’t like a good book or anything.’ I said, ‘Oh … ’ ”
  • James Wood, literary evangelical, defends books as a religion: “By fixing on humdrum domestic details, novels, [Wood] says, redeem life and rescue it from its sad ephemerality; a book is not solitary, like the person who reads it, but dispenses ‘proximity, fellow-feeling, compassion, communion … I am taking a religious view of a form that’s very earthly, and there’s some tension between my approach and that worldliness.’ ”
  • Punk music has thrived in plenty of unlikely places, but Siberia embraced its ethos as nowhere else could, providing “the perfect incubator for nurturing the creative malice punk requires … Lacking any official rock clubs in Siberia, punks colonized cafeterias, apartments, libraries and local ‘Houses of Culture’—the Soviet equivalent to VFW halls. Dorm rooms hosted entire rock festivals.” (But the bands couldn’t put on the punk uniform: “In Siberia, if you looked like that on the street, you wouldn’t be able to walk more than 100 meters. After that, someone would just take you around the corner and beat the shit out of you.”)
  • “In a photograph, a person’s history is buried as if under a layer of snow,” Siegfried Kracauer, “the Frankfurt School’s freelance intellectual par excellence,” once wrote. A new book of his family snapshots captures his “desire to reproduce reality at its most transient.”
  • Umberto Eco’s How to Write a Thesis, first published in 1977, has at last arrived in English. It’s about “what the thesis represents: a magical process of self-realization, a kind of careful, curious engagement with the world that need not end in one’s early twenties.”